Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Under the direction of veteran producer John Reynolds (Sinéad O'Connor, Jah Wobble), Dubliner Damien Dempsey pieced together his second full-length, Seize the Day. In Reynolds, Dempsey found an ally, one willing to line up a couple of heavy guests (O'Connor appears here as does Brian Eno) and create a stunningly fastidious sonic space wonderfully suited to Dempsey's strong and clean vocal delivery, but while the sound is admirable, there are a couple of moments on Seize the Day that conceptually falter. The first example comes out of the gate early in the album with the opening track, "Negative Vibes." Although it seems clear Dempsey and Reynolds had a particular vision for "Negative Vibes," the end result sounds confused, as if the pair couldn't quite reconcile a smooth transition from simple, unadorned, lightly strummed folky verses to the dub reggae of the prechoruses to the pastoral, sweeping strings that anchor the choruses. This is not to say that surprising turns aren't appreciated, but having "Negative Vibes" open the record fails to deliver the message of what kind of album Seize the Day is supposed to be. Even with the clumsy start, Dempsey recovers immediately with the gorgeous "Ghosts of Overdoses," a song beautifully rendered with strings and accordion, and many other songs on Seize the Day deliver successfully, such as "Industrial School" and the heavily treated "Jar Song," where Dempsey name checks fellow Irishmen Shane MacGowan and author/playwright Brendan Behan with a gracious nod. Overall Seize the Day is a fruitful venture with occasional pitfalls, but a recording worth working through to find the great moments.
© Gregory McIntosh /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From CA$ 10.83/month
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Unknown, Composer, Lyricist - Copyright Control, MusicPublisher - Damien Dempsey, MainArtist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Copyright Control, MusicPublisher - Damien Dempsey, Composer, Lyricist, MainArtist - Patrick Jude, Composer, Lyricist
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Album review
Under the direction of veteran producer John Reynolds (Sinéad O'Connor, Jah Wobble), Dubliner Damien Dempsey pieced together his second full-length, Seize the Day. In Reynolds, Dempsey found an ally, one willing to line up a couple of heavy guests (O'Connor appears here as does Brian Eno) and create a stunningly fastidious sonic space wonderfully suited to Dempsey's strong and clean vocal delivery, but while the sound is admirable, there are a couple of moments on Seize the Day that conceptually falter. The first example comes out of the gate early in the album with the opening track, "Negative Vibes." Although it seems clear Dempsey and Reynolds had a particular vision for "Negative Vibes," the end result sounds confused, as if the pair couldn't quite reconcile a smooth transition from simple, unadorned, lightly strummed folky verses to the dub reggae of the prechoruses to the pastoral, sweeping strings that anchor the choruses. This is not to say that surprising turns aren't appreciated, but having "Negative Vibes" open the record fails to deliver the message of what kind of album Seize the Day is supposed to be. Even with the clumsy start, Dempsey recovers immediately with the gorgeous "Ghosts of Overdoses," a song beautifully rendered with strings and accordion, and many other songs on Seize the Day deliver successfully, such as "Industrial School" and the heavily treated "Jar Song," where Dempsey name checks fellow Irishmen Shane MacGowan and author/playwright Brendan Behan with a gracious nod. Overall Seize the Day is a fruitful venture with occasional pitfalls, but a recording worth working through to find the great moments.
© Gregory McIntosh /TiVo
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:52:12
- Main artists: Damien Dempsey
- Composer: Various Composers
- Label: Good Deeds Music
- Genre: Folk/Americana
2004 Clear Records Under Exclusive Licence to Good Deeds Music 2004 Clear Records Under Exclusive Licence to Good Deeds Music
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.