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Nicky Spence|My First Love

My First Love

Nicky Spence

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Universal Classics and Jazz has made a habit of releasing albums by unknown young classically trained singers and placing them in the pop charts, albeit in most cases not very high. Then again, UCJ was one of the only record companies doing this on such a scale, and sometimes it worked, sometimes it didn't. One such singer was Scottish tenor Nicky Spence. His debut album -- produced by Chris Hazell, who had previously worked with Aled Jones and Bryn Terfel, two other successful crossover singers -- was called My First Love, which presumably referred to singing. And he sings very well, at least as well as one might expect from a release on the UCJ label. My First Love included a combination (weren't most of them?) of traditional Scottish songs such as "My Love Is Like a Red, Red Rose," "The Skye Boat Song," and "Ay Fond Kiss," and just for good measure he stuck the song "Maria" from West Side Story in the middle, maybe because it's just a good song. Also included were classical works Santa Lucia, Every Valley, an aria from Handel's Messiah, and L'Ultima Canzone and Brindisi from Verdi's La Traviata, on which he was joined by one of the more successful singers in this genre, Lesley Garrett, who had also recently signed for the label. So Nicky Spence was a good singer, and he had a human interest story, as he used to be twice his size and worked in a chip shop. But the marketing department of UCJ would know it takes more than that to make a star -- somehow there has to be a connection with the masses -- and on the evidence of My First Love, it didn't happen.

© Sharon Mawer /TiVo

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My First Love

Nicky Spence

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1
My Love is Like a Red Red Rose
00:04:44

Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Robert Burns, Composer - Ian McMillan, Conductor - Neil Martin, Whistle, Uilleann Pipes, MainArtist, AssociatedPerformer - Nicky Spence, MainArtist - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

2
Santa Lucia (Album Version)
00:02:34

Erich Becht, Arranger, Work Arranger - Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Teodoro Cottrau, ComposerLyricist - Ian McMillan, Conductor - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer - Tony Burke, Co-Arranger, AssociatedPerformer

℗ 2006 Universal Classics & Jazz

3
A Chloris
00:02:47

Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Reynaldo Hahn, Writer, AssociatedPerformer, ComposerLyricist - Ian McMillan, Conductor - Nicky Spence, Vocalist, MainArtist, AssociatedPerformer - Annabel Thwaite, Piano, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

4
Girls Were Made To Love and Kiss (Gern Hab'ich die Frau'n gekusst) (from Paganini)
00:02:58

Franz Lehár, Composer - Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Ian McMillan, Conductor - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

5
Brindisi (from Traviata) (Album Version)
00:03:18

Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Giuseppe Verdi, Composer - Lesley Garrett, Singer/Speaker, FeaturedArtist, AssociatedPerformer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Francesco Maria Piave, Author - Ian McMillan, Conductor - Maida Vale Singers, Choir, Vocals, MainArtist, AssociatedPerformer - Nicky Spence, MainArtist - Christopher Lee, Music Director & Conductor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

6
Skye Boat Song
00:04:12

Traditional, Composer - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Robert Burns, Writer, AssociatedPerformer - Neil Martin, Whistle, Uilleann Pipes, AssociatedPerformer - Nicky Spence, Vocals, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

7
Silent Worship
00:01:55

Royal Philharmonic Orchestra, Orchestra - George Frideric Handel, Composer, Writer, AssociatedPerformer - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Ian McMillan, Conductor - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Arthur Somervell, Arranger, Work Arranger - Jane Ward, Producer, Associate Producer - Tony Burke, Recording Arranger, AssociatedPerformer

℗ 2006 Universal Classics & Jazz

8
Maria (from Westside Story) (Album Version)
00:03:02

Leonard Bernstein, Composer - Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Ian McMillan, Conductor - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

9
Ae Fond Kiss (Album Version)
00:04:14

Traditional, Composer - Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Robert Burns, Author - Ian McMillan, Conductor - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

10
L'Ultima Canzone (Album Version)
00:04:23

Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Paolo Tosti, Composer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Ian McMillan, Conductor - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

11
Jesu, Joy of Man's Desiring
00:03:13

Royal Philharmonic Orchestra, Orchestra - Johann Sebastian Bach, Composer - Chris Hazell, Producer, Arranger, Work Arranger - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Ian McMillan, Conductor - Nicky Spence, Arranger, Tenor, Work Arranger, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

12
Every Valley (Aria From Messiah) (Album Version)
00:03:32

Royal Philharmonic Orchestra, Orchestra - George Frideric Handel, ComposerLyricist - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Nicky Spence, Vocals, MainArtist, AssociatedPerformer - Ian McMillian, Conductor - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

13
For The Love Of A Princess (Album Version)
00:04:37

Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - James Horner, Composer, Vocal Arranger, AssociatedPerformer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - Ian McMillan, Conductor - Neil Martin, Whistle, Uilleann Pipes, MainArtist, AssociatedPerformer - Ian Stephens, Arranger, Co-Arranger, Work Arranger, AssociatedPerformer - Nicky Spence, Co-Arranger, Contributor, Tenor, Work Editor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

14
Vainement, ma bien-aimee (from Le Roi d'Ys) (Album Version)
00:03:04

Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Asst. Recording Engineer, StudioPersonnel - Edouard Lalo, Composer - Ian McMillan, Conductor - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer - Edouard Stanislas Viateur Blau, Author

℗ 2006 Universal Classics & Jazz

15
The Cloths of Heaven (Album Version)
00:02:21

Royal Philharmonic Orchestra, Orchestra - Chris Hazell, Producer, Recording Arranger, AssociatedPerformer - Will Brown, Asst. Recording Engineer, StudioPersonnel - Simon Eadon, Recording Engineer, StudioPersonnel - William Butler Yeats, Author - Ian McMillan, Conductor - Thomas Dunhill, Composer - Nicky Spence, Tenor, MainArtist, AssociatedPerformer - Jane Ward, Producer, Associate Producer

℗ 2006 Universal Classics & Jazz

Album review

Universal Classics and Jazz has made a habit of releasing albums by unknown young classically trained singers and placing them in the pop charts, albeit in most cases not very high. Then again, UCJ was one of the only record companies doing this on such a scale, and sometimes it worked, sometimes it didn't. One such singer was Scottish tenor Nicky Spence. His debut album -- produced by Chris Hazell, who had previously worked with Aled Jones and Bryn Terfel, two other successful crossover singers -- was called My First Love, which presumably referred to singing. And he sings very well, at least as well as one might expect from a release on the UCJ label. My First Love included a combination (weren't most of them?) of traditional Scottish songs such as "My Love Is Like a Red, Red Rose," "The Skye Boat Song," and "Ay Fond Kiss," and just for good measure he stuck the song "Maria" from West Side Story in the middle, maybe because it's just a good song. Also included were classical works Santa Lucia, Every Valley, an aria from Handel's Messiah, and L'Ultima Canzone and Brindisi from Verdi's La Traviata, on which he was joined by one of the more successful singers in this genre, Lesley Garrett, who had also recently signed for the label. So Nicky Spence was a good singer, and he had a human interest story, as he used to be twice his size and worked in a chip shop. But the marketing department of UCJ would know it takes more than that to make a star -- somehow there has to be a connection with the masses -- and on the evidence of My First Love, it didn't happen.

© Sharon Mawer /TiVo

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