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Rising from the darkness of the Canadian rave scene at the start of the 2010s, Grimes quickly made her way up the ladder of success. Her synthetic hit Vanessa allowed her to amass a fanbase that was obsessed with her post-teenage voice and elfish look, and at the end of the 2010s, Pitchfork named Oblivion (written following a sexual assault and taken from her 2012 album Vision) the second-best song of the entire decade. It’s this kind of distinction that reminds us that she is an artist that knows exactly how to transcribe emotions into songs, and not just the girlfriend of multi-billionaire Elon Musk.
Miss Anthropocene sees Grimes morph into a climate supervillain, a ‘goddess of plastic’ that’s here to take some of the heat off climate change. Musically, Grimes has not drastically changed, with a signature synth-pop sound that borrows from rock on My Name Is Dark, drum’n’bass on the excellent 4ÆM or trip-hop on So Heavy (I Fell Through the Earth), which reminds you of Massive Attack or Transglobal Underground. Well inspired, Grimes continues to hit the mark. © Smaël Bouaici/Qobuz
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Dave Kutch, Mastering Engineer, StudioPersonnel - Grimes, Producer, MainArtist - Claire Boucher, ComposerLyricist - Carlo "Illangelo" Montagnese, Mixer, StudioPersonnel
℗ 2019 Grimes Creative Corporation under exclusive license to Crystal Math Music
Dave Kutch, Mastering Engineer, StudioPersonnel - Grimes, Engineer, MainArtist, StudioPersonnel - Claire Boucher, ComposerLyricist - Tom Norris, Mixer, StudioPersonnel - Pan Wei-Ju, ComposerLyricist - 潘PAN, MainArtist
℗ 2020 Grimes Creative Corporation under exclusive license to Crystal Math Music
Jimmy Douglass, Mixer, StudioPersonnel - Dave Kutch, Mastering Engineer, StudioPersonnel - Grimes, Producer, Engineer, MainArtist, StudioPersonnel, ComposerLyricist
℗ 2020 Grimes Creative Corporation under exclusive license to Crystal Math Music
Grimes, MainArtist - Claire Boucher, Producer, Vocals, Recording Engineer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Tom Norris, Mastering Engineer, Mix Engineer, StudioPersonnel - i_o, MainArtist - Garrett Lockheart, Producer, Unknown, Other, ComposerLyricist
℗ 2019 Grimes Creative Corporation under exclusive license to Crystal Math Music
Dave Kutch, Mastering Engineer, StudioPersonnel - Nasir Faraaz, ComposerLyricist - Grimes, Engineer, MainArtist, StudioPersonnel, ComposerLyricist - Claire Boucher, ComposerLyricist - Tom Norris, Mixer, StudioPersonnel - Ganesh Chandanshive, ComposerLyricist - Sanjay Bhansali, ComposerLyricist - Siddharth Garima, ComposerLyricist - Bajirao Mastani, Participant
℗ 2019 Grimes Creative Corporation under exclusive license to Crystal Math Music
Dan Carey, Producer, Mixer, Additional Producer, StudioPersonnel - Grimes, Producer, Engineer, MainArtist, StudioPersonnel, ComposerLyricist
℗ 2020 Grimes Creative Corporation under exclusive license to Crystal Math Music
ANDY WALLACE, Mixer, StudioPersonnel - Grimes, Producer, Engineer, MainArtist, StudioPersonnel, ComposerLyricist
℗ 2019 Grimes Creative Corporation under exclusive license to Crystal Math Music
Grimes, Producer, MainArtist, ComposerLyricist - Tom Norris, Mixer, StudioPersonnel
℗ 2020 Grimes Creative Corporation under exclusive license to Crystal Math Music
Nosaj Thing, Mixer, StudioPersonnel - Grimes, Producer, Engineer, MainArtist, StudioPersonnel, ComposerLyricist
℗ 2020 Grimes Creative Corporation under exclusive license to Crystal Math Music
Grimes, Producer, Mixer, Engineer, MainArtist, StudioPersonnel, ComposerLyricist
℗ 2020 Grimes Creative Corporation under exclusive license to Crystal Math Music
Album review
Rising from the darkness of the Canadian rave scene at the start of the 2010s, Grimes quickly made her way up the ladder of success. Her synthetic hit Vanessa allowed her to amass a fanbase that was obsessed with her post-teenage voice and elfish look, and at the end of the 2010s, Pitchfork named Oblivion (written following a sexual assault and taken from her 2012 album Vision) the second-best song of the entire decade. It’s this kind of distinction that reminds us that she is an artist that knows exactly how to transcribe emotions into songs, and not just the girlfriend of multi-billionaire Elon Musk.
Miss Anthropocene sees Grimes morph into a climate supervillain, a ‘goddess of plastic’ that’s here to take some of the heat off climate change. Musically, Grimes has not drastically changed, with a signature synth-pop sound that borrows from rock on My Name Is Dark, drum’n’bass on the excellent 4ÆM or trip-hop on So Heavy (I Fell Through the Earth), which reminds you of Massive Attack or Transglobal Underground. Well inspired, Grimes continues to hit the mark. © Smaël Bouaici/Qobuz
About the album
- 1 disc(s) - 10 track(s)
- Total length: 00:44:41
- Main artists: Grimes
- Composer: Various Composers
- Label: Eerie Organization - Crystal Math Music
- Genre: Electronic
© 2021 Grimes Creative Corporation under exclusive license to Crystal Math Music ℗ 2020 Grimes Creative Corporation under exclusive license to Crystal Math Music
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