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Roderick Williams|Ian Venables: "The Song of the Severn" - Song Cycles and Songs

Ian Venables: "The Song of the Severn" - Song Cycles and Songs

Roderick Williams, Carducci Quartet & Graham J Lloyd

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It is not yet clear that what music of the 21st century needs is a full-on revival of the English pastoral style, but that, amazingly enough, is what you get here. Composer Ian Venables even adopts the old practice of designating his works by opus numbers. Clearly, if you concur with composer Elisabeth Lutyens in designating pastoralism the "cowpat style," this set of works by Venables is not for you. But what's surprising is just how well it works. Venables borrows from several composers, particularly Gerald Finzi, but somehow his style does not come off as a mere rehash, but has an attractive glow of nostalgia. The stronger of the two large song cycles may be The Pine Boughs Past Music, for baritone and piano, Op. 39, which neatly functions as a double tribute to composer-poet Ivor Gurney, one of British music's many casualties of the First World War. Venables sets three texts by Gurney as well as one by Leonard Clark in memoriam for Gurney, and it is here that the subtle layers of his music emerge. The later song cycle The Song of the Severn, Op. 43, setting texts by various poets associated with the River Severn, is also attractive, and don't miss the small gems at the end, such as The Hippo, Op. 33, No. 6, set to a delightful text by the American poet Theodore Roethke ("He lives on carrots, leeks, and hay./He starts to yawn, it takes all day./Some time I think I'll live that way.") Too, some would say that British baritone Roderick Williams could sing a list of URLs and sound good, and here he is absolutely in his element. An attractive blast from the past.
© TiVo

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Ian Venables: "The Song of the Severn" - Song Cycles and Songs

Roderick Williams

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1
The Song of the Severn, Op. 43: I. On Malvern Hill
00:05:22

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

2
The Song of the Severn, Op. 43: II. How Clear, How Lovely Bright
00:05:38

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

3
The Song of the Severn, Op. 43: III. Elgar's Music
00:03:37

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

4
The Song of the Severn, Op. 43: IV. Laugh and Be Merry
00:02:41

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

5
The Song of the Severn, Op. 43: V. The River in December
00:04:49

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

6
Pine Boughs Past Music, Op. 39: I. My Heart Makes Songs on Lonely Roads
00:04:22

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

7
Pine Boughs Past Music, Op. 39: II. Soft Rain
00:03:46

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

8
Pine Boughs Past Music, Op. 39: III. The Wind
00:04:12

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

9
Pine Boughs Past Music, Op. 39: IV. In Memoriam: Ivor Gurney
00:05:58

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

10
Flying Crooked, Op. 28, No. 1
00:01:07

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble

(C) 2015 Signum Records (P) 2015 Signum Records

11
A Kiss, Op. 15
00:04:30

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble

(C) 2015 Signum Records (P) 2015 Signum Records

12
Evening Bells, Op. 31, No. 3
00:02:10

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble

(C) 2015 Signum Records (P) 2015 Signum Records

13
The Night has a Thousand Eyes, Op. 41, No. 2
00:03:30

Roderick Williams, MainArtist - Ian Venables, Composer - Carducci Quartet, Ensemble

(C) 2015 Signum Records (P) 2015 Signum Records

14
Break, Break, Break Op. 33, No. 5
00:02:43

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

15
Midnight Lamentation, Op. 6
00:04:08

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

16
The Hippo, Op. 33, No. 6
00:01:32

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

17
The Invitation to the Gondola, Op. 22, No. 3
00:04:46

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

18
Frutti di Mare, Op. 41, No. 1
00:03:52

Roderick Williams, MainArtist - Ian Venables, Composer - Graham J Lloyd, MainArtist

(C) 2015 Signum Records (P) 2015 Signum Records

Album review

It is not yet clear that what music of the 21st century needs is a full-on revival of the English pastoral style, but that, amazingly enough, is what you get here. Composer Ian Venables even adopts the old practice of designating his works by opus numbers. Clearly, if you concur with composer Elisabeth Lutyens in designating pastoralism the "cowpat style," this set of works by Venables is not for you. But what's surprising is just how well it works. Venables borrows from several composers, particularly Gerald Finzi, but somehow his style does not come off as a mere rehash, but has an attractive glow of nostalgia. The stronger of the two large song cycles may be The Pine Boughs Past Music, for baritone and piano, Op. 39, which neatly functions as a double tribute to composer-poet Ivor Gurney, one of British music's many casualties of the First World War. Venables sets three texts by Gurney as well as one by Leonard Clark in memoriam for Gurney, and it is here that the subtle layers of his music emerge. The later song cycle The Song of the Severn, Op. 43, setting texts by various poets associated with the River Severn, is also attractive, and don't miss the small gems at the end, such as The Hippo, Op. 33, No. 6, set to a delightful text by the American poet Theodore Roethke ("He lives on carrots, leeks, and hay./He starts to yawn, it takes all day./Some time I think I'll live that way.") Too, some would say that British baritone Roderick Williams could sing a list of URLs and sound good, and here he is absolutely in his element. An attractive blast from the past.
© TiVo

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