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Tim Wilson|I Should've Married My Father-In-Law

I Should've Married My Father-In-Law

Tim Wilson

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Maybe the 2000 presidential election had energized him, but Tim Wilson is more belligerently right-wing than usual on I Should've Married My Father-in-Law. The sexism and racism in which he generally indulges are present, but they take a back seat to his interest in taking potshots at liberal Democrats here. An aspiring country singer with an abysmal voice, Wilson devotes ten out of 23 tracks and more than half of the album's running time to his satiric songs, among them "Hollywood," which posits that reactionary would-be actors had better become liberals if they're going to make it in the movies (who does he have in mind, himself?), and "Brady Bill (Gunfighter Without a Gun)," a boneheaded attack on gun control. "You ever notice the people who are against guns are the people that oughta be shot?," he asks in one of the standup segments, and then cites an example, Rosie O'Donnell, speculating about how much firepower would be necessary to take the portly talk-show host down. Though he professes not to be a Republican, the most criticism he can muster for the Grand Old Party is to make fun of South Carolina Senator Strom Thurmond's age. (Thurmond's politics don't bother him, of course.) Wilson laces his remarks with four-letter words, all of which are bleeped out, though it's obvious what he's saying, thus sparing his album a parental advisory sticker and making these tracks ready for morning "zoo" radio play, where they doubtless got their widest dissemination. But though he frequently succeeds in being offensive, Wilson is only occasionally funny. He seems to think that if you substitute a few words in "Stairway to Heaven" and sing it badly, the result will be hilarious instead of embarrassing. Wrong.

© William Ruhlmann /TiVo

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I Should've Married My Father-In-Law

Tim Wilson

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1
In God & Alan Greenspan We Trust
00:03:03

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

2
Father-In-Law
00:01:58

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

3
More Al Gore
00:00:41

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

4
The Clinton Eviction
00:00:28

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

5
Gov't Food
00:01:03

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

6
Chicken Fishin'
00:00:40

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

7
High Maintenance Woman
00:02:48

Bonnie Bramlett, Vocals, AssociatedPerformer - Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

8
Paul Hornung
00:00:58

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

9
Strom Thurmond
00:00:58

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

10
The Clone Song
00:02:33

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer - Chris DiPetta, Composer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

11
Pickin' On The Mormons
00:02:03

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

12
What Women Want
00:01:02

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

13
Smack Dab In Paradise
00:02:42

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

14
Dale Jarrett's Car
00:01:38

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

15
Too Stoned For Sturgis
00:02:37

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

16
21 And Don't Know Nothing
00:04:19

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

17
Merle Haggard Ain't Romantic
00:01:05

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

18
Hollywood
00:02:08

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

19
Stairwell To Heaven
00:04:02

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Robert Plant, Composer - Jimmy Page, Composer - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Producer, MainArtist - Tom Becci, Producer, Executive Producer - Sean Burke, Drums, AssociatedPerformer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

20
What's Wrong With Schools
00:01:56

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

21
Rosie O'Donnell
00:00:56

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

22
2nd Amendment
00:00:40

Danny Simpson, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

23
Brady Bill (Gunfighter Without A Gun)
00:04:08

Danny Simpson, Composer, Producer, Associate Producer - DENNY PURCELL, Mastering Engineer, StudioPersonnel - Steve Melton, Mixer, Engineer, StudioPersonnel - Tim Wilson, Composer, Producer, MainArtist - Tom Becci, Producer, Executive Producer

(C) 2001 Capitol Records Nashville ℗ 2001 Capitol Records Nashville

Album review

Maybe the 2000 presidential election had energized him, but Tim Wilson is more belligerently right-wing than usual on I Should've Married My Father-in-Law. The sexism and racism in which he generally indulges are present, but they take a back seat to his interest in taking potshots at liberal Democrats here. An aspiring country singer with an abysmal voice, Wilson devotes ten out of 23 tracks and more than half of the album's running time to his satiric songs, among them "Hollywood," which posits that reactionary would-be actors had better become liberals if they're going to make it in the movies (who does he have in mind, himself?), and "Brady Bill (Gunfighter Without a Gun)," a boneheaded attack on gun control. "You ever notice the people who are against guns are the people that oughta be shot?," he asks in one of the standup segments, and then cites an example, Rosie O'Donnell, speculating about how much firepower would be necessary to take the portly talk-show host down. Though he professes not to be a Republican, the most criticism he can muster for the Grand Old Party is to make fun of South Carolina Senator Strom Thurmond's age. (Thurmond's politics don't bother him, of course.) Wilson laces his remarks with four-letter words, all of which are bleeped out, though it's obvious what he's saying, thus sparing his album a parental advisory sticker and making these tracks ready for morning "zoo" radio play, where they doubtless got their widest dissemination. But though he frequently succeeds in being offensive, Wilson is only occasionally funny. He seems to think that if you substitute a few words in "Stairway to Heaven" and sing it badly, the result will be hilarious instead of embarrassing. Wrong.

© William Ruhlmann /TiVo

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