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Dianne Reeves|Good Night, Good Luck

Good Night, Good Luck

Dianne Reeves

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George Clooney's 2005 film Good Night, and Good Luck is set in New York City during the '50s, and the director decided the right music to go with the black-and-white cinematography was jazz. More specifically, current recordings from vocalist Dianne Reeves and a small combo featuring some silky smooth tenor and alto sax from Matt Catingub, Peter Martin on piano, and Jeff Hamilton on drums with Robert Hurst and Christoph Luty splitting bass duties. The tunes are mostly classic ballads and smoky standards (all picked by Clooney) that Reeves and the group handle with a satisfyingly light touch. She gives the songs plenty of emotion but never over-sings, lending the recording a very intimate feel. Also helping with that is the sound of the album as it's free from any modern studio trickery or gloss; in fact, much of the music on the soundtrack was recorded live during the shooting of the movie. Had Clooney chosen songs actually recorded in the '50s, the soundtrack may have been more authentic, but Reeves and her group do a commendable job of re-creating the simple and sentimental sound of the era's mainstream vocal jazz.

© Tim Sendra /TiVo

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Good Night, Good Luck

Dianne Reeves

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1
Straighten Up And Fly Right
00:02:42

George Clooney, Producer, Executive Producer - Nat King Cole, ComposerLyricist - Irving Mills, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Christoph Luty, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Good Night Good Luck LLC, Distributed by Concord.

2
I've Got My Eyes On You (Album Version)
00:02:04

George Clooney, Producer, Executive Producer - Cole Porter, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Christoph Luty, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Good Night Good Luck LLC

3
Gotta Be This Or That (Album Version)
00:03:13

George Clooney, Producer, Executive Producer - Sunny Skylar, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Concord Music Group, Inc

4
Too Close For Comfort (Album Version)
00:03:48

George Clooney, Producer, Executive Producer - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Alan Estes, Percussion, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer - Jerrold L. Bock, ComposerLyricist

℗ 2005 Concord Music Group, Inc

5
How High The Moon (Album Version)
00:02:20

George Clooney, Producer, Executive Producer - William M. Lewis, Jr., ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Nancy Hamilton, ComposerLyricist - Jeff Hamilton, Drums, AssociatedPerformer - Christoph Luty, Double Bass, AssociatedPerformer - Morgan Lewis, ComposerLyricist - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Good Night Good Luck LLC

6
Who's Minding The Store? (Album Version)
00:04:28

George Clooney, Producer, Executive Producer - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - EARL BROWN, ComposerLyricist - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer, ComposerLyricist - Allen J. Sviridoff, Producer - Allen Sviridoff, ComposerLyricist - Grant Heslov, Producer, Executive Producer - Alana Biden, ComposerLyricist

℗ 2005 Concord Music Group, Inc

7
You're Driving Me Crazy (Album Version)
00:01:55

George Clooney, Producer, Executive Producer - Walter Donaldson, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Christoph Luty, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Good Night Good Luck LLC

8
Pretend (Album Version)
00:03:59

George Clooney, Producer, Executive Producer - Frank Lavere, ComposerLyricist - lew douglas, ComposerLyricist - Cliff Parman, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Dan Belloc, ComposerLyricist - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Concord Music Group, Inc

9
Solitude (Album Version)
00:05:26

George Clooney, Producer, Executive Producer - Duke Ellington, ComposerLyricist - Irving Mills, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Eddie Delange, ComposerLyricist - Robert Hurst, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Concord Music Group, Inc

10
TV Is The Thing This Year (Album Version)
00:01:42

George Clooney, Producer, Executive Producer - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Christoph Luty, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Phillip Medley, ComposerLyricist - Grant Heslov, Producer, Executive Producer

℗ 2005 Good Night Good Luck LLC

11
Pick Yourself Up (Album Version)
00:02:36

George Clooney, Producer, Executive Producer - Jerome Kern, ComposerLyricist - Dorothy Fields, ComposerLyricist - Alex Acuna, Percussion, AssociatedPerformer - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Concord Music Group, Inc

12
When I Fall In Love (Instrumental)
00:03:50

George Clooney, Producer, Executive Producer - Victor Young, ComposerLyricist - Edward Heyman, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Christoph Luty, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Good Night Good Luck LLC

13
Into Each Life Some Rain Must Fall (Album Version)
00:04:06

George Clooney, Producer, Executive Producer - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Allan Roberts, ComposerLyricist - Doris Fisher, ComposerLyricist - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Concord Music Group, Inc

14
There'll Be Another Spring (Album Version)
00:04:41

George Clooney, Producer, Executive Producer - Hubie Wheeler, ComposerLyricist - Peggy Lee, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer - Grant Heslov, Producer, Executive Producer

℗ 2005 Concord Music Group, Inc

15
One For My Baby (Album Version)
00:03:50

Harold Arlen, ComposerLyricist - Dianne Reeves, Vocalist, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Robert Hurst, Double Bass, AssociatedPerformer - Peter Martin, Piano, AssociatedPerformer - Matt Catingub, Saxophone, Recording Arranger, AssociatedPerformer - Allen J. Sviridoff, Producer

℗ 2005 Concord Music Group, Inc

Album review

George Clooney's 2005 film Good Night, and Good Luck is set in New York City during the '50s, and the director decided the right music to go with the black-and-white cinematography was jazz. More specifically, current recordings from vocalist Dianne Reeves and a small combo featuring some silky smooth tenor and alto sax from Matt Catingub, Peter Martin on piano, and Jeff Hamilton on drums with Robert Hurst and Christoph Luty splitting bass duties. The tunes are mostly classic ballads and smoky standards (all picked by Clooney) that Reeves and the group handle with a satisfyingly light touch. She gives the songs plenty of emotion but never over-sings, lending the recording a very intimate feel. Also helping with that is the sound of the album as it's free from any modern studio trickery or gloss; in fact, much of the music on the soundtrack was recorded live during the shooting of the movie. Had Clooney chosen songs actually recorded in the '50s, the soundtrack may have been more authentic, but Reeves and her group do a commendable job of re-creating the simple and sentimental sound of the era's mainstream vocal jazz.

© Tim Sendra /TiVo

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