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Delbert McClinton|Genuine Rhythm & The Blues

Genuine Rhythm & The Blues

Delbert McClinton

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Far from a comprehensive overview of Delbert McClinton's four decade career, this is an enjoyable yet relatively brief disc focusing entirely on covers of classic R&B material. Compiled from the rugged Texas singer's four early solo albums recorded from 1974 through 1979, it shines a light onto McClinton's varied influences as well as being a consistently enjoyable listen.
A cursory scan of the song titles initially indicates there's not much exciting here. Many of these classics such as Bobby "Blue" Bland's "Turn on Your Lovelight," Fats Domino's "Blue Monday," and Don Covay's "Have Mercy" are well known through either their original versions or numerous renditions throughout the years. Upon closer listen though McClinton's approach to them is effortlessly soulful, and some of his arrangements- in particular transforming Willie Dixon's "Spoonful" from a wailing Chicago blues to a swampy soul stirrer- are refreshingly unique. McClinton's sand and honey inflected vocals flow easily, and his sharp band including horns, female backing vocals and tight ensemble playing, wrap themselves around the songs with loose precision.
The songs of Elvis Presley, Jimmie Rodgers, Chuck Berry, Johnny Ace, Big Joe Turner, The Clovers and Bo Diddley all become McClinton tunes as he latches onto their varied genres and transforms them into rollicking R&B. The anthology shares only one selection with the excellent Ultimate Collection, but even though it's cobbled together from albums recorded over five years, McClinton's cohesive style bonds these tracks into a surprisingly unified whole. Thoughtful and informative liner notes explain the source material, and the lack of individual personnel listings, as well as the album's relative brevity, prove to be minor shortcomings.

© Hal Horowitz /TiVo

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Genuine Rhythm & The Blues

Delbert McClinton

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1
Lipstick, Powder & Paint (Album Version)
00:02:23

Chip Young, Producer - Delbert McClinton, MainArtist - Jesse A. Stone, ComposerLyricist

℗ 1976 MCA Nashville

2
Lovey Dovey (Album Version)
00:03:22

Chip Young, Producer - AHMET ERTEGUN, ComposerLyricist - Delbert McClinton, MainArtist - Memphis Curtis, ComposerLyricist

℗ 1976 UMG Recordings, Inc.

3
Pledging My Love (Album Version)
00:02:51

Chip Young, Producer - DON D. ROBEY, ComposerLyricist - Delbert McClinton, MainArtist - FATS WASHINGTON, ComposerLyricist

℗ 1976 UMG Recordings, Inc.

4
Before You Accuse Me (Album Version)
00:03:05

ELLAS MCDANIEL, ComposerLyricist - Chip Young, Producer - Delbert McClinton, MainArtist

℗ 1976 UMG Recordings, Inc.

5
Blue Monday (Album Version)
00:02:01

Antoine "Fats" Domino, ComposerLyricist - Dave Bartholomew, ComposerLyricist - Delbert McClinton, MainArtist

℗ 1976 Universal Music Enterprises, a Division of UMG Recordings, Inc.

6
In The Jailhouse Now
00:03:32

Delbert McClinton, MainArtist - Jimmie Rodgers, ComposerLyricist

℗ 1977 Geffen Records

7
Let Love Come Between Us
00:02:51

Delbert McClinton, MainArtist - Joe Sobotka, ComposerLyricist - Johnny III Wyker, ComposerLyricist

℗ 1981 Universal Music Enterprises, a Division of UMG Recordings, Inc.

8
Turn On Your Love Light
00:03:56

Joseph Scott, ComposerLyricist - DEADRIC MALONE, ComposerLyricist - Delbert McClinton, MainArtist - Joseph Wade Scott, ComposerLyricist

℗ 1981 Universal Music Enterprises, a Division of UMG Recordings, Inc.

9
Have Mercy
00:03:57

Don Covay, ComposerLyricist - Delbert McClinton, MainArtist - Ronnie Miller, ComposerLyricist - Ron Miller, ComposerLyricist - Johnny Sandlin, Producer

℗ 1979 Capricorn Records Inc.

10
Just A Little Bit
00:03:03

Delbert McClinton, MainArtist - Rosco Gordon, ComposerLyricist - Johnny Sandlin, Producer - Del Gordon, ComposerLyricist

℗ 1979 Capricorn Records Inc.

11
Corinna
00:03:29

Taj Mahal, ComposerLyricist - Delbert McClinton, MainArtist - Jesse Davis, ComposerLyricist

℗ 1979 Capricorn Records Inc.

12
I'm Talking About You
00:02:53

Chuck Berry, ComposerLyricist - Delbert McClinton, MainArtist - Johnny Sandlin, Producer

℗ 1979 Capricorn Records Inc.

13
Spoonful
00:03:12

WILLIE DIXON, ComposerLyricist - Delbert McClinton, MainArtist - Johnny Sandlin, Producer

℗ 1978 Capricorn Records Inc.

14
A Mess Of Blues
00:04:19

Doc Pomus, ComposerLyricist - Mort Shuman, ComposerLyricist - Delbert McClinton, MainArtist - Johnny Sandlin, Producer

℗ 1979 Capricorn Records Inc.

Album review

Far from a comprehensive overview of Delbert McClinton's four decade career, this is an enjoyable yet relatively brief disc focusing entirely on covers of classic R&B material. Compiled from the rugged Texas singer's four early solo albums recorded from 1974 through 1979, it shines a light onto McClinton's varied influences as well as being a consistently enjoyable listen.
A cursory scan of the song titles initially indicates there's not much exciting here. Many of these classics such as Bobby "Blue" Bland's "Turn on Your Lovelight," Fats Domino's "Blue Monday," and Don Covay's "Have Mercy" are well known through either their original versions or numerous renditions throughout the years. Upon closer listen though McClinton's approach to them is effortlessly soulful, and some of his arrangements- in particular transforming Willie Dixon's "Spoonful" from a wailing Chicago blues to a swampy soul stirrer- are refreshingly unique. McClinton's sand and honey inflected vocals flow easily, and his sharp band including horns, female backing vocals and tight ensemble playing, wrap themselves around the songs with loose precision.
The songs of Elvis Presley, Jimmie Rodgers, Chuck Berry, Johnny Ace, Big Joe Turner, The Clovers and Bo Diddley all become McClinton tunes as he latches onto their varied genres and transforms them into rollicking R&B. The anthology shares only one selection with the excellent Ultimate Collection, but even though it's cobbled together from albums recorded over five years, McClinton's cohesive style bonds these tracks into a surprisingly unified whole. Thoughtful and informative liner notes explain the source material, and the lack of individual personnel listings, as well as the album's relative brevity, prove to be minor shortcomings.

© Hal Horowitz /TiVo

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