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Free Flying Soul is a little less noisy than the Choir's previous album, Speckled Bird, landing somewhere in between the buzz of that album and the darkly ethereal guitar sound of Circle Slide (which after half a decade remains the band's best album). The songwriting is a bit short on fresh ideas this time, and a few too many choruses slip into predictbale rock anthem territory, but there also moments of alluringly adventerous intelligence. Lyrically, the songs are a characteristic mix of bizarre imagery ("yellow haired monkeys in the yard"), universal themes (light vs. darkness) and overtly Christian messages ("all the shame in Jesus' name was covered when he died"). The most interesting song is "If You're Listening," the Choir's shadowy rumination on their own need for grace ("I'd rather be forgiven than enlightened"). Surrounded by prettily echoing ambient guitars, and underscored by a noisily thudding and buzzing Trent Reznor-esque bassline, the band frankly admits to egregious imperfections ("If you're listening to me now, I wouldn't blame you anyhow for running me out of town"). The song almost seems like an answer to Nine Inch Nails' similarly produced "Hurt," in which Reznor bemoans his own faults. But while Reznor despairingly warns his friends to stay the hell away from him, the Choir expresses hope for redemption. Often, rock bands tend either to point only at the faults of others (the Angry Young Men paradigm), or to wallow in hopeless self-pity. At their best, the Choir strike a rare balance of hope and humility.
© Darryl Cater /TiVo
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Derri Daugherty, Composer - The Choir, Performer - Steve Hindalong, Lyricist - Steve Hindalong, Composer
(P) 1996 Benson Records
Derri Daugherty, Composer - Tim Chandler, Composer - The Choir, Performer - Steve Hindalong, Lyricist - Steve Hindalong, Composer
(P) 1996 Benson Records
Derri Daugherty, Composer - Tim Chandler, Composer - The Choir, Performer - Steve Hindalong, Lyricist - Steve Hindalong, Composer
(P) 1996 Benson Records
Derri Daugherty, Composer - The Choir, Performer - Steve Hindalong, Lyricist
(P) 1996 Benson Records
Derri Daugherty, Composer - The Choir, Performer - Steve Hindalong, Lyricist
(P) 1996 Benson Records
Derri Daugherty, Composer - The Choir, Performer - Steve Hindalong, Lyricist
(P) 1996 Benson Records
Derri Daugherty, Composer - Tim Chandler, Composer - The Choir, Performer - Steve Hindalong, Lyricist - Steve Hindalong, Composer
(P) 1996 Benson Records
Tim Chandler, Composer - The Choir, Performer - Steve Hindalong, Composer - Steve Hindalong, Lyricist
(P) 1996 Benson Records
Tim Chandler, Composer - The Choir, Performer - Steve Hindalong, Composer - Steve Hindalong, Lyricist
(P) 1996 Benson Records
Derri Daugherty, Composer - The Choir, Performer - Steve Hindalong, Lyricist - Steve Hindalong, Composer
(P) 1996 Benson Records
Derri Daugherty, Composer - The Choir, Performer - Steve Hindalong, Lyricist
(P) 1996 Benson Records
The Choir, Performer - Steve Hindalong, Composer - Steve Hindalong, Lyricist
(P) 1996 Benson Records
Album review
Free Flying Soul is a little less noisy than the Choir's previous album, Speckled Bird, landing somewhere in between the buzz of that album and the darkly ethereal guitar sound of Circle Slide (which after half a decade remains the band's best album). The songwriting is a bit short on fresh ideas this time, and a few too many choruses slip into predictbale rock anthem territory, but there also moments of alluringly adventerous intelligence. Lyrically, the songs are a characteristic mix of bizarre imagery ("yellow haired monkeys in the yard"), universal themes (light vs. darkness) and overtly Christian messages ("all the shame in Jesus' name was covered when he died"). The most interesting song is "If You're Listening," the Choir's shadowy rumination on their own need for grace ("I'd rather be forgiven than enlightened"). Surrounded by prettily echoing ambient guitars, and underscored by a noisily thudding and buzzing Trent Reznor-esque bassline, the band frankly admits to egregious imperfections ("If you're listening to me now, I wouldn't blame you anyhow for running me out of town"). The song almost seems like an answer to Nine Inch Nails' similarly produced "Hurt," in which Reznor bemoans his own faults. But while Reznor despairingly warns his friends to stay the hell away from him, the Choir expresses hope for redemption. Often, rock bands tend either to point only at the faults of others (the Angry Young Men paradigm), or to wallow in hopeless self-pity. At their best, the Choir strike a rare balance of hope and humility.
© Darryl Cater /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:44:37
- Main artists: The Choir
- Composer: Various Composers
- Label: Benson
- Genre: Jazz Gospel
(P) 1996 Provident Label Group, LLC
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