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Bruce Molsky|Contented Must Be

Contented Must Be

Bruce Molsky

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Bruce Molsky's calm and reverent approach to the traditional banjo and fiddle tunes of the southern Appalachians pulls off a difficult hat trick: he manages to take the old melodies and make them sound fresh and new, even as he retains the feel, tone, and context of the original source material, creating the illusion of an unbroken line between then and now. That he does this without making albums that feel like dusty museum exercises or ridiculous parodies is a true achievement. On Contented Must Be, his fourth album for Rounder Records, Molsky follows the template of his previous releases, mixing in banjo, fiddle, and guitar instrumentals with a handful of well-chosen vocal tracks, all done up in an easy, back-porch style. A fine player on any instrument he picks up, Molsky's everyman baritone voice is the real secret ingredient here, and the reason his albums seem so approachable and timeless. There are plenty of high points to choose from, including Molsky's reconstruction of "Hills of Mexico," which draws and expands on Roscoe Holcomb's version, and the fiddle and vocal take on "Diamond Joe," best known in the wonderful 1937 field recording by Big Charlie Butler. Molsky grafts the North Carolina traditional fiddle tune "Green River" on as a coda, giving the song a swelling, emotional upswing at its tail. The real centerpieces on Contented Must Be, though, are two fiddle instrumentals. The duel-fiddle attack on "Blackberry Blossom" (with Darol Anger on baritone fiddle) makes for an edgy masterpiece, while Molsky comes close to equaling the soaring, eerie energy of Kentucky fiddler Luther Strong's original version of "Glory in the Meeting House," collected by Alan Lomax in the late '30s. Molsky doesn't step into radically new territory with this release, which is really the point. He doesn't need to. Making the old sound new, while retaining what makes it feel old in the first place, is a difficult line to walk. Bruce Molsky seems to do it effortlessly.

© Steve Leggett /TiVo

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Contented Must Be

Bruce Molsky

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1
Ways Of The World
00:02:52

Traditional, ComposerLyricist - Paul Brown, Banjo, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

2
Brushy Run
00:02:53

Paul Brown, Banjo, AssociatedPerformer - Ed Haley, ComposerLyricist - Mike Compton, Mandolin, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

3
Hills Of Mexico
00:03:57

Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Banjo, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

4
Wake Up Susan & Durang's Hornpipe
00:03:14

Traditional, ComposerLyricist - Ed Haley, ComposerLyricist - Mick Moloney, Banjo, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist - Audrey Molsky, Guitar, AssociatedPerformer

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

5
Green Grows The Laurel
00:04:32

Darol Anger, Fiddle, AssociatedPerformer - Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Vocals, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

6
Grey Owl & Victor's No. 39
00:03:53

Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist - John Arcand, ComposerLyricist - Audrey Molsky, Guitar, AssociatedPerformer

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

7
Knoxville Blues
00:02:33

Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

8
Someone I Love
00:03:06

Traditional, ComposerLyricist - Mike Compton, Mandolin, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist - Audrey Molsky, Guitar, AssociatedPerformer

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

9
Diamond Joe & Green River
00:04:19

Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Vocals, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

10
Johnson City Rag
00:02:25

Traditional, ComposerLyricist - Mike Compton, Mandolin, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist - Audrey Molsky, Guitar, AssociatedPerformer

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

11
Let's Go To Huntin'
00:01:44

Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

12
Blackberry Blossom
00:03:19

Darol Anger, Fiddle, AssociatedPerformer - Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

13
Harveland Waltz
00:03:03

Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

14
Richmond
00:02:30

Traditional, ComposerLyricist - Mick Moloney, Banjo, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist - Audrey Molsky, Guitar, AssociatedPerformer

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

15
Charmin' Betsy
00:03:02

Traditional, ComposerLyricist - Mike Compton, Guitar, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Dudley Connell, Vocals, AssociatedPerformer - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Banjo, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

16
Glory In The Meeting House
00:02:09

Traditional, ComposerLyricist - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

17
Winter Slide
00:03:00

Paul Brown, Banjo, AssociatedPerformer - Bill Wolf, Mastering Engineer, StudioPersonnel - Ronnie Freeland, Mixer, Recording Engineer, StudioPersonnel - Bruce Molsky, Producer, Fiddle, MainArtist, AssociatedPerformer - Joe Larose, ComposerLyricist

℗ 2004 Rounder Records, a division of Concord Music Group, Inc.

Album review

Bruce Molsky's calm and reverent approach to the traditional banjo and fiddle tunes of the southern Appalachians pulls off a difficult hat trick: he manages to take the old melodies and make them sound fresh and new, even as he retains the feel, tone, and context of the original source material, creating the illusion of an unbroken line between then and now. That he does this without making albums that feel like dusty museum exercises or ridiculous parodies is a true achievement. On Contented Must Be, his fourth album for Rounder Records, Molsky follows the template of his previous releases, mixing in banjo, fiddle, and guitar instrumentals with a handful of well-chosen vocal tracks, all done up in an easy, back-porch style. A fine player on any instrument he picks up, Molsky's everyman baritone voice is the real secret ingredient here, and the reason his albums seem so approachable and timeless. There are plenty of high points to choose from, including Molsky's reconstruction of "Hills of Mexico," which draws and expands on Roscoe Holcomb's version, and the fiddle and vocal take on "Diamond Joe," best known in the wonderful 1937 field recording by Big Charlie Butler. Molsky grafts the North Carolina traditional fiddle tune "Green River" on as a coda, giving the song a swelling, emotional upswing at its tail. The real centerpieces on Contented Must Be, though, are two fiddle instrumentals. The duel-fiddle attack on "Blackberry Blossom" (with Darol Anger on baritone fiddle) makes for an edgy masterpiece, while Molsky comes close to equaling the soaring, eerie energy of Kentucky fiddler Luther Strong's original version of "Glory in the Meeting House," collected by Alan Lomax in the late '30s. Molsky doesn't step into radically new territory with this release, which is really the point. He doesn't need to. Making the old sound new, while retaining what makes it feel old in the first place, is a difficult line to walk. Bruce Molsky seems to do it effortlessly.

© Steve Leggett /TiVo

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