Categories:
Cart 0

Your cart is empty

John Wetton|Caught in The Crossfire  (2022 Remaster)

Caught in The Crossfire (2022 Remaster)

John Wetton

Available in
16-Bit/44.1 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Upon leaving UK, before reaching Asia, journeyman John Wetton released his first solo album, Caught in the Crossfire. Although a vocal doppelgänger of Greg Lake, as a songwriter Wetton was always more of a team player, so there was no occasion in Wetton's past work where you could say, "Aha, this is what he'd sound like on his own." And he is largely on his own here, handling vocals, bass, keyboards, and even guitar while writing all of the material (though Peter Sinfield does chip in on "Get What You Want"). The result is surprisingly good; Wetton is clearly more comfortable writing songs on the bass, but he fleshes them out nicely with keyboards, supported by Bad Company drummer Simon Kirke, embellished with the plaintive guitar leads of Jethro Tull's Martin Barre, and polished with a pair of saxophone solos from Malcolm Duncan. The songs could be seen as Asia on a more intimate scale ("Baby Come Back," "When Will You Realize?"), though in some cases the taut sound of UK is also evident ("Turn On the Radio"). While there are occasional missteps, such as borrowing the Monkees' "Daydream Believer" for "I'll Be There," there are also occasional moments of near-greatness, such as the haunting "Cold Is the Night." Far from the grab-bag approach that these maiden voyages often take, Caught in the Crossfire benefits from a consistent vision and execution. Wetton's not trying to dazzle you with his songwriting or range, just make an album of relevant, intelligent music. And he succeeds more often than not here. F.Y.I., the Renaissance reissue features different cover artwork than the original EG editions.

© Dave Connolly /TiVo

More info

Caught in The Crossfire (2022 Remaster)

John Wetton

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From CA$ 10.83/month

1
Turn on the Radio (2022 Remaster)
00:03:41

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

2
Baby Come Back (2022 Remaster)
00:03:23

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

3
When Will You Realise (2022 Remaster)
00:04:30

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

4
Cold Is The Night (2022 Remaster)
00:05:20

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

5
Paper Talk (2022 Remaster)
00:03:57

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

6
Get Away (2022 Remaster)
00:04:28

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

7
Caught in The Crossfire (2022 Remaster)
00:05:01

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

8
Get What You Want (2022 Remaster)
00:03:17

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

9
I'll Be There (2022 Remaster)
00:03:32

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

10
Woman (2022 Remaster)
00:04:33

John Wetton, Composer, MainArtist

© 2022 John Wetton Estate Under exclusive license to SOUM ℗ 2022 John Wetton Estate Under exclusive license to SOUM John Wetton Estate Under exclusive license to SOUM

Album review

Upon leaving UK, before reaching Asia, journeyman John Wetton released his first solo album, Caught in the Crossfire. Although a vocal doppelgänger of Greg Lake, as a songwriter Wetton was always more of a team player, so there was no occasion in Wetton's past work where you could say, "Aha, this is what he'd sound like on his own." And he is largely on his own here, handling vocals, bass, keyboards, and even guitar while writing all of the material (though Peter Sinfield does chip in on "Get What You Want"). The result is surprisingly good; Wetton is clearly more comfortable writing songs on the bass, but he fleshes them out nicely with keyboards, supported by Bad Company drummer Simon Kirke, embellished with the plaintive guitar leads of Jethro Tull's Martin Barre, and polished with a pair of saxophone solos from Malcolm Duncan. The songs could be seen as Asia on a more intimate scale ("Baby Come Back," "When Will You Realize?"), though in some cases the taut sound of UK is also evident ("Turn On the Radio"). While there are occasional missteps, such as borrowing the Monkees' "Daydream Believer" for "I'll Be There," there are also occasional moments of near-greatness, such as the haunting "Cold Is the Night." Far from the grab-bag approach that these maiden voyages often take, Caught in the Crossfire benefits from a consistent vision and execution. Wetton's not trying to dazzle you with his songwriting or range, just make an album of relevant, intelligent music. And he succeeds more often than not here. F.Y.I., the Renaissance reissue features different cover artwork than the original EG editions.

© Dave Connolly /TiVo

About the album

Qobuz logo Why buy on Qobuz...

On sale now...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Back To Black

Amy Winehouse

Back To Black Amy Winehouse

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane
More on Qobuz
By John Wetton

The Studio Recordings Anthology

John Wetton

Welcome To Heaven

John Wetton

Welcome To Heaven John Wetton

Live Via Satellite

John Wetton

Live Via Satellite John Wetton

In Session

John Wetton

In Session John Wetton

Rock Of Faith

John Wetton

Rock Of Faith John Wetton
You may also like...

War Of Being

TesseracT

War Of Being TesseracT

Emerson, Lake & Palmer

Emerson, Lake & Palmer

Emerson, Lake & Palmer Emerson, Lake & Palmer

True Live Crime

RPWL

Misplaced Childhood

Marillion

Wet Dream

Richard Wright

Wet Dream Richard Wright