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Coleman Hawkins|Blues Wail: Coleman Hawkins Plays The Blues

Blues Wail: Coleman Hawkins Plays The Blues

Coleman Hawkins

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Tenor great Coleman Hawkins was usually bored with the blues, at least until the period covered by this CD sampler. A master at deciphering complex chord changes, Hawkins found the blues to be overly simple but around 1957 (after 35 years of major league activity) he began to explore the blues more seriously, at least on an occasional basis. This CD has nine performances from as many sessions. The music is consistently excellent (particularly "Juicy Fruit," the lengthy "Blues For Tomorrow" which also features John Coltrane, "Stealin' The Bean" with trumpeter Charlie Shavers and a pair of collaborations with fellow tenor Eddie "Lockjaw" Davis), but it is recommended that listeners (beginners and experts alike) instead acquire the complete sessions, since the blues were only a small aspect of the Coleman Hawkins story.

© Scott Yanow /TiVo

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Blues Wail: Coleman Hawkins Plays The Blues

Coleman Hawkins

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1
Juicy Fruit (Album Version)
Coleman Hawkins
00:11:15

Oscar Pettiford, AssociatedPerformer, Bass (Vocal) - Hank Jones, Piano, AssociatedPerformer - J.J. Johnson, Trombone, AssociatedPerformer - Coleman Hawkins, Saxophone, MainArtist, AssociatedPerformer - Barry Galbraith, Guitar, AssociatedPerformer - Orrin Keepnews, Producer - Idrees Sulieman, Trumpet, AssociatedPerformer, ComposerLyricist - Jo Jones, Drums, AssociatedPerformer - Jack Higgins, Recording Engineer, StudioPersonnel

℗ 1996 Fantasy, Inc.

2
Blues For Tomorrow (Album Version)
Coleman Hawkins
00:13:31

Gigi Gryce, ComposerLyricist - Orrin Keepnews, Producer - Thelonious Monk Septet, MainArtist

℗ 1996 Fantasy, Inc.

3
Blues Wail
Tiny Grimes
00:06:44

Rudy Van Gelder, Recording Engineer, StudioPersonnel - Coleman Hawkins, Tenor Saxophone, FeaturedArtist, AssociatedPerformer - Ray Bryant, Piano, AssociatedPerformer - Tiny Grimes, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Bob Weinstock, Recording Supervisor, StudioPersonnel - Musa Kaleem, Flute, AssociatedPerformer - Earl Womack, Upright Bass, AssociatedPerformer - Joe Tarantino, Mastering Engineer, StudioPersonnel - Teagle Fleming, Jr., Drums, AssociatedPerformer

℗ 1958 Prestige Records, Distributed by Concord.

4
Soul Blues (Album Version)
Coleman Hawkins
00:09:52

Wendell Marshall, AssociatedPerformer, Bass (Vocal) - Osie Johnson, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Coleman Hawkins, Composer, Saxophone, MainArtist, AssociatedPerformer - Kenny Burrell, Guitar, AssociatedPerformer - Ray Bryant, Piano, AssociatedPerformer - Esmond Edwards, Producer

℗ 1958 Original Jazz Classics

5
Skrouk (Album Version)
Coleman Hawkins
00:05:58

Coleman Hawkins, MainArtist - Jerry Valentine, ComposerLyricist

℗ 1959 Fantasy, Inc.

6
Stealin' The Bean (Album Version)
Coleman Hawkins
00:04:30

Osie Johnson, ComposerLyricist - Coleman Hawkins, MainArtist

℗ 1996 Fantasy, Inc.

7
Foot Pattin' (Album Version)
Coleman Hawkins
00:08:51

George Duvivier, ComposerLyricist - Coleman Hawkins, MainArtist

℗ 1996 Fantasy, Inc.

8
Blues For Ron (Album Version)
Coleman Hawkins
00:06:14

Doug Watkins, ComposerLyricist - Coleman Hawkins, MainArtist

℗ 1996 Fantasy, Inc.

9
Pedalin' (Album Version)
Coleman Hawkins
00:06:35

Coleman Hawkins, MainArtist - Ken McIntyre, ComposerLyricist

℗ 1996 Fantasy, Inc.

Album review

Tenor great Coleman Hawkins was usually bored with the blues, at least until the period covered by this CD sampler. A master at deciphering complex chord changes, Hawkins found the blues to be overly simple but around 1957 (after 35 years of major league activity) he began to explore the blues more seriously, at least on an occasional basis. This CD has nine performances from as many sessions. The music is consistently excellent (particularly "Juicy Fruit," the lengthy "Blues For Tomorrow" which also features John Coltrane, "Stealin' The Bean" with trumpeter Charlie Shavers and a pair of collaborations with fellow tenor Eddie "Lockjaw" Davis), but it is recommended that listeners (beginners and experts alike) instead acquire the complete sessions, since the blues were only a small aspect of the Coleman Hawkins story.

© Scott Yanow /TiVo

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