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Anne Cartel|Birds of a feather

Birds of a feather

Anne Cartel, Marie Vermeulin

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Musicians did not wait for the contemporary era to illustrate the chirping, trilling and squawking of birds. In the midst of the Renaissance, at the beginning of the 16th century, Clément Janequin was already creating the basis of their re-composition by mankind, with the polyphonic song Le chant des oyseaulx ("The Song of the Birds"). The composer stylized animal song using onomatopes and noise-based sounds.

But it is without contest during the 20th century, with Olivier Messiaen, that we find the first true transcriptions of birdsong as a structural element of the score. In his wake, other composers borrowed the same path, with diverse objectives, means and results. All of them confessed to having a common reference point, upstream of their master, in the tutelary figure of Claude Debussy, inventor of a new style, free, ductile and natural – in a single word, modern. © Paraty

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Birds of a feather

Anne Cartel

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1
Sopiana
00:11:11

Francois-Bernard Mache, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

2
Froissements d'ailes
00:04:21

Michael Levinas, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

3
Prélude à l'après-midi d'un faune, L. 86 (Arr. for Flute & Piano)
00:10:23

Claude Debussy, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

4
Le Merle noir
00:06:01

Olivier Messiaen, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

5
Le Fou à Pattes Bleues
00:10:18

Marie Vermeulin, Piano, MainArtist - Tristan Murail, Composer - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

6
Breve Ritornello - In memoriam Luciano Berio
00:09:01

Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist - Philippe Hurel, Composer

2022 Paraty 2022 Paraty

7
Le Rossignol en amour
00:06:48

Marie Vermeulin, Piano, MainArtist - Tristan Murail, Composer - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

8
Sigle
00:00:36

Olivier Messiaen, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

9
Nut nut nut nut
00:06:40

Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist - Marc Monnet, Composer

2022 Paraty 2022 Paraty

10
Le Pic-vert
00:03:11

Régis Campo, Composer - Marie Vermeulin, Piano, MainArtist - Anne Cartel, Flute, MainArtist

2022 Paraty 2022 Paraty

Album review

Musicians did not wait for the contemporary era to illustrate the chirping, trilling and squawking of birds. In the midst of the Renaissance, at the beginning of the 16th century, Clément Janequin was already creating the basis of their re-composition by mankind, with the polyphonic song Le chant des oyseaulx ("The Song of the Birds"). The composer stylized animal song using onomatopes and noise-based sounds.

But it is without contest during the 20th century, with Olivier Messiaen, that we find the first true transcriptions of birdsong as a structural element of the score. In his wake, other composers borrowed the same path, with diverse objectives, means and results. All of them confessed to having a common reference point, upstream of their master, in the tutelary figure of Claude Debussy, inventor of a new style, free, ductile and natural – in a single word, modern. © Paraty

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