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Villiers Quartet|Bennett: Piano Sextet, Chamber Trio & String Quartet

Bennett: Piano Sextet, Chamber Trio & String Quartet

Leon Bosch, Jeremy Young, Villiers Quartet

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The British composer William Sterndale Bennett was something of a prodigy as a composer, studying in Germany and writing music during his teenage years that was admired by both Mendelssohn and Schumann. He followed the former in many respects, and when even that composer's stock dropped among critics, Bennett was all but forgotten, even in Britain. These ambitious chamber works, however, are well worth revival, and they get sympathetic, well-considered treatment here from the Villiers Quartet, plus or minus players. Most impressive is the Sextet for piano and strings in F sharp minor, Op. 8, which Bennett wrote when he was 19; its 13-minute opening movement is full of subtly channeled rhythmic currents of a kind unlike anything found in Mendelssohn. The slightly later Chamber Trio, Op. 26, has an attractive pizzicato slow movement and a precisely balanced virtuoso finale. The very early String Quartet in G major, WoO 17, was left unpublished by Bennett, who probably had the right idea; it's a student work in a Haydn vein, but certainly not bad for a 15-year-old. Hollow university auditorium sound detracts from enjoyment, but many who sample this release will be pleasantly surprised.

© TiVo

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Bennett: Piano Sextet, Chamber Trio & String Quartet

Villiers Quartet

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Piano Sextet in F-Sharp Minor, Op. 8 (William Sterndale Bennett)

1
I. Allegro moderato ma con passione
Villiers Quartet
00:13:05

Leon Bosch, Artist - William Sterndale Bennett, Composer - Jeremy Young, Artist - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

2
II. Scherzo: Quasi presto
Villiers Quartet
00:07:58

Leon Bosch, Artist - William Sterndale Bennett, Composer - Jeremy Young, Artist - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

3
III. Andante grazioso
Villiers Quartet
00:07:17

Leon Bosch, Artist - William Sterndale Bennett, Composer - Jeremy Young, Artist - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

4
IV. Finale: Allegro assai ed energico
Villiers Quartet
00:10:29

Leon Bosch, Artist - William Sterndale Bennett, Composer - Jeremy Young, Artist - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Chamber Trio in A Major, Op. 26 (William Sterndale Bennett)

5
I. Andante tranquillo ma con moto
James Dickenson
00:08:04

William Sterndale Bennett, Composer - James Dickenson, Artist, MainArtist - Jeremy Young, Artist - Nick Stringfellow, Artist

(C) 2018 Naxos (P) 2018 Naxos

6
II. Serenade: Andante ma un poco Scherzando
James Dickenson
00:04:06

William Sterndale Bennett, Composer - James Dickenson, Artist, MainArtist - Jeremy Young, Artist - Nick Stringfellow, Artist

(C) 2018 Naxos (P) 2018 Naxos

7
III: Finale: Allegro fermato
James Dickenson
00:07:23

William Sterndale Bennett, Composer - James Dickenson, Artist, MainArtist - Jeremy Young, Artist - Nick Stringfellow, Artist

(C) 2018 Naxos (P) 2018 Naxos

String Quartet in G Major, WoO 17 (William Sterndale Bennett)

8
I. Allegro moderato
Villiers Quartet
00:06:50

William Sterndale Bennett, Composer - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

9
II. Adagio
Villiers Quartet
00:04:49

William Sterndale Bennett, Composer - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

10
III. Menuetto: Allegro
Villiers Quartet
00:02:45

William Sterndale Bennett, Composer - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

11
IV. Finale: Allegro
Villiers Quartet
00:04:35

William Sterndale Bennett, Composer - Villiers Quartet, Ensemble, MainArtist

(C) 2018 Naxos (P) 2018 Naxos

Album review

The British composer William Sterndale Bennett was something of a prodigy as a composer, studying in Germany and writing music during his teenage years that was admired by both Mendelssohn and Schumann. He followed the former in many respects, and when even that composer's stock dropped among critics, Bennett was all but forgotten, even in Britain. These ambitious chamber works, however, are well worth revival, and they get sympathetic, well-considered treatment here from the Villiers Quartet, plus or minus players. Most impressive is the Sextet for piano and strings in F sharp minor, Op. 8, which Bennett wrote when he was 19; its 13-minute opening movement is full of subtly channeled rhythmic currents of a kind unlike anything found in Mendelssohn. The slightly later Chamber Trio, Op. 26, has an attractive pizzicato slow movement and a precisely balanced virtuoso finale. The very early String Quartet in G major, WoO 17, was left unpublished by Bennett, who probably had the right idea; it's a student work in a Haydn vein, but certainly not bad for a 15-year-old. Hollow university auditorium sound detracts from enjoyment, but many who sample this release will be pleasantly surprised.

© TiVo

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