Wilhelm Stenhammar
Stenhammar was a Swedish pianist and self-taught composer and conductor. His compositions began as typically late Romantic fare but evolved through three periods. In the first, his primary influences were Liszt, Brahms, and Wagner, but the music is imbued with a Nordic sound without specifically quoting Swedish folk song. His early operas Gildet på Solhaug (1892-1893) and Tirfing (1897-1898), although unsuccessful, were the pinnacles of this period. Stenhammar's second period began as he attempted to create a more concentrated and motivically oriented style, modeled on the great classicists Beethoven, Haydn, and Mozart. In spite of this, the music of this period loses none of its Nordic color. His brilliant cantata Ett folk (1904-1905) and the frequently played Second Piano Concerto are the most representative. Beginning in 1909, perhaps feeling his lack of training was detrimental to further development, Stenhammar engaged upon a nine-year course in strict counterpoint. The fruit of this study resulted in his last period, where the music becomes more contrapuntally and modally oriented, particularly in the last two of his six string quartets. Yet at the same time, his larger works, such as the orchestral Serenade and the Second Symphony, lose nothing of the earlier freshness and inspiration that make Stenhammar's music so attractive.
Stenhammar's early years were spent surrounded by culture, although he never undertook formal training except in piano. By 1900, he had established himself as a pianist, eventually giving over 1,000 concerts all over Sweden. He had also debuted as a conductor in 1897 with his own overture Excelsior!, and eventually went on to direct the Stockholm Philharmonic Society, the Royal Opera, the New Philharmonic Society, and the Göttesborgs Orkesterförening. Stenhammar eventually became one of the most important Scandinavian musicians of his era, and his compositions, including many songs, choral works, chamber and solo pieces, and theater and orchestral works represent the best music out of turn-of-the-century Sweden.
© TiVo
Artistas semelhantes
Discografia
11 álbum(ns) • Ordenado por Mais vendidos
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The Swedish Violin
Classical - Lançado por Naxos Sweden - Caprice em 31 de mar. de 2015
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The Essential Roland Pöntinen
Roland Pöntinen, Pyotr Illitch Tchaïkovski, Claude Debussy, Wilhelm Stenhammar
Classical - Lançado por EUROPEAN GRAMOPHONE em 31 de jan. de 2023
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Stenhammar - Great Recordings
Classical - Lançado por UME - Global Clearing House em 30 de jan. de 2021
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Stemning
Uppsala University Chamber Choir, Wilhelm Peterson-berger, Wilhelm Stenhammar, Hugo Alfven, Stefan Parkman
Classical - Lançado por Musica Sveciae em 1 de jan. de 1988
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Stenhammar: Fantasy in B Minor
Wilhelm Stenhammar, Roland Pöntinen
Classical - Lançado por EUROPEAN GRAMOPHONE em 10 de jan. de 2023
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Stenhammar: Symphony No. 2 & Serenade
Stockholm Philharmonic Orchestra, Wilhelm Stenhammar, Tor Mann, Rafael Kubelik
Classical - Lançado por Swedish Society em 1 de jan. de 1999
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Emil Sjögren: Piano Music, Vol. 6
Ingrid Lindgren, Wilhelm Stenhammar
Classical - Lançado por Bluebell em 1 de abr. de 2012
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Novelletter
Mats Widlund, Wilhelm Peterson-berger, Emil Sjogren, Wilhelm Stenhammar
Classical - Lançado por Musica Sveciae em 1 de jan. de 1990
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The Swedish Violin
Classical - Lançado por Caprice em 31 de mar. de 2015
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Wilhelm Stenhammar: Sensommarnätter
Hilda Waldeland, Borodin Quartet, Wilhelm Stenhammar
Chamber Music - Lançado por Swedish Society em 1 de jan. de 1988
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Wilhelm Stenhammar: Serenad, Midvinter & Chitra
Swedish Radio Symphony Orchestra, Wilhelm Stenhammar, Esa-Pekka Salonen
Classical - Lançado por Musica Sveciae em 1 de jan. de 1990
Qualidade de CD de 16 bits 44.1 kHz - Stereo