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Prazak Quartet|Wolfgang Amadeus Mozart: String Quartets No. 15, K. 421, No. 17, K. 458 "The Hunt" & No. 19, K. 465 "Dissonance"

Wolfgang Amadeus Mozart: String Quartets No. 15, K. 421, No. 17, K. 458 "The Hunt" & No. 19, K. 465 "Dissonance"

Prazak Quartet

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Idioma disponível: inglês

The Prazák Quartet has long distinguished itself with its passionate, nationalistic interpretations of late Romantic composers such as Dvorák, Smetana, and Janácek, as well as insightful and precision playing of composers from the Second Viennese School such as Schoenberg, Webern, and Bern. That this ensemble produces successful, enjoyable recordings of string quartets of the aforementioned composers is not now in question. What is questionable is whether or not the same approach the Prazák uses for Janácek or Schoenberg will produce a convincing recording of the Mozart "Haydn" quartets, and the answer is no. The ensemble's sound throughout this recording is simply too sparse and piercing, particularly in the first violin. The viola and cello sound quite nasal and strained. Much of the time, the approach to the instruments is exceedingly forceful and harsh. When the musicians do finally get around to trying to produce a piano dynamic, their sound appears out of breath, almost as if they have difficulty maintaining contact with the string while playing softly. The superior audio fidelity of this SACD release only heightens listeners' awareness of these shortcomings in sound quality. Gone are traces of elegance, gracefulness, or decorum that many listeners will find intrinsic in enjoyable performances of Mozart.
© TiVo

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Wolfgang Amadeus Mozart: String Quartets No. 15, K. 421, No. 17, K. 458 "The Hunt" & No. 19, K. 465 "Dissonance"

Prazak Quartet

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String Quartet No. 15 in D minor, K. 421 (Wolfgang Amadeus Mozart)

1
I. Allegro moderato
00:07:02

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

2
II. Andante
00:07:26

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

3
III. Menuetto - Allegretto
00:04:07

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

4
IV. Allegretto ma non troppo - Più allegro
00:08:49

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

String Quartet No. 17 in B-Flat Major, K. 458 "The Hunt" (Wolfgang Amadeus Mozart)

5
I. Allegro vivace assai
00:08:58

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

6
II. Menuetto. Moderato
00:04:11

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

7
III. Adagio
00:07:07

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

8
IV. Allegro assai
00:04:44

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

String Quartet No. 19 in C Major, K. 465 "Dissonance" (Wolfgang Amadeus Mozart)

9
I. Adagio - Allegro
00:10:18

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

10
II. Andante cantabile
00:06:29

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

11
III. Menuetto - Allegro
00:05:05

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

12
IV. Allegro molto
00:05:56

Wolfgang Amadeus Mozart, Composer - Prazak Quartet, MainArtist, MusicalEnsemble

2021 Little Tribeca 2007 Praga Digitals

Resenha do Álbum

The Prazák Quartet has long distinguished itself with its passionate, nationalistic interpretations of late Romantic composers such as Dvorák, Smetana, and Janácek, as well as insightful and precision playing of composers from the Second Viennese School such as Schoenberg, Webern, and Bern. That this ensemble produces successful, enjoyable recordings of string quartets of the aforementioned composers is not now in question. What is questionable is whether or not the same approach the Prazák uses for Janácek or Schoenberg will produce a convincing recording of the Mozart "Haydn" quartets, and the answer is no. The ensemble's sound throughout this recording is simply too sparse and piercing, particularly in the first violin. The viola and cello sound quite nasal and strained. Much of the time, the approach to the instruments is exceedingly forceful and harsh. When the musicians do finally get around to trying to produce a piano dynamic, their sound appears out of breath, almost as if they have difficulty maintaining contact with the string while playing softly. The superior audio fidelity of this SACD release only heightens listeners' awareness of these shortcomings in sound quality. Gone are traces of elegance, gracefulness, or decorum that many listeners will find intrinsic in enjoyable performances of Mozart.
© TiVo

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