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Most of the works presented here by the Clematis Ensemble and countertenor Paulin Bündgen come from the rich Düben collection held by the Uppsala University. In the 17th century, Gustaf Düben was kapellmeister at the Swedish court; he had mostly gathered manuscript scores of compositions from numerous German, French, Italian and Baltic authors. It is one of the largest sources of Lutherian repertoire of the 17th century, particularly as it contains numerous in unicum scores. Among the composers featured in this piece, some were Schütz’ successors or disciples, but it’s worth mentioning that the German composers of that time – particularly Schein, Franz Tunder (who was Buxtehude’s master) and Johann Fischer – were considerably influenced by Italian baroque. You’ll notice the presence of two Bachs on this album: Johann Michael (1648-1694) and Johann Christoph (1642-1703), two second-degree cousins of Johann Sebastian. Johann Christoph Bach’s Lamento − whom his cousin described as a “deep composer” – is without a doubt one of the best-known compositions of the sacred German repertoire of the time. Like in the entire repertoire, the role of strings remains essential. This sacred piece relies on the text’s numerous descriptive effects, like a “painting in musical form”: the sharpest terms (crying, sighing, sinking…) are underlined by similar vocal and instrumental effects. This Lamento is without a doubt the perfect example of the aria à da capo form that Johann Sebastian Bach so frequently used in his sacred works. This vocal music programme is accompanied by a few instrumental pieces that can be assimilated to church music. © SM/Qobuz
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Sinfonia Vater unser (Johann Hermann Schein)
Clematis - Johann Hermann Schein, Composer
2017 Outhere 2017 Outhere
Vater unser im Himmelreich (Samuel Eccard)
Clematis - Samuel Eccard, Composer
2017 Outhere 2017 Outhere
Herr, wenn ich nur dich habe (David Pohle)
Paulin Bündgen, Countertenor - Clematis - David Pohle, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Salve mi Jesu (Franz Tunder)
Paulin Bündgen, Countertenor - Clematis - Franz Tunder, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Sonata Hertzlich thut mich verlangen (Johann Fischer)
Clematis - Johann Fischer, Composer
2017 Outhere 2017 Outhere
Weil Jesu in meinem Sinn (Johann Wolfgang Franck)
Paulin Bündgen, Countertenor - Clematis - Johann Wolfgang Franck, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Sonata a 6 (Anonyme)
Clematis - Anonymous, Composer
2017 Outhere 2017 Outhere
Ach daß ich Wassers g'nug hätte (Johann Christoph Bach)
Paulin Bündgen, Countertenor - Clematis - Johann Christoph Bach, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Vater unser im Himmelreich (Georg Böhm)
Clematis - Georg Böhm, Composer
2017 Outhere 2017 Outhere
Was betrübst du dich meine Seele (Johann Theile)
Paulin Bündgen, Countertenor - Clematis - Johann Theile, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Auf, laßt uns den Herren loben (Johann Michael Bach)
Paulin Bündgen, Countertenor - Clematis - Johann Michael Bach, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Cum Maria diluculo (Johann Rudolph Ahle)
Paulin Bündgen, Countertenor - Clematis - Johann Rudolph Ahle, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Sinfonia da pacem Domine a 7 (Franz Tunder)
Clematis - Franz Tunder, Composer
2017 Outhere 2017 Outhere
Grabgesang (Heinrich Schwemmer)
Paulin Bündgen, Countertenor - Clematis - Heinrich Schwemmer, Composer - Anonyme, Lyricist
2017 Outhere 2017 Outhere
Resenha do Álbum
Most of the works presented here by the Clematis Ensemble and countertenor Paulin Bündgen come from the rich Düben collection held by the Uppsala University. In the 17th century, Gustaf Düben was kapellmeister at the Swedish court; he had mostly gathered manuscript scores of compositions from numerous German, French, Italian and Baltic authors. It is one of the largest sources of Lutherian repertoire of the 17th century, particularly as it contains numerous in unicum scores. Among the composers featured in this piece, some were Schütz’ successors or disciples, but it’s worth mentioning that the German composers of that time – particularly Schein, Franz Tunder (who was Buxtehude’s master) and Johann Fischer – were considerably influenced by Italian baroque. You’ll notice the presence of two Bachs on this album: Johann Michael (1648-1694) and Johann Christoph (1642-1703), two second-degree cousins of Johann Sebastian. Johann Christoph Bach’s Lamento − whom his cousin described as a “deep composer” – is without a doubt one of the best-known compositions of the sacred German repertoire of the time. Like in the entire repertoire, the role of strings remains essential. This sacred piece relies on the text’s numerous descriptive effects, like a “painting in musical form”: the sharpest terms (crying, sighing, sinking…) are underlined by similar vocal and instrumental effects. This Lamento is without a doubt the perfect example of the aria à da capo form that Johann Sebastian Bach so frequently used in his sacred works. This vocal music programme is accompanied by a few instrumental pieces that can be assimilated to church music. © SM/Qobuz
Sobre o álbum
- 1 disco(s) - 14 faixa(s)
- Duração total: 01:19:32
- 1 Folheto digital
- Artistas principais: Paulin Bündgen Clematis
- Compositor: Various Composers
- Gravadora: Ricercar
- Género: Clássica Música vocal sagrada Cantatas sagradas
2017 Outhere 2017 Outhere
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