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Razorlight|Up All Night

Up All Night

Razorlight

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Idioma disponível: inglês

There must be a healthy middle when it comes to capturing the essence of Brit-pop. Something in between the impenetrable swagger of Liam and Noel Gallagher and the vacuous and hollow bravado of Jet that can both pay homage to big riffs and bad attitude, yet still maintain a unique personality, which is what made the rock gods of yesteryear so endearing. Razorlight mastermind, lead singer/guitarist Johnny Borrell wants so desperately to be the next Joe Strummer or Lou Reed, and for what Razorlight's first album lacks in identity, it gathers momentum on effort and sheer will. It's the same, albeit slightly worse, garage rock revival record that's been all too common in the early 2000s, but quick, aggressive tracks such as "Vice," "Rip It Up," "Golden Touch" and "Stumble and Fall" are undeniably catchy and Borrell himself is largely responsible for playing them as if he really were the next Freddie Mercury. He wails and passionately groans over some horribly vapid vocals, "hey girl/get on the dancefloor/rip it up, yeah/that's what it's there for" (on "Rip It Up") but even a bad cover version of your favorite Strokes-type song can still appeal to the less cynical part of your brain. Even John Cornfield and Borrell's production seems like a shoddy attempt to re-create the frontman's favorite records note for note. His desire to add a layer of grime by muddying up the louder moments (such as on "Don't Go Back to Dalston," which starts off quietly before careening into a bloated call and response conclusion) doesn't remove the feeling that the entire recording process was extremely sterile. At this stage, Borrell lacks the confidence to move beyond his idols, and his energetic music remains a game of spot the influence.

© Erik Leijon /TiVo

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Up All Night

Razorlight

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1
Leave Me Alone
00:03:49

Ali Staton, Mixer, StudioPersonnel - John Cornfield, Producer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist, ComposerLyricist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

2
Rock'n'Roll Lies (Sawmills 04)
00:03:08

John Cornfield, Producer, Mixer, Engineer, StudioPersonnel - John Fortis, ComposerLyricist - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

3
Vice (Album Version)
00:03:13

John Cornfield, Producer, Mixer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist, ComposerLyricist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

4
Up All Night
00:04:03

John Cornfield, Producer, Mixer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist, ComposerLyricist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

5
Which Way Is Out
00:03:18

John Cornfield, Producer, Mixer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist, ComposerLyricist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

6
Rip It Up (Sawmills 04)
00:02:24

John Cornfield, Producer, Mixer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, Composer, MainArtist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

7
Don't Go Back To Dalston
00:02:58

Ali Staton, Mixer, StudioPersonnel - John Cornfield, Producer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, Composer, MainArtist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

8
Golden Touch (Full Length)
00:03:25

John Cornfield, Producer, Mixer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, Composer, MainArtist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

9
Stumble And Fall (Album Version)
00:03:02

Steve Lillywhite, Producer, Mixer, StudioPersonnel - Helen Atkinson, Asst. Recording Engineer, StudioPersonnel - Raj Das, Engineer, StudioPersonnel - Bjorn Agren, Guitar, Additional Vocals, AssociatedPerformer, ComposerLyricist - Razorlight, Composer, MainArtist - Johnny Borrell, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2003 Mercury Records Limited

10
Get It And Go
00:03:22

John Cornfield, Producer, Mixer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist, ComposerLyricist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

11
In The City (Sawmills 04)
00:04:50

Ali Staton, Mixer, StudioPersonnel - John Cornfield, Producer, Engineer, StudioPersonnel - Natty, Asst. Recording Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist - Johnny Borrell, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

12
To The Sea
00:05:30

John Cornfield, Mixer, StudioPersonnel - Natty, Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer, ComposerLyricist - Razorlight, MainArtist, ComposerLyricist - Johnny Borrell, Producer, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

13
Fall, Fall, Fall
00:02:38

John Cornfield, Mixer, StudioPersonnel - Natty, Engineer, StudioPersonnel - Bjorn Agren, Guitar, AssociatedPerformer - Razorlight, MainArtist, ComposerLyricist - Johnny Borrell, Producer, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Carl Dalemo, AssociatedPerformer, Bass (Vocal) - Christian Smith Pancorvo, Drums, AssociatedPerformer

℗ 2004 Mercury Records Limited

14
Somewhere Else
00:03:16

John Cornfield, Producer - Bjorn Agren, Acoustic Guitar, AssociatedPerformer - Razorlight, Composer, MainArtist - Johnny Borrell, Acoustic Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Andy Burrows, Drums, Piano, Additional Vocals, Mellotron, AssociatedPerformer - Carl Dalemo, Mellotron, AssociatedPerformer

℗ 2005 Mercury Records Limited

Resenha do Álbum

There must be a healthy middle when it comes to capturing the essence of Brit-pop. Something in between the impenetrable swagger of Liam and Noel Gallagher and the vacuous and hollow bravado of Jet that can both pay homage to big riffs and bad attitude, yet still maintain a unique personality, which is what made the rock gods of yesteryear so endearing. Razorlight mastermind, lead singer/guitarist Johnny Borrell wants so desperately to be the next Joe Strummer or Lou Reed, and for what Razorlight's first album lacks in identity, it gathers momentum on effort and sheer will. It's the same, albeit slightly worse, garage rock revival record that's been all too common in the early 2000s, but quick, aggressive tracks such as "Vice," "Rip It Up," "Golden Touch" and "Stumble and Fall" are undeniably catchy and Borrell himself is largely responsible for playing them as if he really were the next Freddie Mercury. He wails and passionately groans over some horribly vapid vocals, "hey girl/get on the dancefloor/rip it up, yeah/that's what it's there for" (on "Rip It Up") but even a bad cover version of your favorite Strokes-type song can still appeal to the less cynical part of your brain. Even John Cornfield and Borrell's production seems like a shoddy attempt to re-create the frontman's favorite records note for note. His desire to add a layer of grime by muddying up the louder moments (such as on "Don't Go Back to Dalston," which starts off quietly before careening into a bloated call and response conclusion) doesn't remove the feeling that the entire recording process was extremely sterile. At this stage, Borrell lacks the confidence to move beyond his idols, and his energetic music remains a game of spot the influence.

© Erik Leijon /TiVo

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