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Etta Jones And Houston Person|The Way We Were (Live in Concert)

The Way We Were (Live in Concert)

Etta Jones And Houston Person

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Etta Jones could flat-out sing, and she never failed to make the blues, jazz, and Great American Songbook standards she sang her own, especially in her many collaborations with tenor saxophonist Houston Person, who was as sympathetic a player as any singer could ever hope for -- Jones and Person simply clicked and understood each other as a duo. This joyous set was recorded live April 15, 2000 (a little more than a year away from Jones’ death in the fall of 2001) at the Tri-C Jazz Festival in Cleveland, Ohio, and features Jones and Person with the help of pianist Stan Hope, bassist George Kaye, and drummer Chip White. Jones sings with vitality and poise, transforming Gershwin's “Oh, Lady Be Good” from a jazz standard into a flowing blues, making old chestnuts like “What a Wonderful World” and “Don’t Go to Strangers” shine anew with a poignant wisdom. This set is both a pleasant listen and a fun archival recording -- it captures Jones and Person at their best in front of a nimble and flexible rhythm section.

© Steve Leggett /TiVo

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The Way We Were (Live in Concert)

Etta Jones And Houston Person

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1
Do Nothin' 'Till You Hear from Me (Live in Concert)
00:06:49

E. Ellington, Composer - B. Russell, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

2
The Way We Were (Live in Concert)
00:07:15

A. Bergman, Composer - M. Hamlisch, Composer - M. Bergman, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

3
Deed I Do (Live in Concert)
00:05:17

F. Rose, Composer - W. Hirsch, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

4
Please Send Me Someone to Love (Live in Concert)
00:05:48

P. Mayfield, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

5
Fine and Mellow (Live in Concert)
00:06:28

B. Holiday, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

6
Lady Be Good (Live in Concert)
00:04:11

G. Gershwin, Composer - I. GERSHWIN, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

7
Somewhere in My Lifetime (Live in Concert)
00:05:32

J. Alvarez, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

8
I Could Have Danced All Night (Live in Concert)
00:03:57

F. Loewe, Composer - A. Lerner, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

9
What a Wonderful World (Live in Concert)
00:05:05

B. Thiele, Composer - G.D. Weiss, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

10
Ma, He's Makin' Eyes at Me (Live in Concert)
00:02:07

C. Conrad, Composer - S. Clare, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

11
Don't Go to Strangers (Live in Concert)
00:03:50

A. Kent, Composer - R. Evans, Composer - D. Mann, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

12
I'll Be Seeing You (Live in Concert)
00:02:37

G. De Paul, Composer - D. Raye, Composer - Etta Jones And Houston Person, MainArtist

HighNote Records, Inc. HighNote Records, Inc.

Resenha do Álbum

Etta Jones could flat-out sing, and she never failed to make the blues, jazz, and Great American Songbook standards she sang her own, especially in her many collaborations with tenor saxophonist Houston Person, who was as sympathetic a player as any singer could ever hope for -- Jones and Person simply clicked and understood each other as a duo. This joyous set was recorded live April 15, 2000 (a little more than a year away from Jones’ death in the fall of 2001) at the Tri-C Jazz Festival in Cleveland, Ohio, and features Jones and Person with the help of pianist Stan Hope, bassist George Kaye, and drummer Chip White. Jones sings with vitality and poise, transforming Gershwin's “Oh, Lady Be Good” from a jazz standard into a flowing blues, making old chestnuts like “What a Wonderful World” and “Don’t Go to Strangers” shine anew with a poignant wisdom. This set is both a pleasant listen and a fun archival recording -- it captures Jones and Person at their best in front of a nimble and flexible rhythm section.

© Steve Leggett /TiVo

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