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With starring roles at New York's Metropolitan Opera, the Bulgarian soprano Sonya Yoncheva may be said to have arrived, and the time was right for a mainstream album of arias that her growing body of fans can lap up: her earlier albums have reflected her first specialty, the Baroque. They'll get exactly what they want here: a collection of popular Verdi arias with the requisite couple of offbeat choices (from Attila and Stiffelio, both works that history treated unkindly but that have been finding new exponents). It's interesting to compare this album with the Verdi collection released around the same time in 2018 by Yoncheva's sometime stage-mate, the Maltese tenor Joseph Calleja. Where Calleja offers scenes, Yoncheva goes for tunes. From Otello, you get only the set piece Ave Maria, piena di grazia, from Yoncheva, whereas Calleja digs into the meat of the drama. The result is a program that doesn't allow Yoncheva to stretch out interpretively. One may also note that an outcome of her heavy schedule has been a certain midrange reediness, although the blazing high notes remind you of what has been shaking the Met's old rafters lately. For Yoncheva at her best, sample the first two scenes of Act II of Nabucco, where she is comfortable in the old cantabile-cabaletta pattern and displays a presence and the star quality that has gotten her noticed. She gets unobtrusive support from the Munich Radio Orchestra under Massimo Zanetti, and there's certainly enough here to keep operagoers' eyes on this singer.
© TiVo
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Giuseppe Verdi, Composer - Salvatore Cammarano, Librettist - Münchner Rundfunkorchester, Orchestra - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Giuseppe Verdi, Composer - Salvatore Cammarano, Librettist - Münchner Rundfunkorchester, Orchestra - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Orchestra - Temistocle Solera, Librettist - Francesco Maria Piave, Librettist - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Orchestra - Francesco Maria Piave, Librettist - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Orchestra - Francesco Maria Piave, Librettist - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Orchestra - Arrigo Boito, Librettist - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Orchestra - Francesco Maria Piave, Librettist - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment
Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Orchestra - Joseph Méry, Librettist - Camille du Locle, Librettist - Angelo Zanardini, Librettist - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer - Achille de Lauzière-Thémines, Librettist
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Giuseppe Verdi, Composer - Münchner Rundfunkorchester, Orchestra - Temistocle Solera, Librettist - Sonya Yoncheva, Soprano, MainArtist - Massimo Zanetti, Conductor - Michaela Wiesbeck, Producer
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
Resenha do Álbum
With starring roles at New York's Metropolitan Opera, the Bulgarian soprano Sonya Yoncheva may be said to have arrived, and the time was right for a mainstream album of arias that her growing body of fans can lap up: her earlier albums have reflected her first specialty, the Baroque. They'll get exactly what they want here: a collection of popular Verdi arias with the requisite couple of offbeat choices (from Attila and Stiffelio, both works that history treated unkindly but that have been finding new exponents). It's interesting to compare this album with the Verdi collection released around the same time in 2018 by Yoncheva's sometime stage-mate, the Maltese tenor Joseph Calleja. Where Calleja offers scenes, Yoncheva goes for tunes. From Otello, you get only the set piece Ave Maria, piena di grazia, from Yoncheva, whereas Calleja digs into the meat of the drama. The result is a program that doesn't allow Yoncheva to stretch out interpretively. One may also note that an outcome of her heavy schedule has been a certain midrange reediness, although the blazing high notes remind you of what has been shaking the Met's old rafters lately. For Yoncheva at her best, sample the first two scenes of Act II of Nabucco, where she is comfortable in the old cantabile-cabaletta pattern and displays a presence and the star quality that has gotten her noticed. She gets unobtrusive support from the Munich Radio Orchestra under Massimo Zanetti, and there's certainly enough here to keep operagoers' eyes on this singer.
© TiVo
Sobre o álbum
- 1 disco(s) - 9 faixa(s)
- Duração total: 00:54:34
- 1 Folheto digital
- Artistas principais: Sonya Yoncheva
- Compositor: Giuseppe Verdi
- Gravadora: Sony Classical
- Género: Clássica
(P) 2018 Sony Music Entertainment/Bayerischer Rundfunk
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