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Incredible String Band|The Chelsea Sessions 1967

The Chelsea Sessions 1967

Incredible String Band

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These 13 demos were recorded in early 1967 shortly before the making of the ISB's second album, The 5000 Spirits or the Layers of the Onion (though the liner notes speculate that "God Dog" might date from later than the other tracks). Only six of these actually showed up on 5000 Spirits, albeit in different, more produced versions; in fact, most of Robin Williamson's compositions on this release are performed solo by the writer. This gives fans a chance to hear the tracks (including their most famous song, "The First Girl I Loved") in acoustic, folkier incarnations, with slightly different lyrics on a couple of tunes. Of the remaining songs, "Lover Man" was recorded by Al Stewart on his debut album, "God Dog" by Shirley Collins in 1969, and "The Iron Stone" by ISB themselves on 1968's Wee Tam and the Big Huge album, while the others are unique to this disc. This unused material (the fidelity throughout is good, by the way) is both stylistically consistent and aesthetically up to par with what the ISB were recording on their early albums, and thus recommended to fans of the group.
© Richie Unterberger /TiVo

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The Chelsea Sessions 1967

Incredible String Band

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1
Lover Man
00:02:57

Incredible String Band, MainArtist - James Michael Heron, Composer, Lyricist

1967 Pig's Whiskers Music

2
Born in Your Town
00:04:29

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

3
First Girl I Loved
00:04:56

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

4
Gently Tender
00:04:47

Incredible String Band, MainArtist - James Michael Heron, Composer, Lyricist

1967 Pig's Whiskers Music

5
Little Cloud
00:04:01

Incredible String Band, MainArtist - James Michael Heron, Composer, Lyricist

1967 Pig's Whiskers Music

6
Blues for the Muse
00:03:48

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

7
The Eyes of Fate
00:03:58

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

8
The Mad Hatter's Song
00:04:57

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

9
Alice Is a Long Time Gone
00:02:54

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

10
See Your Face and Know You
00:02:35

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

11
Frutch
00:03:54

Incredible String Band, MainArtist - James Michael Heron, Composer, Lyricist

1967 Pig's Whiskers Music

12
The Iron Stone
00:03:26

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

13
God Dog
00:02:42

Robin Williamson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

14
All Too Much for Me / Take Your Burden to the Lord / Let It Shine
00:07:42

Robin Williamson, Composer, Lyricist - William Johnson, Composer, Lyricist - Incredible String Band, MainArtist

1967 Pig's Whiskers Music

Resenha do Álbum

These 13 demos were recorded in early 1967 shortly before the making of the ISB's second album, The 5000 Spirits or the Layers of the Onion (though the liner notes speculate that "God Dog" might date from later than the other tracks). Only six of these actually showed up on 5000 Spirits, albeit in different, more produced versions; in fact, most of Robin Williamson's compositions on this release are performed solo by the writer. This gives fans a chance to hear the tracks (including their most famous song, "The First Girl I Loved") in acoustic, folkier incarnations, with slightly different lyrics on a couple of tunes. Of the remaining songs, "Lover Man" was recorded by Al Stewart on his debut album, "God Dog" by Shirley Collins in 1969, and "The Iron Stone" by ISB themselves on 1968's Wee Tam and the Big Huge album, while the others are unique to this disc. This unused material (the fidelity throughout is good, by the way) is both stylistically consistent and aesthetically up to par with what the ISB were recording on their early albums, and thus recommended to fans of the group.
© Richie Unterberger /TiVo

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