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Exploring femininity in all its personas is a major part of Bat for Lashes' music, and never more so than on The Bride. On Natasha Khan's fourth album, the titular character undergoes a more dramatic transformation than most brides do at their weddings: After her fiance is killed in a car accident en route to the wedding, she flees the church and goes on her honeymoon alone. It's a more single-minded concept than some of Bat for Lashes' other albums, and since Khan's music is as theatrical as it is vulnerable, it should be a perfect fit. However, The Bride's journey through romance, horror, grief, and healing is more subdued than might be expected. The album begins vividly: Bedecked in fluttering harps and some of Khan's loveliest vocals yet, "I Do" has all the showy nuptial romance of a petal-strewn aisle. It's so incredibly sweet that it feels like it's tempting fate, offering the perfect setup for the brewing terror on "In God's House," as well as the slow-building drama of "Joe's Dream" and the hallucinatory panic of "Honeymooning Alone," both of which give the death-obsessed pop of the '50s and '60s a highbrow update.
Depending on listeners' patience, however, The Bride's slower second half may be hypnotic or dreary. To trace the arc from mourning to recovery, Khan relies on ballads that range from bitter ("Never Forgive the Angels") to empowering ("I Will Love Again," which sounds more like the kind of fare Adele or Christina Aguilera would sing). And though she gives the bride a surprisingly happy ending with "In Your Bed" -- which finds the character wanting to stay in her lover's arms rather than go out on the town -- it feels like her story is missing several chapters. Similarly, The Bride often feels like a missed opportunity to revisit the drama Bat for Lashes delivered so ably on Two Suns. Khan rectifies this somewhat on more mystical songs like the witchy invocation of "Widow's Peak" and "Close Encounters," an eldritch lovers' meeting that recalls Wuthering Heights (both the book and the Kate Bush song). Still, it's hard not to want Bat for Lashes to go further down this path; while Khan used restraint eloquently on The Haunted Man, The Bride is beautifully crafted, but not always thrilling.
© Heather Phares /TiVo
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Natasha Khan, Composer, Producer, Lead Vocals, Autoharp - Ben Christophers, Guitar, Bass, RecordingEngineer, Co- Producer - Bat For Lashes, MainArtist - Head, Mixer, RecordingEngineer - Pete Hanlon, Engineer, RecordingEngineer - Simone Felice, Co- Producer - David Baron, Mixer, Bass, Synthesizer, Co- Producer - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Electric Guitar, Tambourine, Lead Vocals, Drum Programmer, Rhodes Piano - Bat For Lashes, MainArtist - Jacknife Lee, Producer, Programmer, Synthesizer, Samples, RecordingEngineer - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, Additional Production, RecordingEngineer - David Baron, Mixer, Additional Production, Programmer, Synthesizer, Rhodes Piano - Alex Reeves, Timpani - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Keyboards, Mandolin, Piano, Lead Vocals, Drum Programmer, Synthesizer, Autoharp - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer, Co- Producer - David Baron, Mixer, Programmer, Synthesizer, RecordingEngineer, Co- Producer - Tony Cousins @ Metropolis, Masterer - Simon Felice, Drums
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Drums, Harp, Lead Vocals - Sandy, Backing Vocals - Ben Christophers, Bass, Sound Effects (SFX) - Bat For Lashes, MainArtist - Head, Mixer, Co- Producer - Pete Hanlon, Engineer - Simone Felice, Co- Producer - David Baron, Mixer - Alex Reeves, Timpani - Lou Rogai, Guitar - Tony Cousins @ Metropolis, Masterer - Simon Felice, RecordingEngineer - Racheal Yamagata, Backing Vocals
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Lead Vocals, Synthesizer, Autoharp, Farfisa Organ - Dan Carey, Composer, Producer, Programmer, Synthesizer, RecordingEngineer - Bat For Lashes, MainArtist - Head, Mixer - Simone Felice, Additional Production - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Drums, Guitar, Lead Vocals - Ben Christophers, Piano, Backing Vocals, Bass - Bat For Lashes, MainArtist - Head, Mixer, RecordingEngineer, Co- Producer - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, String Arranger, Lead Vocals, Synthesizer - Sandy, Backing Vocals - Bat For Lashes, MainArtist - Head, Mixer, RecordingEngineer - Rachael Yamagata, Backing Vocals - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer, Co- Producer - David Baron, Mixer, String Arranger, Programmer, Synthesizer, Co- Producer - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Kevin Salem, Guitar - Natasha Khan, Composer, Producer, Vibraphone, Lead Vocals, Celeste Piano - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Dawn Landes, Guitar, Backing Vocals - Simone Felice, Composer, RecordingEngineer, Co- Producer - David Baron, Mixer, Sound Effects (SFX) - Alex Reeves, Drums, Percussion, Timpani - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Guitar, Lead Vocals - Davide Rossi, String Arranger, Strings - Ben Christophers, RecordingEngineer, Co- Producer - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Guitar, Piano, Lead Vocals, Synth Bass - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, Co- Producer - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Lead Vocals, Drum Machine Drums - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, Composer, RecordingEngineer, Co- Producer - David Baron, Mixer, Co- Producer - Lou Rogai, Composer, Guitar, Backing Vocals, Bass - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, Lead Vocals, Synthesizer, Claps - Matt Hales, Additional Production, Drum Programmer, Synthesizer, RecordingEngineer, Co- Producer - Davide Rossi, String Arranger, Strings, Co- Producer - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer, Co- Producer - Lou Rogai, Guitar, Bass - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Natasha Khan, Composer, Producer, String Arranger, Guitar, Lead Vocals, Mini Moog - Ben Christophers, Guitar, Additional Production, RecordingEngineer - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Dawn Landes, Backing Vocals - Simone Felice, Additional Production, RecordingEngineer - David Baron, Mixer, Additional Production, Synthesizer - Tony Cousins @ Metropolis, Masterer
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
Resenha do Álbum
Exploring femininity in all its personas is a major part of Bat for Lashes' music, and never more so than on The Bride. On Natasha Khan's fourth album, the titular character undergoes a more dramatic transformation than most brides do at their weddings: After her fiance is killed in a car accident en route to the wedding, she flees the church and goes on her honeymoon alone. It's a more single-minded concept than some of Bat for Lashes' other albums, and since Khan's music is as theatrical as it is vulnerable, it should be a perfect fit. However, The Bride's journey through romance, horror, grief, and healing is more subdued than might be expected. The album begins vividly: Bedecked in fluttering harps and some of Khan's loveliest vocals yet, "I Do" has all the showy nuptial romance of a petal-strewn aisle. It's so incredibly sweet that it feels like it's tempting fate, offering the perfect setup for the brewing terror on "In God's House," as well as the slow-building drama of "Joe's Dream" and the hallucinatory panic of "Honeymooning Alone," both of which give the death-obsessed pop of the '50s and '60s a highbrow update.
Depending on listeners' patience, however, The Bride's slower second half may be hypnotic or dreary. To trace the arc from mourning to recovery, Khan relies on ballads that range from bitter ("Never Forgive the Angels") to empowering ("I Will Love Again," which sounds more like the kind of fare Adele or Christina Aguilera would sing). And though she gives the bride a surprisingly happy ending with "In Your Bed" -- which finds the character wanting to stay in her lover's arms rather than go out on the town -- it feels like her story is missing several chapters. Similarly, The Bride often feels like a missed opportunity to revisit the drama Bat for Lashes delivered so ably on Two Suns. Khan rectifies this somewhat on more mystical songs like the witchy invocation of "Widow's Peak" and "Close Encounters," an eldritch lovers' meeting that recalls Wuthering Heights (both the book and the Kate Bush song). Still, it's hard not to want Bat for Lashes to go further down this path; while Khan used restraint eloquently on The Haunted Man, The Bride is beautifully crafted, but not always thrilling.
© Heather Phares /TiVo
Sobre o álbum
- 1 disco(s) - 13 faixa(s)
- Duração total: 00:52:50
- Artistas principais: Bat For Lashes
- Compositor: Various Composers
- Gravadora: Echo
- Género: Rock Alternativo & Indie
© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo
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