Streaming ilimitado
Escute agora este álbum em alta qualidade nos nossos aplicativos
Iniciar meu período de teste e começar a escutar este álbumCurta este álbum nos aplicativos Qobuz com a sua assinatura
AssinarCurta este álbum nos aplicativos Qobuz com a sua assinatura
Violinist Michelle Makarski's versatility, technique, and intuitive grasp of multiple traditions place her in alignment with the most accomplished of late 20th and early 21st century violinists, including Paul Zukofsky, Gidon Kremer, and Irvine Arditti. Released in 2000, her album Elogio per Un'ombra is an extraordinary achievement which defines both her artistry and the expanded philosophy of musical presentation that has come to characterize Manfred Eicher's ECM label since the introduction of its New Series and the inclusion of diverse works dating from different centuries. Stephen Hartke's beautifully written program notes contain a passage comparing the structure of this album to "a handsome, persuasive architectural plan". Equipped with this metaphor, Hartke suggests we regard the various works by different composers as separate but interconnected rooms, some of which are mutually visible through adjoining portals. The primary piece with which Makarski opens the program is Giuseppe Tartini's Sonata No. 7 in A Minor. Tartini (1692-1770) is remembered as both master violinist and tonal theoretician. The haunted aspect of his theme and variations acts beautifully to prepare the ground for works by a series of 20th century composers. For Luigi Dallapiccola's Due Studi and Luciano Berio's Due Pezzi Makarski is joined by pianist Thomas Larcher. The rest of the program she delivers alone.
Whereas Goffredo Petrassi's Elogio per Un'ombra is dedicated to the memory of composer Alfredo Casella, amidst its shadowy veils the concept of elegy becomes deliciously enigmatic, so that by the time four additional and very brief variations by Tartini appear after the Berio, one is more than ready for Elliott Carter's tribute to Petrassi, followed by two more veils by Tartini and four out of George Rochberg's 50 Caprice Variations, which were based upon Paganini's Caprice No. 24. Like Paganini, Tartini was accused of tapping into diabolical resources for inspiration and in order to achieve virtuosity. The album closes with the Lamento di Tristano, anonymously composed in the 14th century and described by Hartke as one of the oldest surviving examples of Italian instrumental music. The non-linearity demonstrated by Makarski's choice of composers from different centuries suggests yet another metaphor, that of the inner ear, where two simultaneously received tones can and do combine to form a third. Because Giuseppe Tartini was the first to specifically identify and elaborate upon these combinatory wavelengths, they have come to be called Tartini Tones. Listen for them.
© arwulf arwulf /TiVo
Você está escutando amostras.
Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.
Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.
A partir de R$ 21,60/mês
Sonata No. 7 in A Minor, B.a1 (Giuseppe Tartini)
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Due Studi for Violin and Piano (Luigi Dallapiccola)
Luigi Dallapiccola, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Thomas Larcher, Piano, MainArtist, AssociatedPerformer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Luigi Dallapiccola, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Thomas Larcher, Piano, MainArtist, AssociatedPerformer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Elogio Per Un'ombra (Goffredo Petrassi)
Goffredo Petrassi, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Due pezzi for Violin and Piano (Luciano Berio)
Luciano Berio, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Thomas Larcher, Piano, MainArtist, AssociatedPerformer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Luciano Berio, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Thomas Larcher, Piano, MainArtist, AssociatedPerformer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Sonata No. 7 in A Minor, B.a1 (Giuseppe Tartini)
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Riconoscenza Per Goffredo Petrassi For Solo Violin (Elliott Carter)
Elliott Carter, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Sonata No. 7 in A Minor, B.a1 (Giuseppe Tartini)
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Giuseppe Tartini, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Caprice Variations (George Rochberg)
George Rochberg, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
George Rochberg, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
George Rochberg, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
George Rochberg, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Lamento di Tristano (Anonyme)
Anonymous, Composer - Stephan Schellmann, Recording Engineer, StudioPersonnel - Manfred Eicher, Producer - Michelle Makarski, Violin, MainArtist, AssociatedPerformer
℗ 2000 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH
Resenha do Álbum
Violinist Michelle Makarski's versatility, technique, and intuitive grasp of multiple traditions place her in alignment with the most accomplished of late 20th and early 21st century violinists, including Paul Zukofsky, Gidon Kremer, and Irvine Arditti. Released in 2000, her album Elogio per Un'ombra is an extraordinary achievement which defines both her artistry and the expanded philosophy of musical presentation that has come to characterize Manfred Eicher's ECM label since the introduction of its New Series and the inclusion of diverse works dating from different centuries. Stephen Hartke's beautifully written program notes contain a passage comparing the structure of this album to "a handsome, persuasive architectural plan". Equipped with this metaphor, Hartke suggests we regard the various works by different composers as separate but interconnected rooms, some of which are mutually visible through adjoining portals. The primary piece with which Makarski opens the program is Giuseppe Tartini's Sonata No. 7 in A Minor. Tartini (1692-1770) is remembered as both master violinist and tonal theoretician. The haunted aspect of his theme and variations acts beautifully to prepare the ground for works by a series of 20th century composers. For Luigi Dallapiccola's Due Studi and Luciano Berio's Due Pezzi Makarski is joined by pianist Thomas Larcher. The rest of the program she delivers alone.
Whereas Goffredo Petrassi's Elogio per Un'ombra is dedicated to the memory of composer Alfredo Casella, amidst its shadowy veils the concept of elegy becomes deliciously enigmatic, so that by the time four additional and very brief variations by Tartini appear after the Berio, one is more than ready for Elliott Carter's tribute to Petrassi, followed by two more veils by Tartini and four out of George Rochberg's 50 Caprice Variations, which were based upon Paganini's Caprice No. 24. Like Paganini, Tartini was accused of tapping into diabolical resources for inspiration and in order to achieve virtuosity. The album closes with the Lamento di Tristano, anonymously composed in the 14th century and described by Hartke as one of the oldest surviving examples of Italian instrumental music. The non-linearity demonstrated by Makarski's choice of composers from different centuries suggests yet another metaphor, that of the inner ear, where two simultaneously received tones can and do combine to form a third. Because Giuseppe Tartini was the first to specifically identify and elaborate upon these combinatory wavelengths, they have come to be called Tartini Tones. Listen for them.
© arwulf arwulf /TiVo
Sobre o álbum
- 1 disco(s) - 21 faixa(s)
- Duração total: 01:04:22
- Artistas principais: Michelle Makarski Thomas Larcher
- Compositor: Various Composers
- Gravadora: ECM New Series
- Género: Clássica
© 2000 ECM Records GmbH ℗ 2000 ECM Records GmbH
Melhorar as informações do álbum