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Idioma disponível: inglês
Despite their different musical languages, all works by the Polish composers Karol Szymanowski and Krzysztof Penderecki presented on this album have in common the inherent character of a lament: Szymanowski’s Stabat Mater, which was completed in 1926 and is based on a Polish translation of the Latin medieval poem, is considered as one of the most important compositions of the 20th century.
Penderecki’s three-part oratorio Dies Irae was commissioned for a commemoration day in remembrance of the murder victims at the former concentration camp in Auschwitz, and hence carries the epithet “Auschwitz Oratorium”. The album closes with a Threnos for 52 string instruments dedicated to the Victims of Hiroshima. The final haunting bars of this composition present a tutti cluster, starting in a triple forte and fading out to quadruple piano. © Orfeo
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Stabat Mater, op. 53 (Karol Szymanowski)
Elena Mosuc, Artist, MainArtist - Karol Szymanowski, Composer - Michael Gielen, Conductor, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Chorus sine nomine, Choir, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Anton Scharinger, Artist, MainArtist - Karol Szymanowski, Composer - Michael Gielen, Conductor, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Chorus sine nomine, Choir, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Elena Mosuc, Artist, MainArtist - Karol Szymanowski, Composer - Michael Gielen, Conductor, MainArtist - Annette Markert, Artist, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Chorus sine nomine, Choir, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Elena Mosuc, Artist, MainArtist - Karol Szymanowski, Composer - Michael Gielen, Conductor, MainArtist - Annette Markert, Artist, MainArtist - Chorus sine nomine, Choir, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Anton Scharinger, Artist, MainArtist - Karol Szymanowski, Composer - Michael Gielen, Conductor, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Chorus sine nomine, Choir, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Elena Mosuc, Artist, MainArtist - Anton Scharinger, Artist, MainArtist - Karol Szymanowski, Composer - Michael Gielen, Conductor, MainArtist - Annette Markert, Artist, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Chorus sine nomine, Choir, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Dies irae (Krzysztof Penderecki)
Stephen Roberts, Artist, MainArtist - Krzysztof PENDERECKI, Composer - Michael Gielen, Conductor, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Wiener Konzertchor, Choir, MainArtist - Zachos Terzakis, Artist, MainArtist - Ewa Izykowska, Artist, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Stephen Roberts, Artist, MainArtist - Krzysztof PENDERECKI, Composer - Michael Gielen, Conductor, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Wiener Konzertchor, Choir, MainArtist - Zachos Terzakis, Artist, MainArtist - Ewa Izykowska, Artist, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Stephen Roberts, Artist, MainArtist - Krzysztof PENDERECKI, Composer - Michael Gielen, Conductor, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist - Wiener Konzertchor, Choir, MainArtist - Zachos Terzakis, Artist, MainArtist - Ewa Izykowska, Artist, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Threnody To the Victims of Hiroshima (Krzysztof Penderecki)
Krzysztof PENDERECKI, Composer - Michael Gielen, Conductor, MainArtist - Austrian Radio Symphony Orchestra, Orchestra, MainArtist
(C) 2022 Orfeo (P) 2022 Orfeo
Resenha do Álbum
Despite their different musical languages, all works by the Polish composers Karol Szymanowski and Krzysztof Penderecki presented on this album have in common the inherent character of a lament: Szymanowski’s Stabat Mater, which was completed in 1926 and is based on a Polish translation of the Latin medieval poem, is considered as one of the most important compositions of the 20th century.
Penderecki’s three-part oratorio Dies Irae was commissioned for a commemoration day in remembrance of the murder victims at the former concentration camp in Auschwitz, and hence carries the epithet “Auschwitz Oratorium”. The album closes with a Threnos for 52 string instruments dedicated to the Victims of Hiroshima. The final haunting bars of this composition present a tutti cluster, starting in a triple forte and fading out to quadruple piano. © Orfeo
Sobre o álbum
- 1 disco(s) - 10 faixa(s)
- Duração total: 00:59:37
- 1 Folheto digital
- Artistas principais: Michael Gielen
- Compositor: Various Composers
- Gravadora: Orfeo
- Género: Clássica
(C) 2022 Orfeo (P) 2022 Orfeo
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