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Christiane Oelze|Suite hébraïque - Baal-Shem - Deux Psaumes

Suite hébraïque - Baal-Shem - Deux Psaumes

Ernest Bloch

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Idioma disponível: inglês

Although Ernest Bloch composed extensively throughout his long lifetime in a variety of genres, his legacy today lives on the strongest in his works inspired by his Jewish faith. The works composed from 1911 through 1916 generally are said to constitute his "Jewish Cycle" and include the Deux Psaumes for soprano and orchestra and Troi Poémes Juifs for orchestra heard here. His composition using Jewish themes and styles did not stop in 1916; however, Bloch continued in this vein in 1923 when he composed the often-performed Baal-Shem for violin and orchestra and again in 1951 with the haunting Suite Hébraïque for viola and orchestra. The string soloists assembled for this Capriccio album do a marvelous job of capturing the folk idiom Bloch was after, accentuating the distinctive augmented seconds, playing with an abundance of fervor and intensity. Violist Tabea Zimmermann's sound, in particular, is wonderfully guttural and sensual, although this magnificent sound is sometimes obscured by the orchestra. Violinist Antje Weithaas' playing is equally focused and intense and passionate; intonation is spot-on throughout Baal-Shem, a work that often vexes the technical capabilities of violinists. Soprano Christiane Oelze is the only performer whose sound doesn't seem to match the music at hand, with a wide vibrato that seems better suited for Wagnerian opera than Bloch. On the whole, though, this album is very well produced with pleasing sound quality throughout.
© TiVo

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Suite hébraïque - Baal-Shem - Deux Psaumes

Christiane Oelze

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Prelude and 2 Psalms (Ernest Bloch)

1
Prelude
Christiane Oelze
00:03:37

Ernest Bloch, Composer - Christiane Oelze, Artist, MainArtist - Deutsches Symphonie-Orchester Berlin, Orchestra - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

2
No. 1. Psalm 137
Christiane Oelze
00:05:42

Ernest Bloch, Composer - Christiane Oelze, Artist, MainArtist - Deutsches Symphonie-Orchester Berlin, Orchestra - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

3
No. 2. Psalm 114
Christiane Oelze
00:03:49

Ernest Bloch, Composer - Christiane Oelze, Artist, MainArtist - Deutsches Symphonie-Orchester Berlin, Orchestra - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

Suite hebraique* (Ernest Bloch)

4
I. Rapsodie: Andante moderato
Tabea Zimmermann
00:06:23

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra - Tabea Zimmermann, Artist, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

5
II. Processional: Andante con moto
Tabea Zimmermann
00:02:20

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra - Tabea Zimmermann, Artist, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

6
III. Affirmation: Maestoso
Tabea Zimmermann
00:03:56

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra - Tabea Zimmermann, Artist, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

Baal Shem (version for violin and orchestra) (Ernest Bloch)

7
No. 1. Vidui (Contrition): Un poco lento
Antje Weithaas
00:03:19

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra - Antje Weithaas, Artist, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

8
No. 2. Nigun (Improvisation): Adagio non troppo
Antje Weithaas
00:06:49

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra - Antje Weithaas, Artist, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

9
No. 3. Simchas Torah (Rejoicing): Allegro giocoso
Antje Weithaas
00:05:07

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra - Antje Weithaas, Artist, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

3 Jewish Poems (Ernest Bloch)

10
No. 1. Danse: Poco animato
Berlin Deutsches Symphony Orchestra
00:08:08

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

11
No. 2. Rite: Calmo (Andante moderato)
Berlin Deutsches Symphony Orchestra
00:07:02

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

12
No. 3. Cortege funebre: Lento assai
Berlin Deutsches Symphony Orchestra
00:09:38

Ernest Bloch, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Steven Sloane, Conductor

(C) 2009 CapriccioNR (P) 2009 CapriccioNR

Resenha do Álbum

Although Ernest Bloch composed extensively throughout his long lifetime in a variety of genres, his legacy today lives on the strongest in his works inspired by his Jewish faith. The works composed from 1911 through 1916 generally are said to constitute his "Jewish Cycle" and include the Deux Psaumes for soprano and orchestra and Troi Poémes Juifs for orchestra heard here. His composition using Jewish themes and styles did not stop in 1916; however, Bloch continued in this vein in 1923 when he composed the often-performed Baal-Shem for violin and orchestra and again in 1951 with the haunting Suite Hébraïque for viola and orchestra. The string soloists assembled for this Capriccio album do a marvelous job of capturing the folk idiom Bloch was after, accentuating the distinctive augmented seconds, playing with an abundance of fervor and intensity. Violist Tabea Zimmermann's sound, in particular, is wonderfully guttural and sensual, although this magnificent sound is sometimes obscured by the orchestra. Violinist Antje Weithaas' playing is equally focused and intense and passionate; intonation is spot-on throughout Baal-Shem, a work that often vexes the technical capabilities of violinists. Soprano Christiane Oelze is the only performer whose sound doesn't seem to match the music at hand, with a wide vibrato that seems better suited for Wagnerian opera than Bloch. On the whole, though, this album is very well produced with pleasing sound quality throughout.
© TiVo

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