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Four Tet|Sixteen Oceans

Sixteen Oceans

Four Tet

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Idioma disponível: inglês

This is the tenth studio album by the stalwart of the British electronic scene; Sixteen Oceans offers an hour-long journey through Four Tet’s inspired mind. The album which could too hastily be labelled ‘ambient’ starts off upbeat with School and Baby, a perfect warm-up with a 2-step beat and a “Take Me On” chopped vocal (a catchy Ellie Goulding sample). Granted, Harpsichord (featuring notes played on the instrument of the same name), Green and 4T Recordings (which resound like the soundtrack to a forest on Pandora) are pretty ambient, but they also prove that Four Tet is no one trick pony.

The producer dives into downtempo/electronica with tracks such as the single Teenage Birdsong and its jumble of blades and keyboards, spoils us with the Burial-esque underground beat of Love Salad and gets trippy with aquatic samples (Bubbles At Overlook 25th March 2019). Some standouts from this album full of surprises include Something in the Sadness, a nod to Mathew Jonson, and Insect Near Piha Beach, started off by a heavy techno kick and gradually soothed by a swarm of strings and heavenly voices that result in an astonishingly masterful sonic chiaroscuro. ©️ Smaël Bouaici/Qobuz

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Sixteen Oceans

Four Tet

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1
School
00:04:02

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

2
Baby
00:04:24

Kieran Hebden, Composer - Ellie Goulding, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

3
Harpsichord
00:02:53

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

4
Teenage Birdsong
00:03:25

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

5
Romantics
00:04:57

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

6
Love Salad
00:07:20

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

7
Insect Near Piha Beach
00:05:15

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

8
Hi Hello
00:00:48

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

9
ISTM
00:00:40

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

10
Something in the Sadness
00:05:11

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

11
1993 Band Practice
00:01:05

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

12
Green
00:03:48

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

13
Bubbles at Overlook 25th March 2019
00:01:03

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

14
4T Recordings
00:03:17

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

15
This Is for You
00:02:05

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

16
Mama Teaches Sanskrit
00:04:24

Kieran Hebden, Composer - Four Tet, MainArtist

2020 Text Records 2020 Text Records

Resenha do Álbum

This is the tenth studio album by the stalwart of the British electronic scene; Sixteen Oceans offers an hour-long journey through Four Tet’s inspired mind. The album which could too hastily be labelled ‘ambient’ starts off upbeat with School and Baby, a perfect warm-up with a 2-step beat and a “Take Me On” chopped vocal (a catchy Ellie Goulding sample). Granted, Harpsichord (featuring notes played on the instrument of the same name), Green and 4T Recordings (which resound like the soundtrack to a forest on Pandora) are pretty ambient, but they also prove that Four Tet is no one trick pony.

The producer dives into downtempo/electronica with tracks such as the single Teenage Birdsong and its jumble of blades and keyboards, spoils us with the Burial-esque underground beat of Love Salad and gets trippy with aquatic samples (Bubbles At Overlook 25th March 2019). Some standouts from this album full of surprises include Something in the Sadness, a nod to Mathew Jonson, and Insect Near Piha Beach, started off by a heavy techno kick and gradually soothed by a swarm of strings and heavenly voices that result in an astonishingly masterful sonic chiaroscuro. ©️ Smaël Bouaici/Qobuz

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