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Kayhan Kalhor|Silent City (Kayhan Kalhor, Brooklyn Rider)

Silent City (Kayhan Kalhor, Brooklyn Rider)

Kayhan Kalhor, Brooklyn Rider

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Idioma disponível: inglês

Kayhan Kalhor, a virtuoso of a four-stringed Persian fiddle known as the kamancheh, collaborated with New York modernist string quartet, Brooklyn Rider, for SILENT CITY, after the ensemble travelled to his native Iran. This stirring collection finds his evocative leads meshing beautifully with the quartet's orchestrations on a series of movements based on Iranian folktales. A partnership eight years in the making, Kalhor westernizes his traditional playing with classical touches such as pizzicato while Brooklyn Rider likewise synthesizes the intricacies of Kalhor's Persian melodies. The results mesmerize. The title track, an elegy for Halabjah, a Kurdish city razed by Saddam Hussein, is passionate stunner that will haunt listeners long after the record's close.
© TiVo

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Silent City (Kayhan Kalhor, Brooklyn Rider)

Kayhan Kalhor

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1
Ascending Bird
Kayhan Kalhor
00:06:54

Kayhan Kalhor, Performer - Anonymous, Composer - Jeff Beecher, Performer - Mark Suter, Performer

2008 World Village

2
Silent City
Mark Suter
00:29:09

Kayhan Kalhor, Performer - Kayhan Kalhor, Composer - Jeff Beecher, Performer - Mark Suter, Performer

2008 World Village

3
Parvaz
Kayhan Kalhor
00:06:23

Kayhan Kalhor, Performer - Kayhan Kalhor, Composer - Jeff Beecher, Performer

2008 World Village

4
Beloved, do not let me be discouraged
Kayhan Kalhor
00:10:34

Kayhan Kalhor, Performer - Colin Jacobsen, Composer - Jeff Beecher, Performer - Mark Suter, Performer

2008 World Village

Resenha do Álbum

Kayhan Kalhor, a virtuoso of a four-stringed Persian fiddle known as the kamancheh, collaborated with New York modernist string quartet, Brooklyn Rider, for SILENT CITY, after the ensemble travelled to his native Iran. This stirring collection finds his evocative leads meshing beautifully with the quartet's orchestrations on a series of movements based on Iranian folktales. A partnership eight years in the making, Kalhor westernizes his traditional playing with classical touches such as pizzicato while Brooklyn Rider likewise synthesizes the intricacies of Kalhor's Persian melodies. The results mesmerize. The title track, an elegy for Halabjah, a Kurdish city razed by Saddam Hussein, is passionate stunner that will haunt listeners long after the record's close.
© TiVo

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