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Vittorio Ghielmi|Short Tales for a Viol

Short Tales for a Viol

Vittorio Ghielmi

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Idioma disponível: inglês

Short Tales for a Viol is an aptly titled collection of English solo viol music of the seventeenth century: it offers 25 short pieces (many under a minute long) that are vivid, virtuosic, and for the most part unusually programmatic. A few are pavans, preludes, or dances. These works offer examples of unusual stringed-instrument techniques such as col legno (with the wood) and scordatura (retuning) that are generally associated with the violin a century later. Some of the various tunings employed have their own individual names, and Italian viol player Vittorio Ghielmi, a student of Wieland Kuijken, Roberto Gini, and Christophe Coin, expertly handles four viols of various sizes in all their tunings. The little viol pieces themselves are highly individual and a lot of fun. Their composers -- Thomas Mace, John Jenkins, Tobias Hume, William Corkine, and others, several anonymous -- are mostly unknown to the general listener. The music might be classed as semi-popular; it's certainly fun.
Although this disc opens up a delightful repertoire, several off-putting aspects keep it from being as generally attractive as it might have been. Especially on the bass viol pieces, heavy breathing noise distracts the listener from the music. The relentlessly academic liner notes delve deeply into the pointless question of what exactly a "lyra viol" was, not even explaining this arcane issue terribly well, while tantalizing work titles (like "A Laborinth") are ignored. Still, this offbeat disc might even find an audience beyond the world of early music. Folk or country fiddlers could listen profitably to Ghielmi's short tales, for therein lie the origins of the bagpipe, clock, and hunt imitations that have persisted among fiddlers down to the present day.

© TiVo

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Short Tales for a Viol

Vittorio Ghielmi

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A Souldiers Resolution (Tobias Hume)

1
A Souldiers Resolution
00:03:20

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Titre inconnu (Anonyme)

2
1. Ayre
00:01:25

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

I have been a piper (Anonyme)

3
I Have Been a Piper
00:01:32

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Killkennie (Anonyme)

4
Killkennie
00:00:50

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Whoope doe me no harme goodman ! (William Corkine)

5
Whoope Doe Me No Harme Goodman!
00:04:11

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Titre inconnu (Thomas Mace)

6
2. Ayre
00:00:42

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Toy (William Ballet)

7
Toy
00:00:47

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

A Pavin (Tobias Hume)

8
A Pavin
00:06:55

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

For the back of the bow (William Ballet)

9
For the Back of the Bow
00:01:02

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

A Laborinth (Thomas Mace)

10
A Laborinth
00:01:34

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

La Cloche (Simon Ives)

11
La Cloche
00:00:33

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Hunt is up (John Playford)

12
Hunt Is Up
00:00:52

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Prélude (Joseph Sherlie)

13
Prelude
00:00:52

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Paven (Joseph Sherlie)

14
Paven
00:05:30

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Titre inconnu (Anonyme)

15
3. Ayre
00:01:07

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Prélude (John Jenkins)

16
Preludium
00:00:55

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

The Wagge (John Jenkins)

17
The Wagge
00:02:04

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Sarabande (John Jenkins)

18
Saraband
00:01:17

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Pavane (Daniel Farrant)

19
Pavan
00:04:31

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Titre inconnu (Anonyme)

20
Title Unknown (Ayre)
00:01:08

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

21
Title Unknown (Almaine)
00:01:46

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Coranto (Anonyme)

22
Coranto
00:01:20

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Jemmye (Anonyme)

23
Jemmye
00:05:39

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

A Toy (William Ballet)

24
A Toy
00:00:38

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Room for Cuckolds (Anonyme)

25
Room for Cuckolds
00:01:09

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Unser müden Augenlieder (Anonyme)

26
Unser Müden Augenlieder
00:01:33

Vittorio Ghielmi, violes

2004 Winter & Winter 2004 Winter & Winter

Resenha do Álbum

Short Tales for a Viol is an aptly titled collection of English solo viol music of the seventeenth century: it offers 25 short pieces (many under a minute long) that are vivid, virtuosic, and for the most part unusually programmatic. A few are pavans, preludes, or dances. These works offer examples of unusual stringed-instrument techniques such as col legno (with the wood) and scordatura (retuning) that are generally associated with the violin a century later. Some of the various tunings employed have their own individual names, and Italian viol player Vittorio Ghielmi, a student of Wieland Kuijken, Roberto Gini, and Christophe Coin, expertly handles four viols of various sizes in all their tunings. The little viol pieces themselves are highly individual and a lot of fun. Their composers -- Thomas Mace, John Jenkins, Tobias Hume, William Corkine, and others, several anonymous -- are mostly unknown to the general listener. The music might be classed as semi-popular; it's certainly fun.
Although this disc opens up a delightful repertoire, several off-putting aspects keep it from being as generally attractive as it might have been. Especially on the bass viol pieces, heavy breathing noise distracts the listener from the music. The relentlessly academic liner notes delve deeply into the pointless question of what exactly a "lyra viol" was, not even explaining this arcane issue terribly well, while tantalizing work titles (like "A Laborinth") are ignored. Still, this offbeat disc might even find an audience beyond the world of early music. Folk or country fiddlers could listen profitably to Ghielmi's short tales, for therein lie the origins of the bagpipe, clock, and hunt imitations that have persisted among fiddlers down to the present day.

© TiVo

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