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Pete Townshend|Scoop 3

Scoop 3

Pete Townshend

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As Townshend points out in his liner notes, Scoop 3 isn't quite the same as its two predecessors, since it has a healthy dose of recent material instead of being devoted to songs entirely from his large archive of demos and home recordings. As he notes, this new material is almost entirely instrumental because, "(W)ithout a 'commission' from the Who (or for my own solo career), I simply write less songs." This does give Scoop 3 a different feel -- as the songs and song sketches intertwine and twist with the instrumentals, the collection gets a meditative, reflective feel, creating a bit of an aural self-portrait, which ironically enough means that it flows better as an album than any of his projects since White City. However, it may mean that those legions of die-hard fans looking for a collection overflowing with unheard songs, starkly revelatory early demos, and covers -- like on the first two Scoop releases -- may be a little disappointed, because there simply aren't as many. But they are here, in the form of previously unheard songs like "Commonwealth Boys" and "I Like It the Way It Is" as well as early versions of "Rough Boys" (called "Tough Boys"), "However Much I Booze" (called "No Way Out"), and -- most remarkably -- "Eminence Front" and "Athena" (called "Teresa"), in slower renditions that reveal the heart of the songs. Actually, that's true for most of the material here, as the selections from Who by Numbers, Quadrophenia, Face Dances, All the Best Cowboys Have Chinese Eyes, and The Iron Man -- even songs that worked brilliantly on the albums -- sound more of a piece when delivered in these delicate, passionate, synth-heavy but warm homemade versions, especially when they're bridged by Townshend's evocative instrumentals. It does wind up sounding like a musical diary, and if that isn't enough to satisfy listeners who have eagerly awaited a third Scoop for over a decade, they're simply ungrateful, since few musicians would have the guts or the inclination (or the material, for that matter) to release something as raggedly lovely and personal as this.

© Stephen Thomas Erlewine /TiVo

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Scoop 3

Pete Townshend

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1
Can You See The Real Me
00:04:18

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2001 Eel-Pie Recording Productions Ltd.

2
Dirty Water
00:01:05

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

3
Commonwealth Boys
00:03:41

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

4
Theme 015
00:00:42

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

5
Marty Robbins
00:01:42

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

6
I Like It The Way It Is
00:04:38

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

7
Theme 016
00:00:42

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

8
No Way Out (However Much I Booze)
00:06:07

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

9
Collings
00:02:36

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

10
Parvardigar (German Version)
00:06:47

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

11
Sea And Sand
00:05:01

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

12
971104 Arpeggio Piano
00:01:38

Pete Townshend, Piano, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

13
Theme 017
00:02:09

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

14
I Am Afraid
00:02:30

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

15
Maxims For Lunch
00:02:55

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

16
Wistful
00:02:59

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

17
Eminence Front
00:06:35

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

18
Lonely Words
00:03:55

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

DISCO 2

1
Prelude 970519
00:00:39

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

2
Iron Man Recitative
00:03:40

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

3
Tough Boys
00:03:11

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

4
Did You Steal My Money?
00:03:53

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

5
Can You Really Dance?
00:03:47

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

6
Variations On Dirty Jobs
00:04:41

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

7
All Lovers Are Deranged
00:03:23

David Gilmour, ComposerLyricist - Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

8
Elephants
00:02:53

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

9
Wired To The Moon (Pt. 2)
00:01:30

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

10
How Can You Do It Alone
00:06:29

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

11
Poem Disturbed
00:03:11

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

12
Squirm Squirm
00:04:09

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

13
Outlive The Dinosaur
00:03:39

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

14
Teresa
00:04:38

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

15
Man And Machines
00:03:49

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

16
It's In Ya
00:05:22

Pete Townshend, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1994 Eel-Pie Recording Productions Ltd.

Resenha do Álbum

As Townshend points out in his liner notes, Scoop 3 isn't quite the same as its two predecessors, since it has a healthy dose of recent material instead of being devoted to songs entirely from his large archive of demos and home recordings. As he notes, this new material is almost entirely instrumental because, "(W)ithout a 'commission' from the Who (or for my own solo career), I simply write less songs." This does give Scoop 3 a different feel -- as the songs and song sketches intertwine and twist with the instrumentals, the collection gets a meditative, reflective feel, creating a bit of an aural self-portrait, which ironically enough means that it flows better as an album than any of his projects since White City. However, it may mean that those legions of die-hard fans looking for a collection overflowing with unheard songs, starkly revelatory early demos, and covers -- like on the first two Scoop releases -- may be a little disappointed, because there simply aren't as many. But they are here, in the form of previously unheard songs like "Commonwealth Boys" and "I Like It the Way It Is" as well as early versions of "Rough Boys" (called "Tough Boys"), "However Much I Booze" (called "No Way Out"), and -- most remarkably -- "Eminence Front" and "Athena" (called "Teresa"), in slower renditions that reveal the heart of the songs. Actually, that's true for most of the material here, as the selections from Who by Numbers, Quadrophenia, Face Dances, All the Best Cowboys Have Chinese Eyes, and The Iron Man -- even songs that worked brilliantly on the albums -- sound more of a piece when delivered in these delicate, passionate, synth-heavy but warm homemade versions, especially when they're bridged by Townshend's evocative instrumentals. It does wind up sounding like a musical diary, and if that isn't enough to satisfy listeners who have eagerly awaited a third Scoop for over a decade, they're simply ungrateful, since few musicians would have the guts or the inclination (or the material, for that matter) to release something as raggedly lovely and personal as this.

© Stephen Thomas Erlewine /TiVo

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