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Barry Douglas|Schubert: Works for Solo Piano, Vol. 3

Schubert: Works for Solo Piano, Vol. 3

Barry Douglas

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For the third volume in his Schubert series on Chandos, Barry Douglas presents a mix of keyboard works: the Piano Sonata No. 19 in C minor, D958, the Six Moments musicaux, D780, and two arrangements by Liszt of the songs Sei mir gegrüßt and Auf dem Wasser zu singen. This varied program shows Schubert in dramatically different lights -- as an exponent of the Classical tradition in the Beethovenian sonata; as a Romantic tone-poet in the brief character pieces; and, as re-interpreted by Liszt, as the 19th century's greatest composer of Lieder. As in the previous albums in this cycle, Douglas avoids curatorial tidiness and scholarly predictability by programming different examples of Schubert's piano music side by side, much as might have been played at one of the famous Schubertiades, thereby revealing different sources of inspiration and Schubert's responses to them. In consideration of Douglas' long-range plans for recording all of Schubert's keyboard music, the varied programming promises interesting insights and perhaps a few surprising contrasts and comparisons, which are all to the good in this repertoire, which is sometimes treated too academically. The recording, made in the Curtis Auditorium at the Cork School of Music, is quite clear and warm, though the microphone placement could have been closer to the piano to mitigate the room's spacious-sounding acoustics.

© TiVo

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Schubert: Works for Solo Piano, Vol. 3

Barry Douglas

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Piano Sonata No, 19 in C Minor, D. 958 (Franz Schubert)

1
I. Allegro
00:11:17

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

2
II. Adagio
00:08:35

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

3
III. Menuetto. Allegro
00:02:59

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

4
IV. Allegro
00:09:27

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

Six moments musicaux, Op. 94, D. 780 (Franz Schubert)

5
No. 1 in C Major. Moderato
00:06:30

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

6
No. 2 in A-Flat Major. Andantino
00:06:26

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

7
No. 3 in F Minor. Allegretto moderato
00:01:43

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

8
No. 4 in C-Sharp Minor. Moderato
00:05:54

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

9
No. 5 in F Minor. Allegro vivace
00:02:13

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

10
No. 6 in A-Flat Major. Allegretto
00:09:18

Barry Douglas, Piano, MainArtist - Franz Schubert, Composer

2018 Chandos Records 2018 Chandos Records

12 Lieder von Franz Schubert, S. 558 (Franz Liszt)

11
I. Sei mir gegrüßt
00:05:19

Barry Douglas, Piano, MainArtist - Franz Liszt, Composer

2018 Chandos Records 2018 Chandos Records

12
II. Auf Dem Wasser Zu Singen
00:04:10

Barry Douglas, Piano, MainArtist - Franz Liszt, Composer

2018 Chandos Records 2018 Chandos Records

Resenha do Álbum

For the third volume in his Schubert series on Chandos, Barry Douglas presents a mix of keyboard works: the Piano Sonata No. 19 in C minor, D958, the Six Moments musicaux, D780, and two arrangements by Liszt of the songs Sei mir gegrüßt and Auf dem Wasser zu singen. This varied program shows Schubert in dramatically different lights -- as an exponent of the Classical tradition in the Beethovenian sonata; as a Romantic tone-poet in the brief character pieces; and, as re-interpreted by Liszt, as the 19th century's greatest composer of Lieder. As in the previous albums in this cycle, Douglas avoids curatorial tidiness and scholarly predictability by programming different examples of Schubert's piano music side by side, much as might have been played at one of the famous Schubertiades, thereby revealing different sources of inspiration and Schubert's responses to them. In consideration of Douglas' long-range plans for recording all of Schubert's keyboard music, the varied programming promises interesting insights and perhaps a few surprising contrasts and comparisons, which are all to the good in this repertoire, which is sometimes treated too academically. The recording, made in the Curtis Auditorium at the Cork School of Music, is quite clear and warm, though the microphone placement could have been closer to the piano to mitigate the room's spacious-sounding acoustics.

© TiVo

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