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Jason Moran|Same Mother

Same Mother

Jason Moran

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Boundary-pushing pianist Jason Moran expands his sound yet again with a blend of modern electric and acoustic blues on Same Mother. Featuring longtime bassist Tarus Mateen and drummer Nasheet Waits, Moran's seventh album also includes guitarist Marvin Sewell. An equally adventurous musician, Sewell adds a modern blues sound to Moran's usual mélange of post-bop, classical, New Orleans jazz, and funk. The results are raw, inspired, and frankly not wholly pleasing as Sewell's crisp acoustic attack does not always blend well with Moran's equally naked piano chops. However, for fans of both forward-thinking jazz and roots music, Same Mother -- a conceptual nod to the unifying notion that we are all ultimately descended from one mother -- holds considerable surprises. Notably, Moran's "Gangsterism On the Rise" is a bumptiously funky avant-garde ride, while his "G Suit Salvation" finds the group wading deep into softly experimental Pat Metheny waters. Similarly, the atmospheric, Arabic-influenced "Restin'" and "Field of the Dead" (which Moran deftly co-opts from Sergei Prokofiev's 1938 score for the Sergei Eisenstein film Alexander Nevsky) are darkly epic country-death ballads featuring Sewell's moaning acoustic slide guitar.

© Matt Collar /TiVo

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Same Mother

Jason Moran

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1
Gangsterism On The Rise
00:02:54

Marvin Sewell, Guitar, AssociatedPerformer - Allan Tucker, Mastering Engineer, StudioPersonnel - Tarus Mateen, AssociatedPerformer, Bass (Vocal) - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Nasheet Waits, Drums, AssociatedPerformer

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

2
Jump Up
00:05:48

Marvin Sewell, Guitar, AssociatedPerformer - Allan Tucker, Mastering Engineer, StudioPersonnel - Tarus Mateen, AssociatedPerformer, Bass (Vocal) - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Composer, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Nasheet Waits, Drums, AssociatedPerformer - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

3
Aubade
00:04:29

Andrew Hill, Composer - Allan Tucker, Mastering Engineer, StudioPersonnel - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Composer, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

4
G Suit Saltation
00:06:01

Marvin Sewell, Guitar, AssociatedPerformer - Allan Tucker, Mastering Engineer, StudioPersonnel - Tarus Mateen, AssociatedPerformer, Bass (Vocal) - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Composer, Producer, Piano, MainArtist, AssociatedPerformer - Nasheet Waits, Drums, AssociatedPerformer

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

5
I'll Play The Blues For You
00:07:41

Jerry Beach, Composer - Allan Tucker, Mastering Engineer, StudioPersonnel - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

6
Fire Waltz
00:04:36

Mal Waldron, Composer - Allan Tucker, Mastering Engineer, StudioPersonnel - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

7
Field Of The Dead (Excerpt From Alexander Nevsky)
00:05:19

Sergei Prokofiev, Composer - Allan Tucker, Mastering Engineer, StudioPersonnel - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

8
Restin'
00:04:15

Allan Tucker, Mastering Engineer, StudioPersonnel - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Composer, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

9
The Field
00:04:06

Allan Tucker, Mastering Engineer, StudioPersonnel - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Composer, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

10
Gangsterism On The Set
00:03:38

Allan Tucker, Mastering Engineer, StudioPersonnel - Joe Marciano, Mixer, Recording Engineer, StudioPersonnel - Jason Moran, Composer, Producer, Mixer, Piano, MainArtist, AssociatedPerformer, StudioPersonnel - Jas, Mastering Engineer, StudioPersonnel

(C) 2004 Blue Note Records ℗ 2004 Blue Note Records

Resenha do Álbum

Boundary-pushing pianist Jason Moran expands his sound yet again with a blend of modern electric and acoustic blues on Same Mother. Featuring longtime bassist Tarus Mateen and drummer Nasheet Waits, Moran's seventh album also includes guitarist Marvin Sewell. An equally adventurous musician, Sewell adds a modern blues sound to Moran's usual mélange of post-bop, classical, New Orleans jazz, and funk. The results are raw, inspired, and frankly not wholly pleasing as Sewell's crisp acoustic attack does not always blend well with Moran's equally naked piano chops. However, for fans of both forward-thinking jazz and roots music, Same Mother -- a conceptual nod to the unifying notion that we are all ultimately descended from one mother -- holds considerable surprises. Notably, Moran's "Gangsterism On the Rise" is a bumptiously funky avant-garde ride, while his "G Suit Salvation" finds the group wading deep into softly experimental Pat Metheny waters. Similarly, the atmospheric, Arabic-influenced "Restin'" and "Field of the Dead" (which Moran deftly co-opts from Sergei Prokofiev's 1938 score for the Sergei Eisenstein film Alexander Nevsky) are darkly epic country-death ballads featuring Sewell's moaning acoustic slide guitar.

© Matt Collar /TiVo

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