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Nelson Freire|Saint-Saëns: Piano Concerto No 2 - Works by Grieg & Liszt

Saint-Saëns: Piano Concerto No 2 - Works by Grieg & Liszt

Nelson Freire, Radio-Symphonie-Orchester Berlin, Ádám Fischer

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Idioma disponível: inglês

These recordings reveal Nelson Freire in 1966, aged 22, making his German radio "début" (at RIAS in Berlin) with a somewhat unusual repertoire: Grieg's Lyric Pieces, which are somewhat removed from any notion of virtuosity, followed by a few moments of the most dramatic of Liszt's works - the Hungarian Rhapsody No. 5, which the composer himself referred to as a "heroic elegy"; and the Fifth, which is known by the rather more sober name Preludio. Twenty years later, still in Berlin in 1986, the same Freire would perform Saint-Saëns's Second Concerto, accompanied by the Berlin Radio Symphonic Orchestra, since become known as the Deutsches Symphonie-Orchester Berlin directed by Ádám Fischer; this was a radio concert recorded in public and broadcast live, so no cheating was possible - not that Freire was known for such things, of course. These are fascinating archives which show that the Brazilian pianist in full command of his phenomenal powers at 22, and with a superb maturity which remains youthful and joyful for Saint-Saëns. © SM/Qobuz

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Saint-Saëns: Piano Concerto No 2 - Works by Grieg & Liszt

Nelson Freire

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Piano Concerto No. 2 in G Minor, Op. 22 (Camille Saint-Saëns)

1
I. Andante sostenuto (Live)
00:11:12

Nelson Freire, Piano - Radio-Symphonie-Orchester Berlin - Adam Fischer, Conductor - Camille Saint-Saëns, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

2
II. Allegro scherzando (Live)
00:05:42

Nelson Freire, Piano - Radio-Symphonie-Orchester Berlin - Adam Fischer, Conductor - Camille Saint-Saëns, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

3
III. Presto (Live)
00:06:12

Nelson Freire, Piano - Radio-Symphonie-Orchester Berlin - Adam Fischer, Conductor - Camille Saint-Saëns, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

Lyric Pieces, Op. 43 (Edvard Grieg)

4
II. Solitary Traveler
00:01:42

Nelson Freire, Piano - Edvard Grieg, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

5
IV. Little Bird
00:01:37

Nelson Freire, Piano - Edvard Grieg, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

Lyric Pieces, Op. 12 (Edvard Grieg)

6
V. Folk Song
00:01:28

Nelson Freire, Piano - Edvard Grieg, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

7
VI. Norwegian
00:00:54

Nelson Freire, Piano - Edvard Grieg, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

Lyric Pieces, Op. 54 (Edvard Grieg)

8
I. Shepherd's Boy
00:03:58

Nelson Freire, Piano - Edvard Grieg, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

Hungarian Rhapsody No. 5 in E Minor, S. 244 (Franz Liszt)

9
Hungarian Rhapsody No. 5 in E Minor "Heroide-Elégiaque", S. 244
00:08:23

Nelson Freire, Piano - Franz Liszt, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

Hungarian Rhapsody No. 10 in E Major, S. 244 'Preludio' (Franz Liszt)

10
Hungarian Rhapsody No. 10 in E Major, S. 244 'Preludio'
00:05:32

Nelson Freire, Piano - Franz Liszt, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

Polonaise No. 2 in E Major, S. 223 (Franz Liszt)

11
Polonaise No. 2 in E Major, S. 223
00:08:28

Nelson Freire, Piano - Franz Liszt, Composer

2017 Ludger Boeckenhoff Audite Musikproduktion 2017 Ludger Boeckenhoff Audite Musikproduktion

Resenha do Álbum

These recordings reveal Nelson Freire in 1966, aged 22, making his German radio "début" (at RIAS in Berlin) with a somewhat unusual repertoire: Grieg's Lyric Pieces, which are somewhat removed from any notion of virtuosity, followed by a few moments of the most dramatic of Liszt's works - the Hungarian Rhapsody No. 5, which the composer himself referred to as a "heroic elegy"; and the Fifth, which is known by the rather more sober name Preludio. Twenty years later, still in Berlin in 1986, the same Freire would perform Saint-Saëns's Second Concerto, accompanied by the Berlin Radio Symphonic Orchestra, since become known as the Deutsches Symphonie-Orchester Berlin directed by Ádám Fischer; this was a radio concert recorded in public and broadcast live, so no cheating was possible - not that Freire was known for such things, of course. These are fascinating archives which show that the Brazilian pianist in full command of his phenomenal powers at 22, and with a superb maturity which remains youthful and joyful for Saint-Saëns. © SM/Qobuz

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