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Sandie Shaw|Reviewing The Situation (Mono Version)

Reviewing The Situation (Mono Version)

Sandie Shaw

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Idioma disponível: inglês

On her last album of the '60s, Shaw proved that she was hipper than a lot of people would have suspected. Moving away from the usual light pop and MOR, she chose a set of covers heavy on material by the likes of Bob Dylan, the Lovin' Spoonful, the Rolling Stones ("Sympathy for the Devil"!), Led Zeppelin's "Your Time Is Gonna Come" (double exclamation point!), Donovan, Dr. John, and the Bee Gees. Which doesn't mean it's a great album. It's thoughtfully arranged and energetically delivered, but Shaw's slight, wispy voice is as ill-suited for some of the material as a nun is for the mosh pit. Hearing her attempt even the slightest hint of funky menace, as on "Sympathy for the Devil" and Dr. John's "Mama Roux," is apt to induce snickers, however heartfelt the endeavor might have been. On the other hand, there's a nifty, slinky, jazzy cover of the Beatles' "Love Me Do," and her version of the Spoonful's "Coconut Grove" is also good. [The 2004 CD reissue on EMI adds two bonus tracks: a cover of Paul McCartney's "Junk"" and "Frank Mills" from Hair.]

© Richie Unterberger /TiVo

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Reviewing The Situation (Mono Version)

Sandie Shaw

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1
Reviewing The Situation (Mono Version)
00:03:31

Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Lionel Bart, ComposerLyricist - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

2
Lay Lady Lay (Mono Version)
00:03:51

Bob Dylan, ComposerLyricist - Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

3
Mama Roux (Mono Version)
00:03:18

Jessie Hill, ComposerLyricist - Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer - John Rebennack, ComposerLyricist

℗ 1969 Universal Music Operations Limited

4
Sun In My Eyes (Mono Version)
00:02:46

Barry Gibb, ComposerLyricist - Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Rodney Hill, Guitar, AssociatedPerformer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

5
Walking The Dog (Mono Version)
00:03:47

Rufus Thomas, Jr., ComposerLyricist - Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Rodney Hill, Guitar, AssociatedPerformer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

6
Love Me Do (Mono Version)
00:02:31

John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

7
Oh Gosh (Mono Version)
00:01:42

Donovan Leitch, ComposerLyricist - Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

8
Your Time Is Gonna Come (Mono Version)
00:03:32

Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Jimmy Page, ComposerLyricist - John Paul Jones, ComposerLyricist - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

9
Coconut Grove (Mono Version)
00:02:22

Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Zal Yanovsky, ComposerLyricist - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - John Benson Sebastian, ComposerLyricist - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

10
Sympathy For The Devil (Mono Version)
00:05:45

KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - Sandie Shaw, Producer, Vocalist, MainArtist, AssociatedPerformer - Rodney Hill, Guitar, AssociatedPerformer - Ken Woodman, Producer - John Timperley, Engineer, StudioPersonnel - Brent Pickthall, Background Vocalist, AssociatedPerformer, Bass (Vocal) - Geoff Peach, Horn, Woodwinds, Background Vocalist, AssociatedPerformer - Ian Russell Wallace, Drums, Percussion, Background Vocalist, AssociatedPerformer - John Iles, Engineer, StudioPersonnel - Peter R.T. Marsh, Keyboards, AssociatedPerformer

℗ 1969 Universal Music Operations Limited

Resenha do Álbum

On her last album of the '60s, Shaw proved that she was hipper than a lot of people would have suspected. Moving away from the usual light pop and MOR, she chose a set of covers heavy on material by the likes of Bob Dylan, the Lovin' Spoonful, the Rolling Stones ("Sympathy for the Devil"!), Led Zeppelin's "Your Time Is Gonna Come" (double exclamation point!), Donovan, Dr. John, and the Bee Gees. Which doesn't mean it's a great album. It's thoughtfully arranged and energetically delivered, but Shaw's slight, wispy voice is as ill-suited for some of the material as a nun is for the mosh pit. Hearing her attempt even the slightest hint of funky menace, as on "Sympathy for the Devil" and Dr. John's "Mama Roux," is apt to induce snickers, however heartfelt the endeavor might have been. On the other hand, there's a nifty, slinky, jazzy cover of the Beatles' "Love Me Do," and her version of the Spoonful's "Coconut Grove" is also good. [The 2004 CD reissue on EMI adds two bonus tracks: a cover of Paul McCartney's "Junk"" and "Frank Mills" from Hair.]

© Richie Unterberger /TiVo

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