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Idioma disponível: inglês
Around the time the reggaeton gold rush of 2003-2005 was running dry, and a great many critics were eager to write off the style as a next-big-thing phenomenon that burned itself out, along came Calle 13. The Puerto Rican duo was a revelation: a reggaeton act whose appeal extended beyond clubs and mixtapes, one whose music was as engaging intellectually as it was sonically. Granted, Calle 13 was a reggaeton act that wasn't genuinely reggaeton. These guys were presenting an alternative style, one that was purposefully different -- when so many other reggaeton acts were parroting the mannerisms of Daddy Yankee and Don Omar in hopes of cashing in on the gold rush, Calle 13 blazed a trail of their own. They didn't catch on at first, but once they did, slowly but steadily, they were showered with acclaim, including three Latin Grammys, and they enjoyed surging popularity, especially among the MTV demographic. All of this success opened a lot of doors for the duo, as Residente (the vocalist) accepted invitations to work with Nelly Furtado and Alejandro Sanz and Visitante (the producer) with Shakira and Beyoncé on their "Beautiful Liar" collaboration -- not bad for a reggaeton act. The thing is, Calle 13 is so much more than a reggaeton act, something they seem to stress on their second album, Residente o Visitante. Sure, reggaeton is the basis for the music of Residente and Visitante, but they synthesize it with a wide-ranging assortment of styles and sounds, including opera ("Intro"), tango ("Tango del Pecado"), bossa nova ("Un Beso de Desayuno"), electric guitar ("Llégale a Mi Guarida"), and cumbia ("La Cumbia de los Aburridos"). More than anything, though, rap and electronica are clear touchstones for Calle 13, as Residente is a gifted rapper who matches Eminem in terms of wit and playfulness while Visitante is a similarly gifted producer who creates multi-layered tracks that rarely sound alike. As expected, Residente o Visitante is a significantly more advanced album than Calle 13, given all that happened in the time between. For one, the guys are much more willing to experiment stylistically. The handful of collaborations -- true collaborations, not phoned-in vocal tracks -- seem to have been a vehicle for experimentation: the lead single, "Tango del Pecado," is a clever narrative graced instrumentally by the Bajofondo Tango Club; "Sin Exagerar" is a crazed runaway rap showcase teaming Residente with his labelmate Tego Calderón; "Mala Suerta con el 13" is an impressive boy-versus-girl face-off with rapper Mala Rodríguez; and "Pal Norte" features Cuban rappers Orishas. These aren't necessarily the best songs. They just happen to be the most interesting, because of the experimentation -- and they're front-loaded, kicking off Residente o Visitante wildly. As the album nears its 15-track close, it's just Residente and Visitante, the mood turns darker, and the style turns increasingly away from reggaeton and toward a more general urban-alternative style. "A Limpiar el Sucio," in particular, is powerful, while "La Era de la Copiaera," the derisive final song, whose title translates to "The Age of the Copier," closes the album fittingly.
© Jason Birchmeier /TiVo
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Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Producer - René Pérez, Lyricist - Edgard Abraham Marrero, Arranger, Lyricist, Producer - Elías de León, Executive Producer - Carlos Velazquez, Recording Engineer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Bajofondo Tango Club, Associated Performer, Featured Artist - Panasuyo, Associated Performer, Featured Artist - Calle 13 Featuring Bajofondo Tango Club and Panasuyo, Associated Performer - Eduardo Cabra, Composer, Producer - Flor Joglar - Gustavo Santaolalla, Composer, Producer - Bibiana Righi - Juan Campodonico, Producer - René Pérez, Lyricist - Alejandro Terán, Arranger - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - René Pérez, Lyricist - Arturo Verges, Trombone - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Tego Calderon, Associated Performer, Featured Artist - Calle 13 Featuring Tego Calderón, Associated Performer - Eduardo Cabra, Composer, Producer - Antonio "Toy" Hernández, Composer - Antonio "Toy" Hernández, Assistant Engineer, Producer - René Pérez, Lyricist - Elías de León, Executive Producer - Ben Diehl, Assistant Engineer - Frank "El Médico" Rodríguez, Assistant Engineer - Jean Robert "Rob" Antoine, Assistant Engineer - Eduardo Olaniel, Assistant Engineer - Jose R. Cuevas, Assistant Engineer - Waldemar Izquierdo, Assistant Engineer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer, Recording Engineer - James Cruz, Mastering Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - La Mala Rodriguez, Associated Performer, Featured Artist, Lyricist - Calle 13 Featuring La Mala Rodríguez, Associated Performer - Eduardo Cabra, Composer, Producer - Panasuyo, Percussion - René Pérez, Lyricist - Elías de León, Executive Producer - Frank "El Médico" Rodríguez, Assistant Engineer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer, Recording Engineer - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Vicentico, Associated Performer, Featured Artist - Calle 13 Featuring VICENTICO, Associated Performer - Eduardo Cabra, Composer, Electric Guitar, Percussion, Producer - Héctor Melendez, Acoustic Guitar - Mark Rivera, Electric Guitar - René Pérez, Lyricist - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Hector Barez, Percussion - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Ismael Cancel, Percussion - Nicolás Cordero, Bass
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - Héctor Melendez, Acoustic Guitar - Mark Rivera, Electric Guitar - René Pérez, Lyricist - Elías de León, Executive Producer - Andrés Cruz, Percussion - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - René Pérez, Lyricist - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - pg-13, Associated Performer, Featured Artist - Calle 13 Featuring pg-13, Associated Performer - Eduardo Cabra, Arranger, Composer, Producer - Mark Rivera, Electric Guitar - Edgard Abraham Marrero, Arranger, Producer - Hector Barez, Percussion - René Pérez, Lyricist - Ismael Cancel, Percussion - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - Tomás Márquez, Arranger - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Orishas, Associated Performer, Featured Artist, Lyricist - Calle 13 Featuring Orishas, Associated Performer - Eduardo Cabra, Composer, Producer - Panasuyo, Composer, Producer - Juan Campodonico, Composer, Lyricist - René Pérez, Lyricist - pg-13, Executive Producer - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - Enrique "Kike" Egurrola, Percussion - Henry Ortiz, Accordion - René Pérez, Lyricist - Antonio "Toy" Hernández, Producer - Iván Gutiérrez, Mixing Engineer - Chad Bernstein, Trombone - Edgardo Matta, Mixing Engineer, Recording Engineer - James Cruz, Mastering Engineer - Felipe Álvarez, Recording Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - René Pérez, Lyricist - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - René Pérez, Lyricist - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - Mark Rivera, Electric Guitar - René Pérez, Lyricist - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Composer, Producer - Panasuyo, Composer, Producer - René Pérez, Lyricist - Elías de León, Executive Producer - Iván Gutiérrez, Mixing Engineer - Edgardo Matta, Mixing Engineer - James Cruz, Mastering Engineer - Carlos Velazquez, Recording Engineer - Ramón Martínez, Recording Engineer
(P) 2007 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Producer - René Pérez, Composer, Lyricist - Danny Fornaris, Producer - Colin Michaels, Mixing Engineer
(P) 2005 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - René Pérez, Composer, Lyricist - Eduardo Cabra, Composer, Lyricist - Eduardo Cabra (Visitante), Producer - Danny Fornaris, Producer - Colin Michaels, Mixing Engineer
(P) 2005 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Producer - René Pérez, Composer, Lyricist - Danny Fornaris, Producer - Colin Michaels, Mixing Engineer
(P) 2005 5020 Records
Calle 13, Associated Performer, Main Artist, Associated Performer - Eduardo Cabra, Producer - René Pérez, Composer, Lyricist - Danny Fornaris, Producer - Colin Michaels, Mixing Engineer
(P) 2005 5020 Records
Resenha do Álbum
Around the time the reggaeton gold rush of 2003-2005 was running dry, and a great many critics were eager to write off the style as a next-big-thing phenomenon that burned itself out, along came Calle 13. The Puerto Rican duo was a revelation: a reggaeton act whose appeal extended beyond clubs and mixtapes, one whose music was as engaging intellectually as it was sonically. Granted, Calle 13 was a reggaeton act that wasn't genuinely reggaeton. These guys were presenting an alternative style, one that was purposefully different -- when so many other reggaeton acts were parroting the mannerisms of Daddy Yankee and Don Omar in hopes of cashing in on the gold rush, Calle 13 blazed a trail of their own. They didn't catch on at first, but once they did, slowly but steadily, they were showered with acclaim, including three Latin Grammys, and they enjoyed surging popularity, especially among the MTV demographic. All of this success opened a lot of doors for the duo, as Residente (the vocalist) accepted invitations to work with Nelly Furtado and Alejandro Sanz and Visitante (the producer) with Shakira and Beyoncé on their "Beautiful Liar" collaboration -- not bad for a reggaeton act. The thing is, Calle 13 is so much more than a reggaeton act, something they seem to stress on their second album, Residente o Visitante. Sure, reggaeton is the basis for the music of Residente and Visitante, but they synthesize it with a wide-ranging assortment of styles and sounds, including opera ("Intro"), tango ("Tango del Pecado"), bossa nova ("Un Beso de Desayuno"), electric guitar ("Llégale a Mi Guarida"), and cumbia ("La Cumbia de los Aburridos"). More than anything, though, rap and electronica are clear touchstones for Calle 13, as Residente is a gifted rapper who matches Eminem in terms of wit and playfulness while Visitante is a similarly gifted producer who creates multi-layered tracks that rarely sound alike. As expected, Residente o Visitante is a significantly more advanced album than Calle 13, given all that happened in the time between. For one, the guys are much more willing to experiment stylistically. The handful of collaborations -- true collaborations, not phoned-in vocal tracks -- seem to have been a vehicle for experimentation: the lead single, "Tango del Pecado," is a clever narrative graced instrumentally by the Bajofondo Tango Club; "Sin Exagerar" is a crazed runaway rap showcase teaming Residente with his labelmate Tego Calderón; "Mala Suerta con el 13" is an impressive boy-versus-girl face-off with rapper Mala Rodríguez; and "Pal Norte" features Cuban rappers Orishas. These aren't necessarily the best songs. They just happen to be the most interesting, because of the experimentation -- and they're front-loaded, kicking off Residente o Visitante wildly. As the album nears its 15-track close, it's just Residente and Visitante, the mood turns darker, and the style turns increasingly away from reggaeton and toward a more general urban-alternative style. "A Limpiar el Sucio," in particular, is powerful, while "La Era de la Copiaera," the derisive final song, whose title translates to "The Age of the Copier," closes the album fittingly.
© Jason Birchmeier /TiVo
Sobre o álbum
- 1 disco(s) - 19 faixa(s)
- Duração total: 01:17:23
- Artistas principais: Calle 13
- Compositor: Various Composers
- Gravadora: Sony Music Latin
- Género: América Latina
(P) 2007 5020 Records
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