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Jaakko Kuusisto|Rautavaara: Symphony No. 8, "The Journey" / Violin Concerto

Rautavaara: Symphony No. 8, "The Journey" / Violin Concerto

Jaakko Kuusisto, Lahti Symphony Orchestra and Osmo Vänskä

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One might expect that Einojuhani Rautavaara's Violin Concerto (1976-1977) and his Symphony No. 8, "The Journey" (1999) would present some striking contrasts of style and technique since the two decades separating them saw major shifts from avant-garde thinking to a reassessment of traditional norms. The Violin Concerto, however, is already fairly conservative in outlook, with only a few astringent passages pointing to gestural language and experimental ideas. For the most part, this work is serene, lyrical, and harmonically stable, and violinist Jaakko Kuusisto and the Lahti Symphony Orchestra, directed by Osmo Vänskä, interpret it as neo-Romantic in tone, form, and substance. The Symphony -- free of any nods to the avant-garde -- is readily recognizable as a work in Rautavaara's mature, epic style. The somber tone, slow pacing, and mysterious coloration of this work give it a deeply brooding character; the shorter passages of fast, violent music leave little mark on the Symphony's meditative moods. Written at the turn of the Millennium, one may take Rautavaara's music as an elegiac reflection on the passing of the twentieth century, though no explicit program was provided by the composer. The recording's sound quality is good, though the orchestra often seems veiled and unfocused in its lush moments.

© TiVo

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Rautavaara: Symphony No. 8, "The Journey" / Violin Concerto

Jaakko Kuusisto

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Violin Concerto (Einojuhani Rautavaara)

1
I. Tranquillo
Jaakko Kuusisto
00:13:03

Einojuhani RAUTAVAARA, Composer - Osmo Vänskä, Conductor, MainArtist - Jaakko Kuusisto, MainArtist, AssociatedPerformer - Lahti Symphony Orchestra, Orchestra, MainArtist

2004 BIS 2004 (P) BIS

2
II. Energico
Jaakko Kuusisto
00:14:10

Einojuhani RAUTAVAARA, Composer - Osmo Vänskä, Conductor, MainArtist - Jaakko Kuusisto, MainArtist, AssociatedPerformer - Lahti Symphony Orchestra, Orchestra, MainArtist

2004 BIS 2004 (P) BIS

Symphony No. 8, "the Journey" (Einojuhani Rautavaara)

3
I. Adagio assai - Andante assai
Lahti Symphony Orchestra
00:10:42

Einojuhani RAUTAVAARA, Composer - Osmo Vänskä, Conductor, MainArtist - Lahti Symphony Orchestra, Orchestra, MainArtist

2004 BIS 2004 (P) BIS

4
II. Feroce -
Lahti Symphony Orchestra
00:02:49

Einojuhani RAUTAVAARA, Composer - Osmo Vänskä, Conductor, MainArtist - Lahti Symphony Orchestra, Orchestra, MainArtist

2004 BIS 2004 (P) BIS

5
III. Tranquillo
Lahti Symphony Orchestra
00:05:49

Einojuhani RAUTAVAARA, Composer - Osmo Vänskä, Conductor, MainArtist - Lahti Symphony Orchestra, Orchestra, MainArtist

2004 BIS 2004 (P) BIS

6
IV. Con grandezza - Sciolto - Tempo primo
Lahti Symphony Orchestra
00:10:05

Einojuhani RAUTAVAARA, Composer - Osmo Vänskä, Conductor, MainArtist - Lahti Symphony Orchestra, Orchestra, MainArtist

2004 BIS 2004 (P) BIS

Resenha do Álbum

One might expect that Einojuhani Rautavaara's Violin Concerto (1976-1977) and his Symphony No. 8, "The Journey" (1999) would present some striking contrasts of style and technique since the two decades separating them saw major shifts from avant-garde thinking to a reassessment of traditional norms. The Violin Concerto, however, is already fairly conservative in outlook, with only a few astringent passages pointing to gestural language and experimental ideas. For the most part, this work is serene, lyrical, and harmonically stable, and violinist Jaakko Kuusisto and the Lahti Symphony Orchestra, directed by Osmo Vänskä, interpret it as neo-Romantic in tone, form, and substance. The Symphony -- free of any nods to the avant-garde -- is readily recognizable as a work in Rautavaara's mature, epic style. The somber tone, slow pacing, and mysterious coloration of this work give it a deeply brooding character; the shorter passages of fast, violent music leave little mark on the Symphony's meditative moods. Written at the turn of the Millennium, one may take Rautavaara's music as an elegiac reflection on the passing of the twentieth century, though no explicit program was provided by the composer. The recording's sound quality is good, though the orchestra often seems veiled and unfocused in its lush moments.

© TiVo

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