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Sebastian Comberti|Paxton: Cello Sonatas & Concerto

Paxton: Cello Sonatas & Concerto

Sebastian Comberti, Ruth Alford, Maggie Cole

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It is sometimes hard to believe that, in this day and age, discoveries of new works and even forgotten composers continue to be made. This album on the Cello Classics label proves that there are still works out there yet to be found, and that some of them are well worth discovery. Cellist Sebastian Comberti, along with the unlikely assistance of novelist Imogen Robertson, has unearthed four sonatas and a concerto by eighteenth century composer and cellist Stephen Paxton. While Paxton was a well-respected musician during his time, his overall impact was rather negligible and so much of his work and even his name has been long since forgotten. These sonatas, however, are real gems for cellists. They are not profoundly difficult, technical works that seek to demonstrate Paxton's own prowess on the instrument; rather, they are charming examples of the popular sonata form in London at the time. Realized here with a second cello and harpsichord, Comberti breathes new life into these forgotten works with stunning elegance and refinement in his playing, a warm sensitivity in the slow movements, and a graceful, joyous vivaciousness in the outer movements. The album ends with the premiere recording of the Concerto in G. Comberti is joined by the Pantheon Band; here, however, the accompaniment is far from the refinement and precision heard in the sonatas. The Pantheon Band has difficulties with intonation throughout and balance is not always ideal, making this part of the album sound extremely amateurish. Still, listeners will relish in the quality of the new repertoire and the brilliant performance of the four sonatas.
© TiVo

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Paxton: Cello Sonatas & Concerto

Sebastian Comberti

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Cello Sonata in A Major, Op. 1 No. 1 (Stephen Paxton)

1
I. Allegro moderato
00:04:34

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

2
II. Adagio
00:04:02

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

3
III. Rondo
00:04:56

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

Cello Sonata in D Major, Op. 4 No. 6 (Stephen Paxton)

4
I. Allegro
00:05:22

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

5
II. Largo sostenuto
00:04:38

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

6
III. Spiritoso
00:03:59

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

Cello Sonata in C Major, Op. 1 No. 4 (Stephen Paxton)

7
I. Allegro
00:04:22

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

8
II. Cantabile larghetto
00:03:58

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

9
III. Allegro con spirito
00:03:37

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

Cello Sonata in C Major, Op. 4 No. 5 (Stephen Paxton)

10
I. Moderato
00:04:50

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

11
II. Adagio
00:04:27

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

12
III. Rondeau
00:03:25

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

13
IV. Grazioso
00:03:15

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer

(C) 2009 Cello Classics (P) 2009 Cello Classics

Cello Concerto In G Major (Stephen Paxton)

14
I. Allegro
00:04:21

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer - The Pantheon Band, Ensemble

(C) 2009 Cello Classics (P) 2009 Cello Classics

15
II. Adagio
00:04:23

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer - The Pantheon Band, Ensemble

(C) 2009 Cello Classics (P) 2009 Cello Classics

16
III. Minuetto
00:02:41

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer - The Pantheon Band, Ensemble

(C) 2009 Cello Classics (P) 2009 Cello Classics

17
IV. Affettuoso
00:04:14

Maggie Cole, Artist - Ruth Alford, Artist - Sebastian Comberti, Artist, MainArtist - Stephen Paxton, Composer - The Pantheon Band, Ensemble

(C) 2009 Cello Classics (P) 2009 Cello Classics

Resenha do Álbum

It is sometimes hard to believe that, in this day and age, discoveries of new works and even forgotten composers continue to be made. This album on the Cello Classics label proves that there are still works out there yet to be found, and that some of them are well worth discovery. Cellist Sebastian Comberti, along with the unlikely assistance of novelist Imogen Robertson, has unearthed four sonatas and a concerto by eighteenth century composer and cellist Stephen Paxton. While Paxton was a well-respected musician during his time, his overall impact was rather negligible and so much of his work and even his name has been long since forgotten. These sonatas, however, are real gems for cellists. They are not profoundly difficult, technical works that seek to demonstrate Paxton's own prowess on the instrument; rather, they are charming examples of the popular sonata form in London at the time. Realized here with a second cello and harpsichord, Comberti breathes new life into these forgotten works with stunning elegance and refinement in his playing, a warm sensitivity in the slow movements, and a graceful, joyous vivaciousness in the outer movements. The album ends with the premiere recording of the Concerto in G. Comberti is joined by the Pantheon Band; here, however, the accompaniment is far from the refinement and precision heard in the sonatas. The Pantheon Band has difficulties with intonation throughout and balance is not always ideal, making this part of the album sound extremely amateurish. Still, listeners will relish in the quality of the new repertoire and the brilliant performance of the four sonatas.
© TiVo

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