Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Sistine Chapel Choir|Palestrina

Palestrina

Sistine Chapel Choir, Massimo Palombella

Folheto digital

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Palestrina's Missa Papae Marcelli or Pope Marcellus Mass is the Renaissance composition you know if you know only one, and the Sistine Chapel Choir has 400-plus years of experience in performing it. So this release, on the rather conservative Deutsche Grammophon label, might seem a stodgy exercise in tradition. In fact it is nothing of the sort. Director Massimo Palombella readily admits the necessity of not "simply mirroring existing versions," and he has forged a reading shaped by modern discoveries concerning Renaissance performance practice. The choir (men and boys) is shaved down to a force of about 30, and Palombella gets a remarkable sound that is clean yet intimate. The registrally complex polyphony of the Missa Papae Marcelli comes through unscathed, and the mass gets a clearer stylistic differentiation from the short motets included than was possible under the more homogeneous, large-choir approach that has been so common with this music. The biggest thing listeners familiar with the mass will notice is that Palombella introduces tempo shifts such as ritardandi. This is discussed at length in the booklet and heavily footnoted, and it represents a new approach not only for Palestrina, but for Renaissance sacred polyphony in general. The jury is still out on this, but Palombella's approach is consistent and generally expressive. A major advantage is the sound, described as being recorded in a studio in the Sistine Chapel itself. It's a little unclear what this involved, but apparently the choir was moved from its usual spot and for most of the pieces placed in front of the altar, where it was enclosed in a studio-like space. The results are impressive, and in general this is a fresh approach to Palestrina that is well worth the listener's time.

© TiVo

Mais informações

Palestrina

Sistine Chapel Choir

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de R$ 21,60/mês

Missa Papae Marcelli (Palestrina)

1
I. Kyrie
Massimo Palombella
00:03:33

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

2
Gloria
Massimo Palombella
00:05:22

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

3
Credo
Massimo Palombella
00:08:56

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

4
Sanctus
Massimo Palombella
00:05:59

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

5
Agnus Dei
Massimo Palombella
00:06:11

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

Motets (Palestrina)

6
Palestrina: Tu Es Pastor Ovium
Massimo Palombella
00:05:19

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

7
Palestrina: O Bone Iesu
Massimo Palombella
00:01:36

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

8
Palestrina: Confitemini Domino
Massimo Palombella
00:02:11

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

9
Palestrina: Ad Te Levavi Oculos Meos
Massimo Palombella
00:05:01

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

10
Palestrina: Benedixisti, Domine
Massimo Palombella
00:02:38

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

11
Palestrina: Veritas Mea Et Misericordia Mea
Massimo Palombella
00:02:31

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

12
Palestrina: Iubilate Deo
Massimo Palombella
00:05:20

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

13
Palestrina: Confirma Hoc, Deus
Massimo Palombella
00:02:25

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

14
Palestrina: Ave Maria
Massimo Palombella
00:03:19

Anna Barry, Producer - Giovanni Pierluigi da Palestrina, ComposerLyricist - Erdo Groot, Recording Engineer, StudioPersonnel - Sistine Chapel Choir, Choir, MainArtist - Massimo Palombella, Conductor, Chorus Conductor, MainArtist

℗ 2016 Deutsche Grammophon GmbH, Berlin

Resenha do Álbum

Palestrina's Missa Papae Marcelli or Pope Marcellus Mass is the Renaissance composition you know if you know only one, and the Sistine Chapel Choir has 400-plus years of experience in performing it. So this release, on the rather conservative Deutsche Grammophon label, might seem a stodgy exercise in tradition. In fact it is nothing of the sort. Director Massimo Palombella readily admits the necessity of not "simply mirroring existing versions," and he has forged a reading shaped by modern discoveries concerning Renaissance performance practice. The choir (men and boys) is shaved down to a force of about 30, and Palombella gets a remarkable sound that is clean yet intimate. The registrally complex polyphony of the Missa Papae Marcelli comes through unscathed, and the mass gets a clearer stylistic differentiation from the short motets included than was possible under the more homogeneous, large-choir approach that has been so common with this music. The biggest thing listeners familiar with the mass will notice is that Palombella introduces tempo shifts such as ritardandi. This is discussed at length in the booklet and heavily footnoted, and it represents a new approach not only for Palestrina, but for Renaissance sacred polyphony in general. The jury is still out on this, but Palombella's approach is consistent and generally expressive. A major advantage is the sound, described as being recorded in a studio in the Sistine Chapel itself. It's a little unclear what this involved, but apparently the choir was moved from its usual spot and for most of the pieces placed in front of the altar, where it was enclosed in a studio-like space. The results are impressive, and in general this is a fresh approach to Palestrina that is well worth the listener's time.

© TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Sistine Chapel Choir

Cantate Domino - La Cappella Sistina e la musica dei Papi

Sistine Chapel Choir

Palestrina

Sistine Chapel Choir

Palestrina Sistine Chapel Choir

Anerio: Voce mea ad Dominum

Sistine Chapel Choir

Anerio: Voce mea ad Dominum Sistine Chapel Choir

O Crux Benedicta. Lent and Holy Week at the Sistine Chapel

Sistine Chapel Choir

Veni Domine: Advent & Christmas At The Sistine Chapel

Sistine Chapel Choir

Playlists

Você também pode gostar...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana