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Paul Bley|Not Two, Not One

Not Two, Not One

Paul Bley, Gary Peacock, Paul Motian

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Like a good wine, Paul Bley seems only to improve with age. Re-united with bassist Gary Peacock and percussionist Paul Motian (their last recording together for ECM was made more than two decades earlier), the trio revisits the quirky "Fig Foot," and explores colors, moods, and even a touch of blues on a set of all original compositions. Bley is especially effective exploring the lower sonorities, while Peacock's full-sounding bass throbs with joy. Motian is characteristically exquisite, his soft, layered, sensitive strokes prodding his colleagues. None of the pieces drift, as these three masters contribute a mature perspective that comes from varied experience. Remarkable interplay, chamber-free harmonies, and loose improvisations add up to some special sounds.
© Steven Loewy /TiVo

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Not Two, Not One

Paul Bley

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1
Not Zero: In Three Parts
00:09:35

PAUL MOTIAN, Composer, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
Entelechy
00:02:05

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
Now
00:04:36

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
Fig Foot
00:05:39

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
Vocal Tracked
00:05:21

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
Intente
00:05:40

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

7
Noosphere
00:07:04

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

8
Set Up Set
00:06:18

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1998 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

9
Dialogue Amour
00:08:08

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

10
Don't You Know
00:06:57

PAUL MOTIAN, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

11
Not Zero: In One Part
00:00:58

PAUL MOTIAN, Composer, Drums, MainArtist, AssociatedPerformer - Paul Bley, Composer, Piano, MainArtist, AssociatedPerformer - James A. Farber, Recording Engineer, StudioPersonnel - Gary Peacock, Composer, Double Bass, MainArtist, AssociatedPerformer - Manfred Eicher, Producer

℗ 1999 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Resenha do Álbum

Like a good wine, Paul Bley seems only to improve with age. Re-united with bassist Gary Peacock and percussionist Paul Motian (their last recording together for ECM was made more than two decades earlier), the trio revisits the quirky "Fig Foot," and explores colors, moods, and even a touch of blues on a set of all original compositions. Bley is especially effective exploring the lower sonorities, while Peacock's full-sounding bass throbs with joy. Motian is characteristically exquisite, his soft, layered, sensitive strokes prodding his colleagues. None of the pieces drift, as these three masters contribute a mature perspective that comes from varied experience. Remarkable interplay, chamber-free harmonies, and loose improvisations add up to some special sounds.
© Steven Loewy /TiVo

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