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Benjamin Frith|Music for Two Pianos

Music for Two Pianos

Igor Stravinski

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Idioma disponível: inglês

Igor Stravinsky is not regarded as a major composer for the piano, yet this disc presents three works that are significant contributions to the instrument's literature. The Sonata for two pianos, a light and accessible composition, was originally intended to be a solo keyboard work until Stravinsky realized that the music's growing complexity called for two more hands. The Concerto for two pianos was written as a showpiece for Stravinsky's son, Soulima, and is more ambitious than the sonata both in structure and in development of material. A work from Stravinsky's middle, neo-Classical period, its music is more rigorous and intellectually challenging than the sonata, though perhaps less ingratiating for its irony and formality. The Rite of Spring was originally composed at the piano, and this four-hand arrangement was written for rehearsal purposes, simultaneously with the orchestral score. How much the keyboard's sonority and percussive quality may have influenced the ballet's orchestration is debatable, though many figurations in the score are recognizably pianistic. In this piano reduction, Rite undergoes few alterations and seems to lie well under the hands. Recorded in 1995 at St. Silas Church, Kentish Town, London, the sound is good, though it is a little too thin in the bass.

© TiVo

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Music for Two Pianos

Benjamin Frith

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Sonata for 2 Pianos (Igor Stravinsky)

1
Moderato
00:04:07

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

2
Theme with Variations
00:01:35

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

3
Variation 1
00:00:36

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

4
Variation 2
00:00:34

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

5
Variation 3
00:00:53

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

6
Variation 4
00:00:40

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

7
Allegretto
00:01:50

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

Concerto for 2 Pianos (Igor Stravinsky)

8
Con moto
00:05:48

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

9
Notturno
00:05:24

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

10
Quattro variazioni: Variation 1
00:01:12

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

11
Variation 2
00:01:00

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

12
Variation 3
00:01:27

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

13
Variation 4
00:01:18

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

14
Preludio e Fuga
00:04:27

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

Le sacre du printemps (Igor Stravinsky)

15
Part I THE ADORATION OF THE EARTH: Introduction
00:03:16

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

16
Part I: Auguries of Spring (Dances of the Young Girls)
00:02:54

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

17
Part I: Ritual of Abduction
00:01:13

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

18
Part I: Spring Rounds
00:03:22

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

19
Part I: Games of the Rival Tribes
00:01:46

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

20
Part I: Procession of the Wise Elder
00:00:38

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

21
Part I: The Sage
00:00:21

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

22
Part I: Dance of the Earth
00:01:10

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

23
Part II THE SACRIFICE: Introduction
00:04:48

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

24
Part II: Mystic Circles of the Young Girls
00:02:47

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

25
Part II: Glorification of the Chosen One
00:01:28

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

26
Part II: Evocation of the Ancestors
00:00:42

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

27
Part II: Ritual Action of the Ancestors
00:03:37

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

28
Part II: Sacrificial Dance
00:04:30

Igor Stravinsky, Composer - Benjamin Frith, Artist, MainArtist - Peter Hill, Artist

(C) 1996 Naxos (P) 1996 Naxos

Resenha do Álbum

Igor Stravinsky is not regarded as a major composer for the piano, yet this disc presents three works that are significant contributions to the instrument's literature. The Sonata for two pianos, a light and accessible composition, was originally intended to be a solo keyboard work until Stravinsky realized that the music's growing complexity called for two more hands. The Concerto for two pianos was written as a showpiece for Stravinsky's son, Soulima, and is more ambitious than the sonata both in structure and in development of material. A work from Stravinsky's middle, neo-Classical period, its music is more rigorous and intellectually challenging than the sonata, though perhaps less ingratiating for its irony and formality. The Rite of Spring was originally composed at the piano, and this four-hand arrangement was written for rehearsal purposes, simultaneously with the orchestral score. How much the keyboard's sonority and percussive quality may have influenced the ballet's orchestration is debatable, though many figurations in the score are recognizably pianistic. In this piano reduction, Rite undergoes few alterations and seems to lie well under the hands. Recorded in 1995 at St. Silas Church, Kentish Town, London, the sound is good, though it is a little too thin in the bass.

© TiVo

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