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Naxos has instituted a project recording all of Charles Ives' songs within its American Classics series of which this is the first volume. There has been a previous attempt to record them all in one place, the results issued in 1994 on the Albany label. In that instance, just four singers and one accompanist covered the cycle of about 200 songs on four discs, with two songs obviously missing from the canon. The third track on Naxos' Charles Ives: Songs Vol. 1, "Aeschylus and Sophocles," represents one of the tunes Albany left out, presented right up front. This is a coincidence of its presence in the letter order, as this series is alphabetically arranged by title, which makes more sense than the assumed, roughly chronological sequence of the Albany series. Alphabetical arrangement reflects the way these pieces are usually dealt with in Ives' catalogs, and a chronological arrangement doesn't really reflect forward development in Ives' songs, as he dipped into so many older compositions and touched them up, discarding the originals. There is a whole gang of vocalists in this first volume -- 13, to be exact -- not to mention four different piano accompanists, the string quartet called for in "Aeschylus and Sophocles," and the churchy organ called for in "The Collection." This horde of performers is no doubt pulled together to ensure variety in such a long undertaking of accompanied art songs.
"Why do this?" you might wonder. Do we really need all of Ives' songs in a few discs? Actually, there is nothing wrong with that idea; all of them, including very many of the ones Ives described as "weak," are at least interesting, and some, like "The Cage" and "Charlie Rutlage" included here, are considered among the best and most characteristic art songs written by an American composer. On the other end of the equation, some of the songs Ives wrote that are less than successful, and therefore seldom singled out for solo recital discs built up out of his work, are still worth hearing. Take for example "The All-Enduring," a long ballad from 1896 filled with trenchant dissonances in the piano part. Was this a case of Ives feeling his oats in 1896, as plenty of evidence for that exists elsewhere, or rather, did he decide to add these notes later to toughen up the piece a bit?
Is this a perfect collection? No. Is it truly possible that any complete collection of Ives' songs could be? He does state that he preferred several of his songs be performed by untrained voices, but as they belong to the genre of art song, trained singers invariably sing them. Patrick Carfizzi, at least, deserves kudos for thinking out of the box for "Charlie Rutlage," singing in a Texas-style cowboy drawl. Leah Wool's reading of "The Children's Hour" is genuinely lovely, and the idea of casting countertenor Ian Howell in the roles of Ives' now famous "Christmas Carol" and "At Sea" was a novel one. Likewise, Robert Gardner deserves singling out for achieving the plain and disinterested tone Ives wanted for "The Cage" and David Pittsinger's unapologetically sentimental delivery of Ives' strictly romantic heart-song "Because of You." Most of the problems are minor; "Abide for Me" and "Chanson de Florian" are not designed for high voice, tenor Kenneth Tarver has a problem with a tricky pitch in "Canon I," but these things are no big deal. Naxos' collection of Charles Ives' songs is off to a very good start.
© TiVo
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1, 2, 3 (Charles Ives)
Charles Ives, Composer - Patrick Carfizzi, Performer - Eric Trudel, Performer
2008 Naxos 2008 Naxos
Abide with me (Charles Ives)
Charles Ives, Composer - Henry Francis Lyte, Lyricist - Sara Jakubiak, Performer - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
Aeschylus and Sophocles (Charles Ives)
Charles Ives, Composer - Mary Phillips, Performer - Walter Savage Landor, Lyricist - Biava Quartet, Ensemble - Laura Garritson, Performer
2008 Naxos 2008 Naxos
Set No. 6 "From the Side Hill" (Charles Ives)
Charles Ives, Composer - James Fenimore Cooper, Lyricist - J.J. Penna, Performer - Leah Wool, Performer
2008 Naxos 2008 Naxos
Allegro (Charles Ives)
Charles Ives, Composer - Eric Trudel, Performer - Harmony Twichell Ives, Lyricist - Lielle Berman, Performer
2008 Naxos 2008 Naxos
The All-Enduring (Charles Ives)
Charles Ives, Composer - Robert Gardner, Performer - Anonymous, Lyricist - J.J. Penna, Performer
2008 Naxos 2008 Naxos
Amphion (Charles Ives)
Charles Ives, Composer - Alfred Tennyson, Lyricist - Sara Jakubiak, Performer - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
Ann Street (Charles Ives)
Charles Ives, Composer - Maurice Morris, Lyricist - Eric Trudel, Performer - Leah Wool, Performer
2008 Naxos 2008 Naxos
At Parting (Charles Ives)
Charles Ives, Composer - Kenneth Tarver, Performer - Douglas Dickson, Performer - Frederick Peterson, Lyricist
2008 Naxos 2008 Naxos
At Sea (Charles Ives)
Charles Ives, Composer - Ian Howell, Performer - Robert Underwood Johnson, Lyricist - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
At the River (Charles Ives)
Robert Lowry, Lyricist - Charles Ives, Composer - Sara Jakubiak, Performer - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
August (Charles Ives)
Dante Gabriel Rossetti, Lyricist - Charles Ives, Composer - David Pittsinger, Performer - Eric Trudel, Performer
2008 Naxos 2008 Naxos
Autumn (Charles Ives)
Charles Ives, Composer - Harmony Twichell Ives, Lyricist - Jennifer Casey Cabot, Performer - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
Because of You (Charles Ives)
Charles Ives, Composer - David Pittsinger, Performer - Anonymous, Lyricist - Eric Trudel, Performer
2008 Naxos 2008 Naxos
Because Thou Art (Charles Ives)
Charles Ives, Composer - David Pittsinger, Performer - Anonymous, Lyricist - Eric Trudel, Performer
2008 Naxos 2008 Naxos
Berceuse (Charles Ives)
Charles Ives, Composer - Mary Phillips, Performer - J.J. Penna, Performer
2008 Naxos 2008 Naxos
The Cage (Charles Ives)
Charles Ives, Composer - Robert Gardner, Performer - J.J. Penna, Performer
2008 Naxos 2008 Naxos
The Camp Meeting (Charles Ives)
Charlotte Elliott, Lyricist - Charles Ives, Composer - David Pittsinger, Performer - Eric Trudel, Performer
2008 Naxos 2008 Naxos
Canon I (Charles Ives)
Charles Ives, Composer - Kenneth Tarver, Performer - Anonymous, Lyricist - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
Canon II (Charles Ives)
Thomas Moore, Lyricist - Charles Ives, Composer - Sara Jakubiak, Performer - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
Chanson de Florian (Charles Ives)
Charles Ives, Composer - Mary Phillips, Performer - Jean Pierre Claris de Florian, Lyricist - J.J. Penna, Performer
2008 Naxos 2008 Naxos
Charlie Rutlage (Charles Ives)
Charles Ives, Composer - Patrick Carfizzi, Performer - Douglas Dickson, Performer - Dominick John Kid O'Malley, Lyricist
2008 Naxos 2008 Naxos
The Children's Hour (Charles Ives)
Henry Wadsworth Longfellow, Lyricist - Charles Ives, Composer - Eric Trudel, Performer - Leah Wool, Performer
2008 Naxos 2008 Naxos
Edith Osborne Ives - Christmas Carol (Charles Ives)
Charles Ives, Composer - Eric Trudel, Performer - Matthew Plenk, Performer - Edith Osborne Ives, Lyricist
2008 Naxos 2008 Naxos
A Christmas Carol (Charles Ives)
Charles Ives, Composer - Ian Howell, Performer - Douglas Dickson, Performer
2008 Naxos 2008 Naxos
The Circus Band (Charles Ives)
Charles Ives, Composer - Robert Gardner, Performer - Eric Trudel, Performer
2008 Naxos 2008 Naxos
The Collection (Charles Ives)
Charles Ives, Composer - Anonymous, Lyricist - Tamara Mumford, Performer - Frederick Teardo, Performer - Sara Jakubiak, Performer - Lielle Berman, Performer - Matthew Plenk, Performer - Michael Cavalieri, Performer
2008 Naxos 2008 Naxos
Country Celestial (Charles Ives)
John Mason Neale, Lyricist - Charles Ives, Composer - J.J. Penna, Performer - Leah Wool, Performer
2008 Naxos 2008 Naxos
Cradle Song (Charles Ives)
Charles Ives, Composer - Mary Phillips, Performer - Augusta L. Ives, Lyricist - J.J. Penna, Performer
2008 Naxos 2008 Naxos
Resenha do Álbum
Naxos has instituted a project recording all of Charles Ives' songs within its American Classics series of which this is the first volume. There has been a previous attempt to record them all in one place, the results issued in 1994 on the Albany label. In that instance, just four singers and one accompanist covered the cycle of about 200 songs on four discs, with two songs obviously missing from the canon. The third track on Naxos' Charles Ives: Songs Vol. 1, "Aeschylus and Sophocles," represents one of the tunes Albany left out, presented right up front. This is a coincidence of its presence in the letter order, as this series is alphabetically arranged by title, which makes more sense than the assumed, roughly chronological sequence of the Albany series. Alphabetical arrangement reflects the way these pieces are usually dealt with in Ives' catalogs, and a chronological arrangement doesn't really reflect forward development in Ives' songs, as he dipped into so many older compositions and touched them up, discarding the originals. There is a whole gang of vocalists in this first volume -- 13, to be exact -- not to mention four different piano accompanists, the string quartet called for in "Aeschylus and Sophocles," and the churchy organ called for in "The Collection." This horde of performers is no doubt pulled together to ensure variety in such a long undertaking of accompanied art songs.
"Why do this?" you might wonder. Do we really need all of Ives' songs in a few discs? Actually, there is nothing wrong with that idea; all of them, including very many of the ones Ives described as "weak," are at least interesting, and some, like "The Cage" and "Charlie Rutlage" included here, are considered among the best and most characteristic art songs written by an American composer. On the other end of the equation, some of the songs Ives wrote that are less than successful, and therefore seldom singled out for solo recital discs built up out of his work, are still worth hearing. Take for example "The All-Enduring," a long ballad from 1896 filled with trenchant dissonances in the piano part. Was this a case of Ives feeling his oats in 1896, as plenty of evidence for that exists elsewhere, or rather, did he decide to add these notes later to toughen up the piece a bit?
Is this a perfect collection? No. Is it truly possible that any complete collection of Ives' songs could be? He does state that he preferred several of his songs be performed by untrained voices, but as they belong to the genre of art song, trained singers invariably sing them. Patrick Carfizzi, at least, deserves kudos for thinking out of the box for "Charlie Rutlage," singing in a Texas-style cowboy drawl. Leah Wool's reading of "The Children's Hour" is genuinely lovely, and the idea of casting countertenor Ian Howell in the roles of Ives' now famous "Christmas Carol" and "At Sea" was a novel one. Likewise, Robert Gardner deserves singling out for achieving the plain and disinterested tone Ives wanted for "The Cage" and David Pittsinger's unapologetically sentimental delivery of Ives' strictly romantic heart-song "Because of You." Most of the problems are minor; "Abide for Me" and "Chanson de Florian" are not designed for high voice, tenor Kenneth Tarver has a problem with a tricky pitch in "Canon I," but these things are no big deal. Naxos' collection of Charles Ives' songs is off to a very good start.
© TiVo
Detalhes da gravação original : 74:52 - DDD - Enregistré en Sprague Hall à l'Université Yale, New Haven (États-Unis) de mai à juin 2005 - Notes en anglais
Sobre o álbum
- 1 disco(s) - 29 faixa(s)
- Duração total: 01:14:33
- 1 Folheto digital
- Artista principal: Patrick Carfizzi
- Compositor: Charles Ives
- Gravadora: Naxos
- Área: Etats-Unis d'Amérique
- Género: Clássica
- Época: Estilo moderno
- Coletânea: Naxos American Classics
2008 Naxos 2008 Naxos
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