Streaming ilimitado
Escute agora este álbum em alta qualidade nos nossos aplicativos
Iniciar meu período de teste e começar a escutar este álbumCurta este álbum nos aplicativos Qobuz com a sua assinatura
AssinarCurta este álbum nos aplicativos Qobuz com a sua assinatura
Philip Catherine is an eclectic guitarist, comfortable within tradition, but just as comfortable fusing tradition with newer elements. On Meeting Colours, he's joined by quite a large orchestra to interpret ten of his pieces (two compositions receive more than one treatment) and Duke Ellington's "In a Sentimental Mood." The multiple flutes and saxophones create a big sound that ranges from grand to silky smooth, working in tandem with Catherine and trumpeter Bert Joris' leads. The large assembly also leaves ample room for subtly complex arrangements with trombones, trumpets, and clarinets. Catherine's compositions also offer intriguing nuances, as with the opening of "Happy Tears," allowing for changes in tempo and mood. The performance of compositions like "Pink Circus" and "On the Ground" are tastefully subdued, and Catherine's lead work weaves smoothly into the overall structure. The only complaint a fan might have is that the album, especially through the first half, is very mellow and, though well conceived, not too surprising. A second version of "December 26th (In Tempo)" pinpoints the problem, when it allows -- as few other pieces on the album do -- Catherine a chance to really cut loose on his guitar. Other pieces, like "The Hostage," are interesting in places, but leave one wishing for more fireworks. Overall, Meeting Colours is stylishly conceived and executed, but perhaps too low-key, relaxed, and safe for its own good.
© Ronnie D. Lankford, Jr. /TiVo
Você está escutando amostras.
Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.
Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.
A partir de R$ 21,60/mês
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Philip Catherine, MainArtist - Brussels Jazz Orchestra, MainArtist
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Resenha do Álbum
Philip Catherine is an eclectic guitarist, comfortable within tradition, but just as comfortable fusing tradition with newer elements. On Meeting Colours, he's joined by quite a large orchestra to interpret ten of his pieces (two compositions receive more than one treatment) and Duke Ellington's "In a Sentimental Mood." The multiple flutes and saxophones create a big sound that ranges from grand to silky smooth, working in tandem with Catherine and trumpeter Bert Joris' leads. The large assembly also leaves ample room for subtly complex arrangements with trombones, trumpets, and clarinets. Catherine's compositions also offer intriguing nuances, as with the opening of "Happy Tears," allowing for changes in tempo and mood. The performance of compositions like "Pink Circus" and "On the Ground" are tastefully subdued, and Catherine's lead work weaves smoothly into the overall structure. The only complaint a fan might have is that the album, especially through the first half, is very mellow and, though well conceived, not too surprising. A second version of "December 26th (In Tempo)" pinpoints the problem, when it allows -- as few other pieces on the album do -- Catherine a chance to really cut loose on his guitar. Other pieces, like "The Hostage," are interesting in places, but leave one wishing for more fireworks. Overall, Meeting Colours is stylishly conceived and executed, but perhaps too low-key, relaxed, and safe for its own good.
© Ronnie D. Lankford, Jr. /TiVo
Sobre o álbum
- 1 disco(s) - 13 faixa(s)
- Duração total: 01:06:02
- Artistas principais: Philip Catherine Brussels Jazz Orchestra
- Gravadora: Dreyfus Jazz
- Género: Jazz
© 2005 Francis Dreyfus Music SARL, a BMG Company ℗ 2005 Francis Dreyfus Music SARL, a BMG Company
Melhorar as informações do álbum