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Weekend|La Variete

La Variete

Weekend

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The airy arrangements and exotic rhythms throughout La Varieté sound like low-budget approximations of Antonio Carlos Jobim, although "A Life in the Day Of...Pt. 1 & 2" is a stab at African high life, and "Nostalgia" minus the vocals could be one of U2's early instrumental B-sides. In short, the album is nothing like what you would expect from former Young Marble Giants vocalist Alison Statton, excepting the song "Drum Beat for Baby," which mimics the unique sound of her previous band. Interestingly, Young Marble Giants' main man Stuart Moxham has nothing to do with that track, but he and his brother Phil contribute a couple of compositions, one of which is the Gist's "Carnival Headache." La Varieté is an impressive achievement, but is too stylistically diverse to make much sense, and at times the individual tracks seem like genre exercises. It's a bad sign that "Drum Beat for Baby," a deliberate stylistic throwback, is the strongest cut on the album.

© Greg Adams /TiVo

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La Variete

Weekend

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1
The End Of The Affair
00:03:06

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

2
Weekend Stroll
00:03:25

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

3
Summerdays
00:02:54

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

4
Carnival Headache
00:02:53

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

5
Drumbeat for Baby
00:02:59

Mark Williams, Composer - Weekend, MainArtist - Alison Statton, Composer

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

6
Life In The Day Of... (Part 1)
00:03:49

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

7
Life In The Day Of... (Part 2)
00:02:26

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

8
Sleepy Theory
00:02:53

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

9
Woman's Eyes
00:02:50

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

10
Weekend Off
00:03:22

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

11
Red Planes (Version 1)
00:04:47

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

12
Nostalgia (Version 1)
00:03:52

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

13
Red Planes (Version 2)
00:08:59

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

14
Nostalgia (Version 2)
00:05:24

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

15
Summer Days
00:03:39

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

16
The View From Her Room (7" Version)
00:08:12

Spike, Composer - Weekend, MainArtist - Simon Booth, Composer - Alison Statton, Composer

© 2006 CHERRY RED RECORDS ℗ 1982 Cherry Red Records Cherry Red Records

17
Leaves of Spring
00:02:42

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2013 Cherry Red Records

18
Past Meets Present
00:03:39

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

19
Midnight Slows
00:02:04

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

20
Drumbeat For Baby (Version 2)
00:04:16

Weekend, MainArtist

© 2006 CHERRY RED RECORDS ℗ 2006 CHERRY RED RECORDS

Resenha do Álbum

The airy arrangements and exotic rhythms throughout La Varieté sound like low-budget approximations of Antonio Carlos Jobim, although "A Life in the Day Of...Pt. 1 & 2" is a stab at African high life, and "Nostalgia" minus the vocals could be one of U2's early instrumental B-sides. In short, the album is nothing like what you would expect from former Young Marble Giants vocalist Alison Statton, excepting the song "Drum Beat for Baby," which mimics the unique sound of her previous band. Interestingly, Young Marble Giants' main man Stuart Moxham has nothing to do with that track, but he and his brother Phil contribute a couple of compositions, one of which is the Gist's "Carnival Headache." La Varieté is an impressive achievement, but is too stylistically diverse to make much sense, and at times the individual tracks seem like genre exercises. It's a bad sign that "Drum Beat for Baby," a deliberate stylistic throwback, is the strongest cut on the album.

© Greg Adams /TiVo

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