Kaleidoscopic (Rääts, Pärt, Gorecki)

Resenha do Álbum

Of the three composers on this album, the Estonian Jaan Rääts is surely less well-known to Western European audiences than Arvo Pärt or Henryk Górecki – even though the latter is mainly famous for a single work, the monumental Third Symphony which is far from representing the majority of his output. That said, this, Lerchenmusik – a pun, as "Lerche" is not only the German for skylark, but also the name of the dedicatee – has plenty in common with the famous symphony: a consistently slow tempo, in fact very, very slow; long, breathtaking, sombre chords; and a very substantial theme. The work for clarinet, cello and piano was written in 1985 in a similar vein: perhaps Górecki had grasped what his audiences liked about his language, at least in terms of symphonies: that is, the incantatory, quasi-religious quality. So why disappoint his public? Pärt, for his part, contributes the Mozart-Adagio in memory of Oleg Kagan, in a first version for violin, cello and piano: the revision was made specifically for the musicians on this recording. The composer took a slow movement from the Mozart and put it through several harmonic and thematic metamorphoses. Finally, the Kaleidoskoopilised etüüdid by Jaan Rääts are presented here as a discographic world-first. Their "kaleidoscopic" aspect is created by juxtaposing short thematic, rhythmic, or instrumental cells, like so many minimalist fragments, all jumbled together: just like the effect of looking through a kaleidoscope. © SM/Qobuz

Detalhes da gravação original : Recorded in December 2017 at the Sala Gustav Mahler di Dobbiaco (Toblach, Italy)