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Idioma disponível: inglês
The three Bach cantatas presented on this album belong to the composer’s Weimar period (where he lived and worked from 1708 to 1717), written between 1711 and 1714. Bach was still a young composer then, but the full body of his artistry is already present, and one can but shake the head in disbelief: where did the fellow find the source of such intense emotion, such harmonic and melodic boldness? The beginning of "Weichet nur, betrübte Schatten" ("Yield now, troubling shadows") unfolds a succession of harmonies which seem to have no logical link with each other, some kind of non-tonality – this being the way the composer describes in music the aforementioned lugubrious shadows. Arias alternately heartbreaking and tender, instrumental inventiveness, you name it, Bach has it. Soprano Carolyn Sampson, accompanied by the Freiburger Barockorchester (together with baritone Andreas Wolf for the cantata "Tritt auf die Glaubensbahn"), lends her voice with dedication to the music, combining the teachings of historically informed performance with a solid sense of emotion, indispensable for such masterpieces. © SM/Qobuz
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Weichet Nur, Betrübte Schatten, BWV 202 (Johann Sebastian Bach)
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Tritt auf die Glaubensbahn, BWV 152 (Johann Sebastian Bach)
Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Andreas Wolf, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Mein Herze schwimmt im Blut, BWV 199 (Johann Sebastian Bach)
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer
2017 harmonia mundi harmonia mundi 2017
Resenha do Álbum
The three Bach cantatas presented on this album belong to the composer’s Weimar period (where he lived and worked from 1708 to 1717), written between 1711 and 1714. Bach was still a young composer then, but the full body of his artistry is already present, and one can but shake the head in disbelief: where did the fellow find the source of such intense emotion, such harmonic and melodic boldness? The beginning of "Weichet nur, betrübte Schatten" ("Yield now, troubling shadows") unfolds a succession of harmonies which seem to have no logical link with each other, some kind of non-tonality – this being the way the composer describes in music the aforementioned lugubrious shadows. Arias alternately heartbreaking and tender, instrumental inventiveness, you name it, Bach has it. Soprano Carolyn Sampson, accompanied by the Freiburger Barockorchester (together with baritone Andreas Wolf for the cantata "Tritt auf die Glaubensbahn"), lends her voice with dedication to the music, combining the teachings of historically informed performance with a solid sense of emotion, indispensable for such masterpieces. © SM/Qobuz
Sobre o álbum
- 1 disco(s) - 23 faixa(s)
- Duração total: 01:03:04
- 1 Folheto digital
- Artistas principais: Carolyn Sampson, Freiburger Barockorchester and Petra Müllejans
- Compositor: Johann Sebastian Bach
- Gravadora: harmonia mundi
- Área: Allemagne
- Género: Clássica Música vocal sagrada Cantatas sagradas
- Época: Música Barroca
2017 harmonia mundi harmonia mundi 2017
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