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Conway Twitty|It's Only Make Believe/The MGM Years

It's Only Make Believe/The MGM Years

Conway Twitty

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Idioma disponível: inglês

Here it is domestically -- finally -- 18 tracks of prime rockin' Conway Twitty from his first five years in the music biz. That first five years set the template for a remarkable five decades, where he nailed a charting record at one time or another. And he did it while he was alive, so Elvis doesn't count. This set, with impeccable liner notes by the great Colin Escott, begins right where it should with "It's Only Make Believe," the 1958 original hit version and still the best one among the many cover versions of the song out there. Twitty gets extra points because he co-wrote it. But there are 17 others here that reveal the tremendous range of Twitty as a singer, from the Jay Livingston and Roy Evans nugget "Mona Lisa," waxed in 1959 to his devastating rockabilly version of "Danny Boy," which was a number ten hit the same year. While everything here is awesome -- his own "Long Black Train," Dan Penn's "Is a Bluebird Blue," the reading of Chuck Willis' R&B weeper "It's Too Late," Roy Orbison's "I'm in a Blue Blue Mood," and Twitty's own "The Pickup" and "Rosaleena" -- all are killers. For those who only know of Twitty as a the golf-club wielding country crooner who ran the charts in the '70s and '80s, and as the founder of the Twitty City theme and amusement park, this will be nothing less than a revelation and well worth your hard earned dollars. This is primal rock & roll, full of nods to great doo wop, country, boogie, rhythm & blues, and pop, all of them transformed into the sublime by Twitty's golden, grainy voice.

© Thom Jurek /TiVo

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It's Only Make Believe/The MGM Years

Conway Twitty

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1
It's Only Make Believe (Single Version)
00:02:11

Jack Nance, ComposerLyricist - CONWAY TWITTY, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Jim Vienneau, Producer

℗ 1958 UMG Recordings, Inc.

2
Mona Lisa
00:02:24

Jerry Livingston, ComposerLyricist - CONWAY TWITTY, MainArtist - RAYMOND B. EVANS, ComposerLyricist

℗ 1959 Mercury Nashville

3
Danny Boy (Single Version)
00:02:44

CONWAY TWITTY, MainArtist - Jim Vienneau, Producer - Fred E. Weatherly, ComposerLyricist

℗ 1959 UMG Recordings

4
Lonely Blue Boy (Single Version)
00:02:13

Ben Weisman, ComposerLyricist - Fred Wise, ComposerLyricist - CONWAY TWITTY, MainArtist - Jim Vienneau, Producer

℗ 1959 UMG Recordings, Inc.

5
What Am I Living For (Single Version)
00:02:36

Cliff Parman, Recording Arranger, AssociatedPerformer - Bill Justis, Recording Arranger, AssociatedPerformer - Fred Jay, ComposerLyricist - CONWAY TWITTY, MainArtist - Art Harris, ComposerLyricist - Jim Vienneau, Producer

℗ 1960 UMG Recordings, Inc.

6
Knock Three Times
00:02:14

CONWAY TWITTY, MainArtist - Levin Irwin, ComposerLyricist - Brown Russell, Composer

℗ 1960 MGM Records Inc.

7
Is A Bluebird Blue?
00:02:35

Dan Penn, ComposerLyricist - CONWAY TWITTY, MainArtist

℗ 1960 Mercury Records

8
C'est si bon (It's So Good) (Single Version)
00:02:13

Andre Hornez, ComposerLyricist - CONWAY TWITTY, MainArtist - HENRI BETTI, ComposerLyricist - Jerry Seleen, ComposerLyricist

℗ 1960 UMG Recordings, Inc.

9
Long Black Train
00:02:47

CONWAY TWITTY, MainArtist, ComposerLyricist - Jim Vienneau, Producer

℗ 1991 UMG Recordings, Inc.

10
The Last Kiss (Is The Last Kiss Goodbye)
00:02:03

Ethel Lee, ComposerLyricist - David Hill, ComposerLyricist - Buddy Kaye, ComposerLyricist - CONWAY TWITTY, MainArtist

℗ 1961 Mercury Records

11
I'm In A Blue, Blue Mood
00:02:54

Joe Melson, ComposerLyricist - ROY ORBISON, ComposerLyricist - CONWAY TWITTY, MainArtist - Jim Vienneau, Producer

℗ 1961 UMG Recordings, Inc.

12
It's Driving Me Wild
00:02:27

BERT BERNS, ComposerLyricist - CONWAY TWITTY, MainArtist - Jim Vienneau, Producer - E. Haft, ComposerLyricist

℗ 1961 UMG Recordings, Inc.

13
There Is Something On Your Mind
00:02:31

CONWAY TWITTY, MainArtist - Jim Vienneau, Producer - Cecil McNeely, ComposerLyricist

℗ 1961 UMG Recordings, Inc.

14
It's Too Late
00:02:20

Chuck Willis, ComposerLyricist - Bill Justis, Recording Arranger, AssociatedPerformer - CONWAY TWITTY, MainArtist - Jim Vienneau, Producer

℗ 1962 UMG Recordings, Inc.

15
Don't Cry No More
00:02:37

Bill Justis, Recording Arranger, AssociatedPerformer - DEADRIC MALONE, ComposerLyricist - CONWAY TWITTY, MainArtist - Jim Vienneau, Producer

℗ 1962 UMG Recordings, Inc.

16
The Pickup
00:02:25

CONWAY TWITTY, MainArtist, ComposerLyricist - Jim Vienneau, Producer

℗ 1962 UMG Recordings, Inc.

17
She Ain't No Angel
00:02:38

Jeff Barry, ComposerLyricist - Ellie Greenwich, ComposerLyricist - CONWAY TWITTY, MainArtist - Jim Vienneau, Producer

℗ 1963 UMG Recordings, Inc.

18
Rosaleena
00:02:44

CONWAY TWITTY, MainArtist, ComposerLyricist

℗ 1959 MGM Records Inc.

Resenha do Álbum

Here it is domestically -- finally -- 18 tracks of prime rockin' Conway Twitty from his first five years in the music biz. That first five years set the template for a remarkable five decades, where he nailed a charting record at one time or another. And he did it while he was alive, so Elvis doesn't count. This set, with impeccable liner notes by the great Colin Escott, begins right where it should with "It's Only Make Believe," the 1958 original hit version and still the best one among the many cover versions of the song out there. Twitty gets extra points because he co-wrote it. But there are 17 others here that reveal the tremendous range of Twitty as a singer, from the Jay Livingston and Roy Evans nugget "Mona Lisa," waxed in 1959 to his devastating rockabilly version of "Danny Boy," which was a number ten hit the same year. While everything here is awesome -- his own "Long Black Train," Dan Penn's "Is a Bluebird Blue," the reading of Chuck Willis' R&B weeper "It's Too Late," Roy Orbison's "I'm in a Blue Blue Mood," and Twitty's own "The Pickup" and "Rosaleena" -- all are killers. For those who only know of Twitty as a the golf-club wielding country crooner who ran the charts in the '70s and '80s, and as the founder of the Twitty City theme and amusement park, this will be nothing less than a revelation and well worth your hard earned dollars. This is primal rock & roll, full of nods to great doo wop, country, boogie, rhythm & blues, and pop, all of them transformed into the sublime by Twitty's golden, grainy voice.

© Thom Jurek /TiVo

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