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Bill Evans|Interplay

Interplay

Bill Evans With Freddie Hubbard, Percy Heath, Jim Hall, Philly Joe Jones

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Interplay stands as some of Bill Evans' most enigmatic and unusual music in makeup as well as execution. It was recorded in July 1962 with a very young Freddie Hubbard from the Jazz Messengers, guitarist Jim Hall, bassist Percy Heath, and drummer Philly Joe Jones performing five veteran standards. Evans has a more blues-based approach to playing: harder, edgier, and in full flow, fueled in no small part by Hall, who is at his very best here, swinging hard whether it be a ballad or an uptempo number. Hubbard's playing, on the other hand, was never so restrained as it was here. Using a mute most of the time, his lyricism is revealed to jazz listeners for the first time -- with Art Blakey it was a blistering attack of hard bop aggression. On this program of standards, however, Hubbard slips into them quite naturally without the burden of history -- check his reading and improvisation on "When You Wish Upon a Star." Ironically, it's on the sole original, the title track, where the band in all its restrained, swinging power can be best heard, though the rest is striking finger-popping hard bop jazz, with stellar crystalline beauty in the ballads.

© Thom Jurek /TiVo

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Interplay

Bill Evans

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1
You And The Night And The Music (Album Version)
Bill Evans Trio
00:07:02

Bill Evans, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Howard Dietz, ComposerLyricist - Arthur Schwartz, ComposerLyricist - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Riverside, Inc.

2
When You Wish Upon A Star (Album Version)
Bill Evans Trio
00:05:42

Bill Evans, Piano, AssociatedPerformer - Ned Washington, ComposerLyricist - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Leigh Harline, ComposerLyricist - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

3
I'll Never Smile Again (Take 7)
Bill Evans Trio
00:06:30

Bill Evans, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Ruth Lowe, ComposerLyricist - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

4
I'll Never Smile Again (Take 6)
Bill Evans Trio
00:06:36

Ruth Lowe, ComposerLyricist - Bill Evans Quintet, MainArtist

℗ 1987 Fantasy, Inc.

5
Interplay (Album Version)
Bill Evans Trio
00:08:10

Bill Evans, Composer, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

6
You Go To My Head (Album Version)
Bill Evans Trio
00:05:01

Bill Evans, Piano, AssociatedPerformer - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - J. Fred Coots, ComposerLyricist - Haven Gillespie, ComposerLyricist - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

7
Wrap Your Troubles In Dreams (Album Version)
Bill Evans Trio
00:06:21

Bill Evans, Piano, AssociatedPerformer - Ted Koehler, ComposerLyricist - Philly Joe Jones, Drums, AssociatedPerformer - Jim Hall, Guitar, AssociatedPerformer - Percy Heath, Double Bass, AssociatedPerformer - Freddie Hubbard, Trumpet, AssociatedPerformer - Billy Moll, ComposerLyricist - Harry Barris, ComposerLyricist - Orrin Keepnews, Producer - Bill Evans Quintet, MainArtist

℗ 1962 Fantasy, Inc.

Resenha do Álbum

Interplay stands as some of Bill Evans' most enigmatic and unusual music in makeup as well as execution. It was recorded in July 1962 with a very young Freddie Hubbard from the Jazz Messengers, guitarist Jim Hall, bassist Percy Heath, and drummer Philly Joe Jones performing five veteran standards. Evans has a more blues-based approach to playing: harder, edgier, and in full flow, fueled in no small part by Hall, who is at his very best here, swinging hard whether it be a ballad or an uptempo number. Hubbard's playing, on the other hand, was never so restrained as it was here. Using a mute most of the time, his lyricism is revealed to jazz listeners for the first time -- with Art Blakey it was a blistering attack of hard bop aggression. On this program of standards, however, Hubbard slips into them quite naturally without the burden of history -- check his reading and improvisation on "When You Wish Upon a Star." Ironically, it's on the sole original, the title track, where the band in all its restrained, swinging power can be best heard, though the rest is striking finger-popping hard bop jazz, with stellar crystalline beauty in the ballads.

© Thom Jurek /TiVo

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