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Leo Kottke|Instrumentals: Best Of The Capitol Years

Instrumentals: Best Of The Capitol Years

Leo Kottke

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The first of two discs (released simultaneously and sporting nearly identical covers) recaps Leo Kottke's early years from 1970-1975 when he recorded for the Capitol label. As is indicated by the title, this features only Kottke's amazing fretwork, bypassing the vocals that much of his audience dealt with in a grin-and-bear-it fashion. There is no previously unreleased material (as there is on the companion disc Instrumentals: The Best of the Chrysalis Years), but many of these tracks are difficult to come by on CD, and having a compilation of Kottke's instrumental music -- much of it totally solo -- makes for a cohesive -- some might say definitive -- portrait of the guitarist's jaw-dropping skills. Incorporating strains of country, blues, folk, bluegrass, gospel, and even classical (his version of Bach's Jesu, Joy of Man's Desiring is astonishing), Kottke's style is immediately recognizable and totally distinctive. Sure, he's fast and technically proficient, but the emotion and soul communicated through his acoustic guitar is mind-blowing. Even on "June Bug" from Mudlark, his 1970 debut Capitol release, the guitarist's intricate finger-picking/hard-strumming sound is established. Although his approach would ultimately lead others to new age, there is nothing here that is atmospheric or merely background music. Beautiful, difficult, quirky, but never flashy for the sake of show, Kottke's singular style remains vital and influential to everyone who picks up an acoustic guitar. With all six of the albums recorded for Capitol more or less equally represented, this is as good a place as any to start a Kottke collection. Considering his 30-plus-year career though, there is lots more to explore.

© Hal Horowitz /TiVo

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Instrumentals: Best Of The Capitol Years

Leo Kottke

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1
June Bug
00:02:14

Denny Bruce, Producer - John Fahey, Producer - Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1971 Capitol Records, LLC

2
The Ice Miner
00:02:01

Denny Bruce, Producer - John Fahey, Producer - Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1971 Capitol Records, LLC

3
Poor Boy
00:02:06

Denny Bruce, Producer - Bukka White, Composer - John Fahey, Composer, Producer - Leo Kottke, MainArtist

(C) 2003 Blue Note Records ℗ 1971 Capitol Records, LLC

4
Machine #2
00:03:01

Leo Kottke, Composer, MainArtist - Michael Sunday, Producer

(C) 2003 Blue Note Records ℗ 1971 Capitol Records, LLC

5
Bean Time
00:02:31

Denny Bruce, Producer - Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1972 Capitol Records, LLC

6
In Christ There Is No East Or West
00:02:12

Denny Bruce, Producer - John Fahey, Composer - Leo Kottke, MainArtist

(C) 2003 Blue Note Records ℗ 1972 Capitol Records, LLC

7
Owls
00:05:01

Denny Bruce, Producer - Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1972 Capitol Records, LLC

8
Lost John
00:02:17

Denny Bruce, Producer - Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1972 Capitol Records, LLC

9
Blue Dot (Live At Guthrie Theatre, Minneapolis, MN / December 1972)
00:02:53

Denny Bruce, Producer - Leo Kottke, Composer, Guitar, MainArtist, AssociatedPerformer - Paul Martinson, Engineer, StudioPersonnel

(C) 2003 Blue Note Records ℗ 1973 Capitol Records Inc.

10
Eggtooth (Live At Guthrie Theatre, Minneapolis, MN / December 1972)
00:05:15

Denny Bruce, Producer - Diane Johnson, Composer - Leo Kottke, Composer, Guitar, MainArtist, AssociatedPerformer - Paul Martinson, Engineer, StudioPersonnel

(C) 2003 Blue Note Records ℗ 1973 Capitol Records Inc.

11
Crow River Waltz / Jesu, Joy Of Man's Desiring / Jack Fig (Medley / Live At Guthrie Theatre, Minneapolis, MN / December 1972)
00:07:14

Johann Sebastian Bach, Composer - Denny Bruce, Producer - Leo Kottke, Composer, Guitar, Vocals, MainArtist, AssociatedPerformer - Paul Martinson, Engineer, StudioPersonnel

(C) 2003 Blue Note Records ℗ 1973 Capitol Records, LLC

12
Mona Ray (Reprise)
00:03:43

Denny Bruce, Producer - Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1974 Capitol Records, LLC

13
Twilight Property
00:03:14

Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1974 Capitol Catalog

14
Taking A Sandwich To A Feast
00:02:47

Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1974 Capitol Catalog

15
A Good Egg
00:03:12

Denny Bruce, Producer - Leo Kottke, MainArtist - Kottle, Composer - Paul Martinson, Engineer, StudioPersonnel

(C) 2003 Blue Note Records ℗ 1974 Capitol Records, LLC

16
A Child Should Be A Fish
00:03:49

Denny Bruce, Producer - Leo Kottke, Composer, MainArtist - Paul Martinson, Engineer, StudioPersonnel

(C) 2003 Blue Note Records ℗ 1974 Capitol Records, LLC

17
The Scarlatti Rip-Off
00:03:32

Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1974 Capitol Catalog

18
Grim To The Brim
00:03:10

Leo Kottke, Composer, MainArtist

(C) 2003 Blue Note Records ℗ 1974 Capitol Records, LLC

Resenha do Álbum

The first of two discs (released simultaneously and sporting nearly identical covers) recaps Leo Kottke's early years from 1970-1975 when he recorded for the Capitol label. As is indicated by the title, this features only Kottke's amazing fretwork, bypassing the vocals that much of his audience dealt with in a grin-and-bear-it fashion. There is no previously unreleased material (as there is on the companion disc Instrumentals: The Best of the Chrysalis Years), but many of these tracks are difficult to come by on CD, and having a compilation of Kottke's instrumental music -- much of it totally solo -- makes for a cohesive -- some might say definitive -- portrait of the guitarist's jaw-dropping skills. Incorporating strains of country, blues, folk, bluegrass, gospel, and even classical (his version of Bach's Jesu, Joy of Man's Desiring is astonishing), Kottke's style is immediately recognizable and totally distinctive. Sure, he's fast and technically proficient, but the emotion and soul communicated through his acoustic guitar is mind-blowing. Even on "June Bug" from Mudlark, his 1970 debut Capitol release, the guitarist's intricate finger-picking/hard-strumming sound is established. Although his approach would ultimately lead others to new age, there is nothing here that is atmospheric or merely background music. Beautiful, difficult, quirky, but never flashy for the sake of show, Kottke's singular style remains vital and influential to everyone who picks up an acoustic guitar. With all six of the albums recorded for Capitol more or less equally represented, this is as good a place as any to start a Kottke collection. Considering his 30-plus-year career though, there is lots more to explore.

© Hal Horowitz /TiVo

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