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Jon Gibson|In Good Company

In Good Company

Jon Gibson

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Idioma disponível: inglês

A member of several important modern music ensembles, from Steve Reich's in the late '60s to Philip Glass's up to the present day, saxophonist John Gibson uses this solo album to repay the composers he has had a chance to work with, as well as play a few of his own compositions. Reich's "Reed Phase" is a variation on his "Violin Phase" wherein Gibson plays a repetitive phrase over and over against a taped recording of the same, gradually going out of phase with the tape. Philip Glass's "Bed" and John Adams's "Pat's Aria" are transcriptions for saxophone from their respective operas. "Terry's G Dorian Blues," by Terry Jennings, is exactly what it says, with Gibson and LaMonte Young trading licks in an awkward 12-bar blues. Gibson's own compositions range from the Reich-influenced "Song 3," which demonstrates Gibson's circular breathing technique, to the exotic atmosphere (bird sounds and all) of "Extensions II."

© Ted Mills /TiVo

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In Good Company

Jon Gibson

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1
Waltz
Jon Gibson
00:04:10

Michael Riesman, Producer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Composer, Soprano Saxophone, MainArtist, AssociatedPerformer - Martin Goldray, Piano, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

2
Pat's Aria
Jon Gibson
00:07:50

Michael Riesman, Producer, Keyboards, MainArtist, AssociatedPerformer - John Adams, Composer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Saxophones, MainArtist, AssociatedPerformer - Martin Goldray, Keyboards, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

3
Reed Phase
Jon Gibson
00:06:16

Michael Riesman, Producer - Steve Reich, Composer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

4
Terry's G Dorian Blues
Jon Gibson
00:05:22

Michael Riesman, Producer, Keyboards, MainArtist, AssociatedPerformer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Saxophones, MainArtist, AssociatedPerformer - Bill Ruyle, Percussion, MainArtist, AssociatedPerformer - Rory Johnston, Producer - LaMonte Young, Digital Piano, MainArtist, AssociatedPerformer - Terry Jennings, Composer

℗ 1992 Point Music Ltd.

5
Bed
Philip Glass
00:06:57

Michael Riesman, Producer - Philip Glass, Composer, Producer, Keyboards, MainArtist, AssociatedPerformer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

6
Tread on the Trail
Jon Gibson
00:07:26

Michael Riesman, Producer - Philip Glass, Producer - Terry Riley, Composer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

7
Song 3
Jon Gibson
00:04:21

Michael Riesman, Producer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Composer, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

8
Gradus
Jon Gibson
00:11:00

Michael Riesman, Producer - Philip Glass, Composer, Producer - Kurt Munkacsi, Producer - Jon Gibson, Soprano Saxophone, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

9
Extensions II
Jon Gibson
00:10:40

Michael Riesman, Producer, Keyboards, MainArtist, AssociatedPerformer - John Snyder, Percussion, MainArtist, AssociatedPerformer - Philip Glass, Producer - Kurt Munkacsi, Producer - Jon Gibson, Composer, Soprano Saxophone, MainArtist, AssociatedPerformer - Bill Ruyle, Bongos, MainArtist, AssociatedPerformer - Rory Johnston, Producer

℗ 1992 Point Music Ltd.

Resenha do Álbum

A member of several important modern music ensembles, from Steve Reich's in the late '60s to Philip Glass's up to the present day, saxophonist John Gibson uses this solo album to repay the composers he has had a chance to work with, as well as play a few of his own compositions. Reich's "Reed Phase" is a variation on his "Violin Phase" wherein Gibson plays a repetitive phrase over and over against a taped recording of the same, gradually going out of phase with the tape. Philip Glass's "Bed" and John Adams's "Pat's Aria" are transcriptions for saxophone from their respective operas. "Terry's G Dorian Blues," by Terry Jennings, is exactly what it says, with Gibson and LaMonte Young trading licks in an awkward 12-bar blues. Gibson's own compositions range from the Reich-influenced "Song 3," which demonstrates Gibson's circular breathing technique, to the exotic atmosphere (bird sounds and all) of "Extensions II."

© Ted Mills /TiVo

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