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Les Voix Baroques|Humori

Humori

Les Voix Baroques, Les Voix Humaines

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It's difficult to figure out from the cover, or from Internet images, what all is going on in this fine release by Montreal's Les Voix Baroques and Consort Les Voix Humaines. Even the booklet doesn't help much, going into great detail about a semi-theatrical comic work from 1604 by Monteverdi's contemporary Orazio Vecchi; only two small sections of the work are recorded here. Instead, the musicians use Vecchi as a springboard for a program of early Baroque vocal and instrumental pieces whose organization parallels that of a scene in the Vecchi work: a group of guests at a Carnival banquet begin to do imitations of accents and behaviors of people from various nations. The result is a set of pieces from the early years of the seventeenth century, divided into national schools or "humors." Germany is "martial," France "comic," Italy "light," and England "melancholic," with the whole thing framed by a pair of Vecchi's madrigals and a short processional piece by Giovanni Gastoldi. On top of all this, most of the music is oriented toward Carnival, with comic, sexual, and grotesque themes. There are a couple of complaints here. Caspar Othmayr's macaronic song Quis quis requiem quaeris (track 5), with its graphic espousal of violence against women, could easily enough have been left on the scrap heap of history (and doesn't really fit the idea of the program anyway). And the "Lent" half of this "theatre of humors," apparently provided by "The Silver Swan" and other English pieces, doesn't quite come off; melancholy humor and Lenten sobriety are two different things. Nevertheless, the program as a whole puts various genres of music from this era -- madrigals, chansons, various instrumental styles -- together in a fresh and convincing way that captures something of the entertainment a noble court of the time would have found in the music. Much credit goes to a fine cast of Canadian, American, and British singers led by soprano Suzie LeBlanc. All texts are given in French, English, and their original languages where not one of those two.

© TiVo

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1
Balletto Amor Vittorioso à 5 parties
Voix Humaines, Les
00:01:00

Giovanni Gastoldi, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

2
Le Veglie di Siena: Madrigal Fate Silentio à 6 voix
Les Voix Baroques
00:02:50

Orazio Vecchi, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

3
Terpsichore: Ballet des Feus et Ballet des Baccanales à 4 parties
Voix Humaines, Les
00:01:27

Michael Praetorius, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

4
Libro de villanelle, moresche et altre canzoni: Villanelle Matona mia Cara à 4 voix
Les Voix Baroques
00:02:25

Orlande De Lassus, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

5
Lied Quis Quis Requiem Quaeris à 6 voix
Les Voix Baroques
00:02:06

Caspar Othmayr, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

6
Ludi musici: Intrada et Galliard à 5 parties
Voix Humaines, Les
00:04:20

Samuel Scheidt, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

7
Tiers livre de danceries: Branle Les Bouffons à 5 parties
Voix Humaines, Les
00:01:01

Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Jean d'Estrées, Composer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

8
6ème livre d’Airs de différents Autheurs mis en tablature de luth par Gabriel Bataille: Air à boire Qui veut chasser une migraine pour voix et luth
Les Voix Baroques
00:01:48

Gabriel Bataille, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

9
Branle Les Bouffons
Voix Humaines, Les
00:00:40

Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Jean d'Estrées, Composer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

10
24e livre d’airs et chansons de plusieurs excellens autheurs: Chanson Une puce j'ay dedans l'oreille à 4 voix
Les Voix Baroques
00:02:41

Claude Le Jeune, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

11
Il primo libro delle sinfonie et gagliarde: Passaggio d'un balletto, Sinfonia et Galliarda detta la Norsina à 5 parties
Voix Humaines, Les
00:02:19

Salamone Rossi, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

12
Il primo libro di madrigali: Madrigal Due rose fresche à 5 voix
Les Voix Baroques
00:03:44

Andrea Gabrieli, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

13
Scherzi musicali: Chaconne Zefiro torna pour 2 ténors et basse continue
Voix Humaines, Les
00:05:59

Claudio Monteverdi, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

14
Canzone overo sonate concertate: Ciacona pour 2 violons et basse continue
Voix Humaines, Les
00:02:42

Tarquinio Merula, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

15
5e livre d’Airs de différents Autheurs mis en tablature de luth par Gabriel Bataille: Air Yo soy la locura pour voix et luth
Les Voix Baroques
00:02:24

Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Les Voix Baroques, Choir, MainArtist - Henry Le Bailly, Composer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

16
Captain Humes Poeticall Musicke: The Pashion for Musicke pour 2 violes de gambe et autres instruments
Voix Humaines, Les
00:02:19

Tobias Hume, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

17
The Triumph of Oriana: Madrigal Poor Is the Life à 6 voix
Les Voix Baroques
00:01:33

Michael East, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

18
The Pashion for Musicke
Voix Humaines, Les
00:02:14

Tobias Hume, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

19
A Pilgrimes Solace: Air From Silent Night pour ténor, 2 violes de gambe et luth
Voix Humaines, Les
00:07:00

John Dowland, Composer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

20
The first Set of Madrigals and Motets: Madrigal The Silver Swan à 5 voix
Les Voix Baroques
00:02:36

Orlando Gibbons, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

21
Le Veglie di Siena: Madrigal Complimenti del Principe a Vegliatori à 6 voix
Les Voix Baroques
00:01:34

Orazio Vecchi, Composer - Les Voix Baroques, Choir, MainArtist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2009 ATMA Classique

Resenha do Álbum

It's difficult to figure out from the cover, or from Internet images, what all is going on in this fine release by Montreal's Les Voix Baroques and Consort Les Voix Humaines. Even the booklet doesn't help much, going into great detail about a semi-theatrical comic work from 1604 by Monteverdi's contemporary Orazio Vecchi; only two small sections of the work are recorded here. Instead, the musicians use Vecchi as a springboard for a program of early Baroque vocal and instrumental pieces whose organization parallels that of a scene in the Vecchi work: a group of guests at a Carnival banquet begin to do imitations of accents and behaviors of people from various nations. The result is a set of pieces from the early years of the seventeenth century, divided into national schools or "humors." Germany is "martial," France "comic," Italy "light," and England "melancholic," with the whole thing framed by a pair of Vecchi's madrigals and a short processional piece by Giovanni Gastoldi. On top of all this, most of the music is oriented toward Carnival, with comic, sexual, and grotesque themes. There are a couple of complaints here. Caspar Othmayr's macaronic song Quis quis requiem quaeris (track 5), with its graphic espousal of violence against women, could easily enough have been left on the scrap heap of history (and doesn't really fit the idea of the program anyway). And the "Lent" half of this "theatre of humors," apparently provided by "The Silver Swan" and other English pieces, doesn't quite come off; melancholy humor and Lenten sobriety are two different things. Nevertheless, the program as a whole puts various genres of music from this era -- madrigals, chansons, various instrumental styles -- together in a fresh and convincing way that captures something of the entertainment a noble court of the time would have found in the music. Much credit goes to a fine cast of Canadian, American, and British singers led by soprano Suzie LeBlanc. All texts are given in French, English, and their original languages where not one of those two.

© TiVo

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