Categorias:
Carrinho de compras 0

Serviço indisponível no momento.

Cindy Lee Berryhill|Garage Orchestra  (Deluxe Edition)

Garage Orchestra (Deluxe Edition)

Cindy Lee Berryhill

Folheto digital

Disponível em
16-Bit/44.1 kHz Estéreo

Streaming ilimitado

Escute agora este álbum em alta qualidade nos nossos aplicativos

Iniciar meu período de teste e começar a escutar este álbum

Curta este álbum nos aplicativos Qobuz com a sua assinatura

Assinar

Curta este álbum nos aplicativos Qobuz com a sua assinatura

After the sophomore slump of 1989's unfortunately uneven Naked Movie Star, Cindy Lee Berryhill left New York City, did some traveling, and made a home in California, where she settled into a committed relationship, began writing new songs, and took a new approach to how she performed them. Berryhill became friends with Randy Hoffman, a percussionist who had a large collection of instruments in his garage, and as they began toying with her songs, they invited a large and diverse variety of musicians to join in. While the title of 1994's Garage Orchestra refers to the fact Berryhill and her collaborators worked out their arrangements during sessions in Hoffman's garage, it also nods to the ambitious but unpretentious sound of the album as conjured by the dozens of folks who took part in the sessions. The massed backing vocals, buzzing string sections, woodwinds, and Hoffman's tympani, vibraphone, marimba, and other noisemakers give the songs a sound that's big and rich with nuance, but the music still has a playful quality, just ramshackle enough to be loose but still painting the big picture she requires with the layers of sound at her disposal. On tracks like "UFO Suite," "Father of the Seventh Son," and "Song for Brian," this music sounds like a homebrewed approximation of a classic Brian Wilson session of the '60s, with a dash of the Wrecking Crew and the Funk Brothers for additional flavor. And Berryhill was absolutely right to create this kind of scenery for her songs; Garage Orchestra strips away much of the social and political commentary of her early Anti-Folk material and instead gives a genuine sense of wonder to her tunes about love, humanity, and the curious world in which we exist, and as a vocalist and composer, she never sounded as eloquent or as fully engaged as she does here. In her way, Berryhill had just as much to say on Garage Orchestra as on her first two albums, but the greater dynamics and scope of these performances elevate the songs and the result is the finest album of her career.

© Mark Deming /TiVo

Mais informações

Garage Orchestra (Deluxe Edition)

Cindy Lee Berryhill

launch qobuz app Já baixei o Qobuz para Windows / MacOS Abrir

download qobuz app Ainda não baixei o Qobuz para Windows / MacOS Baixar o aplicativo Qobuz

Você está escutando amostras.

Escute mais de 100 milhões de músicas com um plano de streaming ilimitado.

Escute esta playlist e mais de 100 milhões de músicas com os nossos planos de streaming ilimitado.

A partir de R$ 21,60/mês

1
Father Of The Seventh Son
00:04:18

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

2
I Wonder Why
00:04:36

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

3
Radio Astronomy
00:03:48

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

4
Gary Handeman
00:05:32

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

5
Song For Brian
00:04:26

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

6
UFO Suite
00:07:40

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

7
I Want Stuff
00:03:36

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

8
Every Someone Tonight
00:03:30

Cindy Lee Berryhill, Composer, MainArtist - Paul Williams, Composer

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

9
Scariest Thing In The World
00:03:43

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

10
Etude For Ph. Machine
00:02:37

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 1994 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

11
Garage Orchestra Commercial ((I) [Bonus Track])
00:01:36

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

12
My Little Broken Heart ((San Diego Music Awards, 1992) [Bonus Track])
00:03:48

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

13
Father Of The Seventh Son ((Instrumental) [Bonus Track])
00:04:25

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

14
The Creator (Bonus Track)
00:03:08

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

15
Garage Orchestra Commercial ((II) [Bonus Track])
00:01:28

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

16
Song For Brian ((Alternate Version) [Bonus Track])
00:04:36

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

17
Garage Orchestra Commercial ((III) [Bonus Track])
00:01:34

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

18
Radio Astronomy ((Instrumental) [Bonus Track])
00:03:48

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

19
UFO Suite ((Pre-Assembly Tracking Session) [Bonus Track])
00:10:17

Cindy Lee Berryhill, Composer, MainArtist

© 2019 Omnivore Recordings, a division of Omnivore Entertainment Group, LLC. ℗ 2019 Cindy Lee Berryhill, under exclusive license to Omnivore Recordings

Resenha do Álbum

After the sophomore slump of 1989's unfortunately uneven Naked Movie Star, Cindy Lee Berryhill left New York City, did some traveling, and made a home in California, where she settled into a committed relationship, began writing new songs, and took a new approach to how she performed them. Berryhill became friends with Randy Hoffman, a percussionist who had a large collection of instruments in his garage, and as they began toying with her songs, they invited a large and diverse variety of musicians to join in. While the title of 1994's Garage Orchestra refers to the fact Berryhill and her collaborators worked out their arrangements during sessions in Hoffman's garage, it also nods to the ambitious but unpretentious sound of the album as conjured by the dozens of folks who took part in the sessions. The massed backing vocals, buzzing string sections, woodwinds, and Hoffman's tympani, vibraphone, marimba, and other noisemakers give the songs a sound that's big and rich with nuance, but the music still has a playful quality, just ramshackle enough to be loose but still painting the big picture she requires with the layers of sound at her disposal. On tracks like "UFO Suite," "Father of the Seventh Son," and "Song for Brian," this music sounds like a homebrewed approximation of a classic Brian Wilson session of the '60s, with a dash of the Wrecking Crew and the Funk Brothers for additional flavor. And Berryhill was absolutely right to create this kind of scenery for her songs; Garage Orchestra strips away much of the social and political commentary of her early Anti-Folk material and instead gives a genuine sense of wonder to her tunes about love, humanity, and the curious world in which we exist, and as a vocalist and composer, she never sounded as eloquent or as fully engaged as she does here. In her way, Berryhill had just as much to say on Garage Orchestra as on her first two albums, but the greater dynamics and scope of these performances elevate the songs and the result is the finest album of her career.

© Mark Deming /TiVo

Sobre o álbum

Melhorar as informações do álbum
Mais sobre o Qobuz
Por Cindy Lee Berryhill

Straight Outta Marysville (Expanded)

Cindy Lee Berryhill

Woke Up From A Dream & Emperor: Little Boots

Cindy Lee Berryhill

Naked Movie Star

Cindy Lee Berryhill

Naked Movie Star Cindy Lee Berryhill

Garage Orchestra

Cindy Lee Berryhill

Garage Orchestra Cindy Lee Berryhill

Who's Gonna Save The World?

Cindy Lee Berryhill

Who's Gonna Save The World? Cindy Lee Berryhill

Playlists

Você também pode gostar...

From A Room: Volume 1

Chris Stapleton

From A Room: Volume 1 Chris Stapleton

How Does That Grab You?

Nancy Sinatra

Speak Now (Taylor's Version)

Taylor Swift

American IV: The Man Comes Around

Johnny Cash

COWBOY CARTER

Beyoncé

COWBOY CARTER Beyoncé