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Taylor Swift|Fearless (Taylor's Version): The Halfway Out The Door Chapter

Fearless (Taylor's Version): The Halfway Out The Door Chapter

Taylor Swift

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Taylor Swift abandons any pretense that she's a teen on her second album, Fearless -- which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on 2008's Fearless: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this truer than on "Fifteen," a kind warning for a teen to watch her heart sung from the perspective of a woman who's perhaps twice that age -- a sly trick for the 18-year-old Swift. There may be a hint of youthfulness to her singing but that's the only hint of girlishness here; her writing -- and she had a hand in penning all 13 tracks here, with six of them bearing her solitary credit -- is sharply, subtly crafted and the music is softly assured, never pushing its hooks too hard and settling into a warm bed of guitars and keyboards. Like many country-pop albums of the 2000s, the pop heavily outweighs the country -- there aren't fiddles here, there are violins -- yet Fearless never feels garish, a crass attempt at a crossover success. It's small-scale and sweetly tuneful, always seeming humble even when the power ballads build to a big close. Swift's gentle touch is as enduring as her songcraft, and this musical maturity may not quite jibe with her age but it does help make Fearless one of the best mainstream pop albums of 2008.
© Stephen Thomas Erlewine /TiVo

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Fearless (Taylor's Version): The Halfway Out The Door Chapter

Taylor Swift

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1
Mr. Perfectly Fine (Taylor’s Version) (From The Vault)
00:04:37

John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - David Hart, Recording Engineer, StudioPersonnel - Taylor Swift, Producer, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Laura Sisk, Recording Engineer, StudioPersonnel - John Rooney, Asst. Recording Engineer, StudioPersonnel - Christopher Rowe, Vocal Engineer, StudioPersonnel - Jon Sher, Asst. Recording Engineer, StudioPersonnel - Jack Antonoff, Producer, Acoustic Guitar, Electric Guitar, Keyboards, Percussion, Recording Engineer, Bass, Synthesizer, Programming, Background Vocalist, AssociatedPerformer, StudioPersonnel - Randy Merrill, Mastering Engineer, StudioPersonnel - Sean Hutchinson, Drums, AssociatedPerformer - Evan Smith, Synthesizer, Saxophones, AssociatedPerformer - Michael Riddleberger, Percussion, AssociatedPerformer - Mikey Freedom Hart, Guitar, Electric Guitar, Pedal Steel, AssociatedPerformer, 12-String Acoustic Guitar

℗ 2021 Taylor Swift

2
Forever & Always (Taylor’s Version)
00:03:45

Max Bernstein, Electric Guitar, AssociatedPerformer - David Payne, Recording Engineer, StudioPersonnel - John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Lowell Reynolds, Additional Engineer, Asst. Recording Engineer, StudioPersonnel - Jonathan Yudkin, Fiddle, AssociatedPerformer - Dan Burns, Drum Programming, AssociatedPerformer - Taylor Swift, Producer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Billingslea, Drums, Drum Programming, AssociatedPerformer - Christopher Rowe, Producer, Vocal Engineer, StudioPersonnel - Randy Merrill, Mastering Engineer, StudioPersonnel - Paul Sidoti, Electric Guitar, Background Vocalist, AssociatedPerformer - Mike Meadows, Acoustic Guitar, Background Vocalist, AssociatedPerformer - Amos Heller, Bass, AssociatedPerformer - Derek Garten, Additional Engineer, StudioPersonnel

℗ 2021 Taylor Swift

3
White Horse (Taylor’s Version)
00:03:53

Liz Rose, ComposerLyricist - David Payne, Recording Engineer, StudioPersonnel - John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Lowell Reynolds, Additional Engineer, Asst. Recording Engineer, StudioPersonnel - Jonathan Yudkin, Strings, AssociatedPerformer - Taylor Swift, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Billingslea, Drums, AssociatedPerformer - Christopher Rowe, Producer, Vocal Engineer, StudioPersonnel - Randy Merrill, Mastering Engineer, StudioPersonnel - Paul Sidoti, Piano, AssociatedPerformer - Mike Meadows, Acoustic Guitar, Background Vocalist, AssociatedPerformer - Amos Heller, Bass, AssociatedPerformer - Derek Garten, Additional Engineer, StudioPersonnel

℗ 2021 Taylor Swift

4
You’re Not Sorry (Taylor’s Version)
00:04:21

Max Bernstein, Electric Guitar, AssociatedPerformer - David Payne, Recording Engineer, StudioPersonnel - John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Lowell Reynolds, Additional Engineer, Asst. Recording Engineer, StudioPersonnel - Jonathan Yudkin, Strings, AssociatedPerformer - Taylor Swift, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Billingslea, Drums, AssociatedPerformer - Christopher Rowe, Producer, Vocal Engineer, StudioPersonnel - Randy Merrill, Mastering Engineer, StudioPersonnel - Paul Sidoti, Piano, AssociatedPerformer - Mike Meadows, Electric Guitar, Background Vocalist, AssociatedPerformer - Amos Heller, Bass, AssociatedPerformer - Derek Garten, Additional Engineer, StudioPersonnel

℗ 2021 Taylor Swift

5
Breathe (Taylor’s Version)
00:04:23

Max Bernstein, Electric Guitar, AssociatedPerformer - David Payne, Recording Engineer, StudioPersonnel - John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Lowell Reynolds, Additional Engineer, Asst. Recording Engineer, StudioPersonnel - Colbie Caillat, Vocals, FeaturedArtist, AssociatedPerformer, ComposerLyricist - Jonathan Yudkin, Strings, AssociatedPerformer - Taylor Swift, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Billingslea, Drums, AssociatedPerformer - Christopher Rowe, Producer, Vocal Engineer, StudioPersonnel - Randy Merrill, Mastering Engineer, StudioPersonnel - Paul Sidoti, Acoustic Guitar, AssociatedPerformer - Mike Meadows, Acoustic Guitar, Mandolin, Piano, AssociatedPerformer - Amos Heller, Bass, AssociatedPerformer - Derek Garten, Additional Engineer, StudioPersonnel

℗ 2021 Taylor Swift

6
The Other Side Of The Door (Taylor’s Version)
00:03:57

Max Bernstein, Electric Guitar, AssociatedPerformer - David Payne, Recording Engineer, StudioPersonnel - John Hanes, Engineer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Lowell Reynolds, Additional Engineer, Asst. Recording Engineer, StudioPersonnel - Dan Burns, AssociatedPerformer, Electronic Percussion - Taylor Swift, Producer, Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Matt Billingslea, Drums, AssociatedPerformer, Electronic Percussion - Christopher Rowe, Producer, Vocal Engineer, StudioPersonnel - Randy Merrill, Mastering Engineer, StudioPersonnel - Paul Sidoti, Electric Guitar, AssociatedPerformer - Mike Meadows, Banjo, Acoustic Guitar, Mandolin, Dobro, Background Vocalist, AssociatedPerformer - Amos Heller, Bass, AssociatedPerformer - Derek Garten, Additional Engineer, StudioPersonnel

℗ 2021 Taylor Swift

Resenha do Álbum

Taylor Swift abandons any pretense that she's a teen on her second album, Fearless -- which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled 2006 debut, there's nothing at all diva-like about Swift on 2008's Fearless: she's soft-spoken and considerate, a big sister instead of a big star. Nowhere is this truer than on "Fifteen," a kind warning for a teen to watch her heart sung from the perspective of a woman who's perhaps twice that age -- a sly trick for the 18-year-old Swift. There may be a hint of youthfulness to her singing but that's the only hint of girlishness here; her writing -- and she had a hand in penning all 13 tracks here, with six of them bearing her solitary credit -- is sharply, subtly crafted and the music is softly assured, never pushing its hooks too hard and settling into a warm bed of guitars and keyboards. Like many country-pop albums of the 2000s, the pop heavily outweighs the country -- there aren't fiddles here, there are violins -- yet Fearless never feels garish, a crass attempt at a crossover success. It's small-scale and sweetly tuneful, always seeming humble even when the power ballads build to a big close. Swift's gentle touch is as enduring as her songcraft, and this musical maturity may not quite jibe with her age but it does help make Fearless one of the best mainstream pop albums of 2008.
© Stephen Thomas Erlewine /TiVo

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